- May 2, 1972 (54)
- København, Danmark
- Editor and director
- 10 on Motif · 15 credits in all
What are Steen Johannessen's films like?
Across their 9 Motif titles with a thematic analysis, their films lean Society and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
A split, not a type: Light 3 · Serious 2 · Dark 4
Grounded 9 · Stylized 0 · Heightened 0
A split, not a type: Gentle 3 · Charged 2 · Intense 4
A split, not a type: Steady 4 · Shifting 3 · Whiplash 2
A split, not a type: Straight-faced 6 · Some laughs 2 · Funny 1
Slow burn 6 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 3 · Full focus 3
Easy watch 3 · Affecting 3 · Heavy 3
Resolved 6 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Steen Johannessen's films?
As of October 24, 2026, 2 of their 10 Motif titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Steen Johannessen's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 10 with a Motif page.

Velkommen til frontlinjen (not in the Motif catalog yet)(2024)

Can't Feel Nothing(2024)
Midcredits score: 65th percentile of all films
A Storm Foretold(2023)
Midcredits score: 94th percentile of all films
Fat Front(2019)
Midcredits score: 55th percentile of all films
Last Men in Aleppo(2017)
Midcredits score: 86th percentile of all films
Who We Were(2016)
Midcredits score: 80th percentile of all films (provisional, few ratings)
Motley's Law(2015)
Midcredits score: 67th percentile of all films
The Road(2015)
Midcredits score: 97th percentile of all films
A Life in Dirty Movies(2013)
Midcredits score: 61st percentile of all filmsThe President (not in the Motif catalog yet)(2011)
Dagbog fra midten (not in the Motif catalog yet)(2009)

The Secret War (not in the Motif catalog yet)(2006)

The Good Cop(2004)
Midcredits score: 41st percentile of all films
Defense (not in the Motif catalog yet)(2003)

Von Trier's 100 øjne(2000)
Midcredits score: 62nd percentile of all films
Career shape
A full career of 9 titles from 2003 to 2024.
How do Steen Johannessen's films land?
Their typical Motif film has a Midcredits score in the 66th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up4
- 50th to 74th5
- 25th to 49th1
Shape of the crowd
4 of their 10 titles are Crowd Pleasers.
- Universally Loved2
- Cult Classic1
- Crowd Pleaser4
- Broadly Agreed1
- Mixed2
Reviewers score the pacing 53/100 in their films, across 4 reviewed titles; fans 58, detractors 35. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Steen Johannessen work with?
People who share at least 2 of Steen Johannessen's Motif titles, grouped by what they did on them; Nicolaj Monberg shares the most, 2.
Cinematographers and editors
- Nicolaj MonbergShared titles: Can't Feel Nothing (2024), Motley's Law (2015)See all 2 shared titles with Nicolaj Monberg

- Henrik Bohn IpsenShared titles: Last Men in Aleppo (2017), Motley's Law (2015)See all 2 shared titles with Henrik Bohn Ipsen
Producers
- Mette Hoffman MeyerShared titles: Last Men in Aleppo (2017), The Road (2015)See all 2 shared titles with Mette Hoffman Meyer
- Helle FaberShared titles: Who We Were (2016), Motley's Law (2015)See all 2 shared titles with Helle Faber

