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Stefan Jonas

Producer

Works as
Producer
Titles
14 on MovieCove

What are Stefan Jonas' films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 2 · Dark 6

Grounded 6 · Stylized 6 · Heightened 2

A split, not a type: Gentle 3 · Charged 4 · Intense 7

Steady 3 · Shifting 7 · Whiplash 4

Straight-faced 9 · Some laughs 3 · Funny 2

Slow burn 5 · Even-paced 7 · Relentless 2

Casual 7 · Engaged 7 · Full focus 0

A split, not a type: Easy watch 6 · Affecting 3 · Heavy 5

Resolved 8 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Dread
6
Melancholic
7
Absurd
4
Thrilling
4
Other
5

How their films end · 3 with a twist

  • Happy3
  • Bittersweet3
  • Tragic3
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stefan Jonas' films?

As of October 24, 2026, 10 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Stefan Jonas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

  • The Number One Girl(2006)

    Producer

    Midcredits score: 1st percentile of all films
  • Havoc(2005)

    Producer

    Midcredits score: 20th percentile of all films
  • House of 9(2005)

    Producer

    Midcredits score: 19th percentile of all films
  • Eulogy(2004)

    Producer

    Midcredits score: 55th percentile of all films
  • Modigliani(2004)

    Producer

    Midcredits score: 79th percentile of all films
  • Out of Season(2004)

    Producer

    Midcredits score: 8th percentile of all films
  • The Defender(2004)

    Producer

    Midcredits score: 19th percentile of all films
  • Wake of Death(2004)

    Producer

    Midcredits score: 31st percentile of all films
  • Midcredits score: 66th percentile of all films
  • Sumuru(2003)

    Producer

    Midcredits score: 6th percentile of all films
  • The Company(2003)

    Producer

    Midcredits score: 55th percentile of all films
  • Legion of the Dead(2001)

    Producer

    Midcredits score: 2nd percentile of all films
  • Rave Macbeth(2001)

    Producer

    Midcredits score: 40th percentile of all films
  • Heavy Metal 2000(2000)

    Producer

    Midcredits score: 25th percentile of all films

Career shape

Across their 14 MovieCove titles from 2000 to 2006.

By role

only this rolewith another role
Producing14 of 14: 14 only producing, 0 with another role · typical Midcredits score23rd

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Stefan Jonas' films land?

Their typical MovieCove film has a Midcredits score in the 23rd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 14

Approval · how many liked their films

23rdpercentile
Typical film, the median of 14

Reach · how many have seen their films

76thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th7

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Stefan Jonas' work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 68 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 70 · intenseMedian of all films: 32
Profanity3 titlesmedian 73 · intenseMedian of all films: 36
Frightening / Intense3 titlesmedian 67 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Stefan Jonas work with?

People who share at least 2 of Stefan Jonas' MovieCove titles, grouped by what they did on them; Douglas W. Miller shares the most, 6.

Writers

Actors

Composers, cinematographers and editors

Producers