
Robert Earl Jones
Actor · Died September 7, 2006, aged 96 · Tate County, Mississippi, USA
Robert Earl Jones (February 3, 1910 – September 7, 2006), sometimes credited as Earl Jones, was an American actor and professional boxer. One of the first prominent black film stars, Jones was a living link with the Harlem Renaissance of the 1920s and 1930s, having worked with Langston Hughes early in his career. Jones was best known for his leading roles in films such as Lying Lips (1939) and later in his career for supporting roles in films such as The Sting (1973), Trading Places (1983), The Cotton Club (1984), and Witness (1985). He was the father of actor James Earl Jones. From Wikipedia, the free encyclopedia
Read moreShow less
Biography from TMDB.
- February 3, 1910
- September 7, 2006 (aged 96)
- Tate County, Mississippi, USA
- Actor
- 18 on MovieCove · 27 credits in all
What are Robert Earl Jones' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 0 · Serious 1 · Dark 6
Grounded 6 · Stylized 1 · Heightened 0
Gentle 0 · Charged 5 · Intense 2
Steady 4 · Shifting 3 · Whiplash 0
Straight-faced 6 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 6 · Full focus 0
Easy watch 0 · Affecting 4 · Heavy 3
Resolved 5 · Open-ended 2 · Ambiguous 0
Roles they play
- Heroas Detective Wanzer in Lying Lips (1939)
- Allyas William Richards in One Potato, Two Potato (1964)
- Threshold guardianas The Trapper in Cold River (1982)
Moods and endings
- Happy1
- Bittersweet3
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Earl Jones' films?
As of October 24, 2026, 13 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (9).
- Witness (1985) · actor · free
- Cockfighter (1974) · actor · free
- The Cotton Club (1984) · actor · free
- Sleepaway Camp (1983) · actor · free
- The Displaced Person (1977) · actor · free
- Maniac Cop 2 (1990) · actor · free
- Cold River (1982) · actor · free
- Rain Without Thunder (1992) · actor · free
- Lying Lips (1939) · actor · free
Subscription and free streaming for Robert Earl Jones' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 18 with a MovieCove page.
Midcredits score: 1st percentile of all films
Rain Without Thunder(1992)
Midcredits score: 19th percentile of all films
Maniac Cop 2(1990)
Midcredits score: 41st percentile of all filmsStarlight: a Musical Movie (not in the MovieCove catalog yet)(1988)

Witness(1985)
Midcredits score: 91st percentile of all films
The Cotton Club(1984)
Midcredits score: 66th percentile of all films
A Billion for Boris (not in the MovieCove catalog yet)(1984)

Sleepaway Camp(1983)
Midcredits score: 55th percentile of all films
Trading Places(1983)
Midcredits score: 93rd percentile of all films
Cold River(1982)
Midcredits score: 36th percentile of all films
The Sophisticated Gents (not in the MovieCove catalog yet)(1981)

Proof of the Man(1977)
Midcredits score: 75th percentile of all films
Lou Grant (not in the MovieCove catalog yet)(1977)

The Displaced Person(1977)
Midcredits score: 42nd percentile of all films
Cockfighter(1974)
Midcredits score: 75th percentile of all films
The Sting(1973)
Midcredits score: 99th percentile of all films
Kojak(1973)
Midcredits score: 58th percentile of all showsMississippi Summer (not in the MovieCove catalog yet)(1971)

Great Performances (not in the MovieCove catalog yet)(1971)

One Potato, Two Potato(1964)
Midcredits score: 85th percentile of all films
Terror in the City(1964)
Midcredits score: 23rd percentile of all films (provisional, few ratings)
The Defenders (not in the MovieCove catalog yet)(1961)

The Secret of the Purple Reef (not in the MovieCove catalog yet)(1960)

Wild River(1960)
Midcredits score: 93rd percentile of all films
Odds Against Tomorrow(1959)
Midcredits score: 91st percentile of all films
The Notorious Elinor Lee (not in the MovieCove catalog yet)(1940)

Lying Lips(1939)
Midcredits score: 13th percentile of all films
Career shape
Star power in the 86th percentile of 239,109 people with a billed film role, over a full career of 27 titles from 1939 to 2012; peak year 1973.

Biggest box office
Sleepaway Camp (1983)

Highest rated
One Potato, Two Potato (1964)

Most popular right now
Sleepaway Camp (1983)
Film career
Peak 1973 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1959Screen debut· Odds Against Tomorrow
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Robert Earl Jones' films land?
Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 17; across their 7 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up8
- 50th to 74th3
- 25th to 49th3
- Below 25th4
Shape of the crowd
8 of their 18 titles are Crowd Pleasers.
- Universally Loved3
- Cult Classic2
- Crowd Pleaser8
- Broadly Agreed1
- Mixed4
Reviewers score the acting 55/100 in their films, across 6 reviewed titles; fans 64, detractors 27. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.





