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Damian Jones

Damian Jones

Producer · Born January 1, 1964 (62) · England, UK

BAFTA Award winner

Damian Jones was born in 1964 in England, UK. He is a producer and actor, known for Belle (2013), See How They Run (2022) and Rye Lane (2023).

Biography from IMDb.

Born
January 1, 1964 (62)
From
England, UK
Works as
Producer
Titles
39 on MovieCove · 47 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Up 5% in 30 days

What are Damian Jones' films like?

Across their 38 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy19 titlesTypical Midcredits score: 51st percentile, at or above their average across these genres
: browse their Comedy movies
Biography6 titlesTypical Midcredits score: 77th percentile, at or above their average across these genres
: browse their Biography movies
Drama5 titlesTypical Midcredits score: 43rd percentile
: browse their Drama movies
Crime4 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Crime movies
Adventure2 titlesTypical Midcredits score: 15th percentile
: browse their Adventure movies
Horror2 titlesTypical Midcredits score: 18th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
36%
Self
26%
Society
12%
Survival
11%
Morality
10%
Power
4%
Ideas
2%
Family bonds13 titles, browse their movies with this themeRomantic love8 titles, browse their movies with this themeFriendship8 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themePurpose6 titles, browse their movies with this themeSelf-worth5 titles, browse their movies with this themeGrief5 titles, browse their movies with this themeRedemption3 titles, browse their movies with this theme

What they feel like to watch

their average across 38 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 18 · Serious 12 · Dark 8

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 23 · Stylized 10 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 14 · Charged 17 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 14 · Shifting 18 · Whiplash 6

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 9 · Some laughs 18 · Funny 11

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 15 · Even-paced 23 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 21 · Engaged 15 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 17 · Affecting 11 · Heavy 10

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 27 · Open-ended 10 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
15
Melancholic
14
Tense
11
Bittersweet
15
Absurd
10
Other
40

How their films linger

Feel-good14 titles, browse their movies with this aftertasteHopeful15 titles, browse their movies with this aftertasteBittersweet13 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertasteFun8 titles, browse their movies with this aftertasteUnsettling6 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy11
  • Bittersweet19
  • Tragic2
  • Ambiguous5
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Damian Jones' films?

As of October 24, 2026, 25 of their 39 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Also on these channels

Subscription and free streaming for Damian Jones' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

47 credits, 39 with a MovieCove page.

  • The Choral(2025)

    Producer

    Midcredits score: 57th percentile of all films

  • Seize Them! (not in the MovieCove catalog yet)(2024)

    Producer

  • T.I.M.(2023)

    Executive Producer

    Midcredits score: 22nd percentile of all films

  • Greatest Days(2023)

    Producer

    Midcredits score: 36th percentile of all films

  • Allelujah(2022)

    Producer

    Midcredits score: 38th percentile of all films

  • Rye Lane(2023)

    Producer

    Midcredits score: 90th percentile of all films

  • I Used to Be Famous(2022)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • See How They Run(2022)

    Producer

    Midcredits score: 58th percentile of all films

  • Brian and Charles(2022)

    Executive Producer

    Midcredits score: 72nd percentile of all films

  • The Nan Movie(2022)

    Producer

    Midcredits score: 22nd percentile of all films

  • Boxing Day(2021)

    Producer

    Midcredits score: 43rd percentile of all films

  • Monday(2020)

    Producer

    Midcredits score: 43rd percentile of all films

  • Amulet(2020)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • Blue Story(2019)

    Producer

    Midcredits score: 65th percentile of all films

  • Greed(2019)

    Producer

    Midcredits score: 31st percentile of all films

  • Goodbye Christopher Robin(2017)

    Producer

    Midcredits score: 83rd percentile of all films

  • A Street Cat Named Bob(2016)

    Executive Producer

    Midcredits score: 92nd percentile of all films

  • Brotherhood (not in the MovieCove catalog yet)(2016)

    Executive Producer

  • Absolutely Fabulous: The Movie(2016)

    Producer

    Midcredits score: 27th percentile of all films

  • Dad's Army(2016)

    Producer

    Midcredits score: 18th percentile of all films

  • The Lady in the Van(2015)

    Producer

    Midcredits score: 70th percentile of all films

  • Powder Room(2013)

    Producer

    Midcredits score: 14th percentile of all films

  • Belle(2013)

    Producer

    Midcredits score: 88th percentile of all films

  • The Iron Lady(2011)

    Producer

    Midcredits score: 53rd percentile of all films

  • Sex & Drugs & Rock & Roll(2010)

    Producer

    Midcredits score: 65th percentile of all films

  • Public Sex(2009)

    Producer

    Midcredits score: 7th percentile of all films

  • Adulthood(2008)

    Producer

    Midcredits score: 66th percentile of all films

  • Closure(2007)

    Producer

    Midcredits score: 23rd percentile of all films

  • The History Boys(2006)

    Producer

    Midcredits score: 74th percentile of all films

  • Alpha Male (not in the MovieCove catalog yet)(2006)

    Producer

  • Kidulthood(2006)

    Producer

    Midcredits score: 72nd percentile of all films

  • Millions(2004)

    Producer

    Midcredits score: 72nd percentile of all films

  • The Phantom of the Opera(2004)

    as Candelabra Holder

    Midcredits score: 85th percentile of all films

  • Gladiatress(2004)

    Producer

    Midcredits score: 8th percentile of all films

  • Thunderpants(2002)

    Producer

    Midcredits score: 7th percentile of all films

  • Dancing at the Blue Iguana(2000)

    Producer

    Midcredits score: 31st percentile of all films

  • Very Annie Mary(2001)

    Producer

    Midcredits score: 55th percentile of all films

  • Some Voices(2000)

    Producer

    Midcredits score: 67th percentile of all films

  • Splendor(1999)

    Producer

    Midcredits score: 51st percentile of all films

  • The Debt Collector (not in the MovieCove catalog yet)(1999)

    Producer

  • A Texas Funeral(1999)

    Producer

    Midcredits score: 43rd percentile of all films

  • Welcome to Sarajevo(1997)

    Producer

    Midcredits score: 74th percentile of all films

  • Gridlock'd(1997)

    Producer

    Midcredits score: 79th percentile of all films

  • Rubin & Ed (not in the MovieCove catalog yet)(1992)

    Associate Producer

  • Sleeping with the Enemy (not in the MovieCove catalog yet)

    Producer

  • The Roots Manœuvre (not in the MovieCove catalog yet)

    Producer

  • Untitled Alexander McQueen Biopic (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 44 titles, 41 of them dated from 1992 to 2025.

Biggest box office

The Iron Lady (2011)

$116M worldwide

Highest rated

A Street Cat Named Bob (2016)

Midcredits 92nd

Most popular right now

The Choral (2025)

By role

only this rolewith another role
Acting1 of 44: 1 only acting, 0 with another roleProducing43 of 44: 43 only producing, 0 with another role · typical Midcredits score57th

By decade

1990s6 · crew2000s10 · 1 acting · 9 crew2010s12 · crew2020s13 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

a BAFTA Award from 3 major nominations, 1990–2024.

WinNomination
  1. 2024
    • BAFTA Award, nominated · Outstanding British Film of the Year
  2. 2023
    • BAFTA Award, nominated · Outstanding British Film of the Year
  3. 1990
    • BAFTA Award, won · Best Short Film

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Damian Jones' films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 39; across their 38 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 38

Approval · how many liked their films

56thpercentile
Typical film, the median of 38

Reach · how many have seen their films

84thpercentile
Typical film, the median of 38

Midcredits score across 39 titles, by percentile

  • 75th and up6
  • 50th to 74th16
  • 25th to 49th8
  • Below 25th9

Shape of the crowd

19 of their 39 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser19
  • Broadly Agreed2
  • Mixed15

Most divisive · producer

Thunderpants (2002)

84th percentile spread · 57% rated it 4 or lower

Most loved · producer

A Street Cat Named Bob (2016)

Midcredits 92nd · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Damian Jones' work okay for kids?

Across up to 27 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films and violence & gore lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore17 titles8–58 · median 33 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity27 titles13–65 · median 44 · moderateheavier than most filmsMedian of all films: 32
Profanity18 titles28–79 · median 48 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs16 titles26–79 · median 42 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense16 titles8–48 · median 31 · mildnear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Damian Jones work with?

People who share at least 2 of Damian Jones' MovieCove titles, grouped by what they did on them; Graham Broadbent shares the most, 9.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers