
Jennifer Jones
Actor · Died December 17, 2009, aged 90 · Tulsa, Oklahoma, USA
Oscar winner · Golden Globe winner
From Wikipedia, the free encyclopedia. Phylis Lee Isley (March 2, 1919 – December 17, 2009), better known by her stage name Jennifer Jones, was an American actress. A five-time Academy Award nominee, Jones won the Academy Award for Best Actress for her performance in The Song of Bernadette (1943).
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Biography from TMDB.
- March 2, 1919
- December 17, 2009 (aged 90)
- Tulsa, Oklahoma, USA
- Actor
- 25 on MovieCove · 30 credits in all
What are Jennifer Jones' films like?
Across their 24 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 0 · Earnest 22
A split, not a type: Light 6 · Serious 8 · Dark 10
A split, not a type: Grounded 11 · Stylized 7 · Heightened 6
Gentle 4 · Charged 14 · Intense 6
Steady 15 · Shifting 8 · Whiplash 1
Straight-faced 21 · Some laughs 2 · Funny 1
Slow burn 15 · Even-paced 8 · Relentless 1
Casual 11 · Engaged 11 · Full focus 2
Easy watch 6 · Affecting 9 · Heavy 9
Resolved 20 · Open-ended 2 · Ambiguous 2
Roles they play
Usually the Hero: 10 of 16 analyzed roles.
Show the 16 rolesHide the roles
- Shapeshifteras Victoria Morland / Singleton in Love Letters (1945)
- Heroas Cluny Brown in Cluny Brown (1946)
- Heroas Pearl Chavez in Duel in the Sun (1946)
- Shapeshifteras Jennie Appleton in Portrait of Jennie (1948)
- Heroas Emma Bovary in Madame Bovary (1949)
- Heroas China Valdés in We Were Strangers (1949)
- Heroas Hazel Woodus in The Wild Heart (1950)
- Heroas Carrie Meeber in Carrie (1952)
- Heroas Ruby Gentry in Ruby Gentry (1952)
- Heroas Mary Forbes in Stazione Termini (1953)
- Shapeshifteras Gwendolen Chelm in Beat the Devil (1953)
- Heroas Miss Dove in Good Morning, Miss Dove (1955)
- Heroas Dr. Han Suyin in Love Is a Many-Splendored Thing (1955)
- Allyas Betsy Rath in The Man in the Gray Flannel Suit (1956)
- Allyas Catherine Barkley in A Farewell to Arms (1957)
- Shapeshifteras Astrid Steele in Angel, Angel, Down We Go (1969)
Moods and endings
- Happy7
- Bittersweet10
- Tragic6
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jennifer Jones' films?
As of October 24, 2026, 9 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Jennifer Jones' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
30 credits, 25 with a MovieCove page; 7 appearances as themselves are hidden until asked for.
Midcredits score: 87th percentile of all films
The Strangest Dream(2008)
Midcredits score: 65th percentile of all films (provisional, few ratings)
The Towering Inferno(1974)
Midcredits score: 82nd percentile of all films
That's Entertainment!(1974)
Midcredits score: 92nd percentile of all films
Angel, Angel, Down We Go(1969)
Midcredits score: 15th percentile of all films
The Idol (not in the MovieCove catalog yet)(1966)

Uncertain Verification (not in the MovieCove catalog yet)(1965)

Tender Is the Night(1962)
Midcredits score: 42nd percentile of all films
A Farewell to Arms(1957)
Midcredits score: 34th percentile of all films
The Barretts of Wimpole Street (not in the MovieCove catalog yet)(1957)
Midcredits score: 81st percentile of all films
Good Morning, Miss Dove(1955)
Midcredits score: 77th percentile of all films
Midcredits score: 56th percentile of all films
Beat the Devil(1953)
Midcredits score: 57th percentile of all films
Stazione Termini(1953)
Midcredits score: 45th percentile of all films
Ruby Gentry(1952)
Midcredits score: 73rd percentile of all films
Carrie(1952)
Midcredits score: 86th percentile of all films
The Wild Heart(1950)
Midcredits score: 74th percentile of all films
Madame Bovary(1949)
Midcredits score: 78th percentile of all films
We Were Strangers(1949)
Midcredits score: 64th percentile of all films
Portrait of Jennie(1948)
Midcredits score: 93rd percentile of all films
Duel in the Sun(1946)
Midcredits score: 70th percentile of all films
Cluny Brown(1946)
Midcredits score: 92nd percentile of all films
Love Letters(1945)
Midcredits score: 80th percentile of all films
The Fighting Generation (not in the MovieCove catalog yet)(1944)

Since You Went Away(1944)
Midcredits score: 89th percentile of all films
The Song of Bernadette(1943)
Midcredits score: 92nd percentile of all films
Dick Tracy's G-Men(1939)
Midcredits score: 54th percentile of all films
The Streets of New York (not in the MovieCove catalog yet)(1939)

New Frontier(1939)
Midcredits score: 22nd percentile of all films
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 29 titles from 1939 to 2009.

Biggest box office
The Towering Inferno (1974)

Highest rated
Portrait of Jennie (1948)

Most popular right now
The Towering Inferno (1974)
Film career
Top draw in 9 MovieCove titles.
- 1939Screen debut· New Frontier
- 1943First top-billed film· The Song of Bernadette
- 1943Breakout· The Song of Bernadette
- 1943Oscar win· The Song of Bernadette
- 1955Oscar nomination· Love Is a Many-Splendored Thing
- 1974Golden Globe nomination· The Towering Inferno
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
Awards
an Oscar and a Golden Globe from 7 major nominations, 1944–1975.
- Golden Globe, nominated · Best Supporting Actress - Motion Picture
- Oscar, nominated · Best Actress in a Leading Role
- Oscar, nominated · Best Actress in a Leading Role
- Oscar, nominated · Best Actress in a Leading Role
- Oscar, nominated · Best Actress in a Supporting Role
- Oscar, won · Best Actress in a Leading Role
- Golden Globe, won · Best Actress
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Jennifer Jones' films land?
Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 25; across their 24 films with reception data, the typical film sits in the 73rd percentile for acclaim.
- 75th and up12
- 50th to 74th8
- 25th to 49th3
- Below 25th2
Shape of the crowd
13 of their 25 titles are Crowd Pleasers.
- Universally Loved5
- Divisive1
- Crowd Pleaser13
- Broadly Agreed2
- Mixed4
Reviewers score the acting 66/100 in their films, across 23 reviewed titles; fans 76, detractors 39. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Jennifer Jones' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Jennifer Jones work with?
People who share at least 2 of Jennifer Jones' MovieCove titles, grouped by what they did on them; Ben Hecht shares the most, 5.
Directors
- Henry KingShared titles: Tender Is the Night (1962), Love Is a Many-Splendored Thing (1955), The Song of Bernadette (1943)See all 3 shared titles with Henry King

- John HustonShared titles: A Farewell to Arms (1957), Beat the Devil (1953), We Were Strangers (1949)See all 3 shared titles with John Huston

- William DieterleShared titles: Portrait of Jennie (1948), Duel in the Sun (1946), Love Letters (1945)See all 3 shared titles with William Dieterle

- King VidorShared titles: Ruby Gentry (1952), Duel in the Sun (1946)See all 2 shared titles with King Vidor

Writers
- Ben HechtShared titles: A Farewell to Arms (1957), Stazione Termini (1953), We Were Strangers (1949), Portrait of Jennie (1948), Duel in the Sun (1946)See all 5 shared titles with Ben Hecht

- David O. SelznickShared titles: A Farewell to Arms (1957), Stazione Termini (1953), Portrait of Jennie (1948), Duel in the Sun (1946), Since You Went Away (1944)See all 5 shared titles with David O. Selznick

- Peter ViertelShared titles: Beat the Devil (1953), We Were Strangers (1949)See all 2 shared titles with Peter Viertel

- Truman CapoteShared titles: Beat the Devil (1953), Stazione Termini (1953)See all 2 shared titles with Truman Capote

Actors
- Joseph CottenShared titles: Portrait of Jennie (1948), Duel in the Sun (1946), Love Letters (1945), Since You Went Away (1944)See all 4 shared titles with Joseph Cotten

- Gladys CooperShared titles: Madame Bovary (1949), Love Letters (1945), The Song of Bernadette (1943)See all 3 shared titles with Gladys Cooper

- Gina LollobrigidaShared titles: Rock Hudson: All That Heaven Allowed (2023), Beat the Devil (1953)See all 2 shared titles with Gina Lollobrigida

- William HoldenShared titles: The Towering Inferno (1974), Love Is a Many-Splendored Thing (1955)See all 2 shared titles with William Holden

Cinematographers and editors
- Lee GarmesShared titles: Portrait of Jennie (1948), Duel in the Sun (1946), Love Letters (1945), Since You Went Away (1944)See all 4 shared titles with Lee Garmes

- Leon ShamroyShared titles: Tender Is the Night (1962), Good Morning, Miss Dove (1955), Love Is a Many-Splendored Thing (1955)See all 3 shared titles with Leon Shamroy

- William ReynoldsShared titles: Tender Is the Night (1962), Good Morning, Miss Dove (1955), Love Is a Many-Splendored Thing (1955)See all 3 shared titles with William Reynolds

- Oswald MorrisShared titles: A Farewell to Arms (1957), Beat the Devil (1953), Stazione Termini (1953)See all 3 shared titles with Oswald Morris

Producers
- Darryl F. ZanuckShared titles: The Man in the Gray Flannel Suit (1956), Good Morning, Miss Dove (1955)See all 2 shared titles with Darryl F. Zanuck

Mixed roles
- Vittorio De SicaShared titles: A Farewell to Arms (1957), Stazione Termini (1953)See all 2 shared titles with Vittorio De Sica





