Edward Joseph
- Producer
- 6 on MovieCove
What are Edward Joseph's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 5
A split, not a type: Light 3 · Serious 2 · Dark 1
A split, not a type: Grounded 3 · Stylized 2 · Heightened 1
Gentle 2 · Charged 3 · Intense 1
Steady 4 · Shifting 2 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 1
Slow burn 4 · Even-paced 1 · Relentless 1
Casual 2 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 3
A split, not a type: Resolved 4 · Open-ended 0 · Ambiguous 2
Moods and endings
- Bittersweet6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Edward Joseph's films?
As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Edward Joseph's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.
Yanks(1979)
Midcredits score: 56th percentile of all films
The Blue Bird(1976)
Midcredits score: 32nd percentile of all films
S*P*Y*S(1974)
Midcredits score: 10th percentile of all films
Sunday Bloody Sunday(1971)
Midcredits score: 77th percentile of all films
Midcredits score: 84th percentile of all films
Poor Cow(1967)
Midcredits score: 74th percentile of all films
Career shape
Across their 6 MovieCove titles from 1967 to 1979.
How do Edward Joseph's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
4 of their 6 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser4
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Edward Joseph work with?
People who share at least 2 of Edward Joseph's MovieCove titles, grouped by what they did on them; Joseph Janni shares the most, 4.
Directors
- John SchlesingerShared titles: Yanks (1979), Sunday Bloody Sunday (1971), Far from the Madding Crowd (1967)See all 3 shared titles with John Schlesinger
Actors
- Peter FinchShared titles: Sunday Bloody Sunday (1971), Far from the Madding Crowd (1967)See all 2 shared titles with Peter Finch
- Terence StampShared titles: Far from the Madding Crowd (1967), Poor Cow (1967)See all 2 shared titles with Terence Stamp
Composers and editors
- Jim ClarkShared titles: Yanks (1979), Far from the Madding Crowd (1967)See all 2 shared titles with Jim Clark
- Richard Rodney BennettShared titles: Yanks (1979), Far from the Madding Crowd (1967)See all 2 shared titles with Richard Rodney Bennett
Producers
- Joseph JanniShared titles: Yanks (1979), Sunday Bloody Sunday (1971), Far from the Madding Crowd (1967), Poor Cow (1967)See all 4 shared titles with Joseph Janni