Laura Jones
Writer · Born January 1, 1951 (75) · Australia
- January 1, 1951 (75)
- Australia
- Writer
- 7 on MovieCove · 10 credits in all
What are Laura Jones' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 0 · Serious 4 · Dark 3
Grounded 4 · Stylized 3 · Heightened 0
Gentle 0 · Charged 7 · Intense 0
Steady 4 · Shifting 3 · Whiplash 0
Straight-faced 6 · Some laughs 1 · Funny 0
Slow burn 6 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 5 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 5
Resolved 4 · Open-ended 3 · Ambiguous 0
Moods and endings
- Bittersweet4
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Laura Jones' films?
As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Laura Jones' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 7 with a MovieCove page.
Brick Lane(2007)
Midcredits score: 57th percentile of all films
Possession(2002)
Midcredits score: 51st percentile of all films
Angela's Ashes(1999)
Midcredits score: 87th percentile of all films
Oscar and Lucinda(1997)
Midcredits score: 64th percentile of all films
A Thousand Acres(1997)
Midcredits score: 45th percentile of all films
The Well (not in the MovieCove catalog yet)(1997)
The Portrait of a Lady(1996)
Midcredits score: 51st percentile of all films
An Angel at My Table(1990)
Midcredits score: 91st percentile of all films
High Tide (not in the MovieCove catalog yet)(1987)
Cass (not in the MovieCove catalog yet)(1978)
Career shape
A full career of 10 titles from 1978 to 2007.
Biggest box office
Possession (2002)
Highest rated
An Angel at My Table (1990)
Most popular right now
Angela's Ashes (1999)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Laura Jones' films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th1
Shape of the crowd
None of their 7 titles divides audiences: 5 are Crowd Pleasers.
- Crowd Pleaser5
- Mixed2
Reviewers score the dialogue 50/100 and the plot and story 50/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Laura Jones' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Laura Jones work with?
People who share at least 2 of Laura Jones' MovieCove titles, grouped by what they did on them; Jane Campion shares the most, 2.
Directors
- Jane CampionShared titles: The Portrait of a Lady (1996), An Angel at My Table (1990)See all 2 shared titles with Jane Campion
Cinematographers and editors
- Stuart DryburghShared titles: The Portrait of a Lady (1996), An Angel at My Table (1990)See all 2 shared titles with Stuart Dryburgh
- Veronika JenetShared titles: The Portrait of a Lady (1996), An Angel at My Table (1990)See all 2 shared titles with Veronika Jenet
Producers
- Mark TurnbullShared titles: Oscar and Lucinda (1997), The Portrait of a Lady (1996)See all 2 shared titles with Mark Turnbull
- Steve GolinShared titles: A Thousand Acres (1997), The Portrait of a Lady (1996)See all 2 shared titles with Steve Golin
