
Mary Joy
Actor · Born August 25, 1948 (78) · Philadelphia, Pennsylvania, USA
Mary Joy was born in Philadelphia, Pennsylvania, USA. Mary is an actor, known for Secretary (2002), Desperately Seeking Susan (1985) and The Rundown (2003). Mary was previously married to Robert Joy.
Biography from IMDb.
- August 25, 1948 (78)
- Philadelphia, Pennsylvania, USA
- Actor
- 27 on MovieCove · 36 credits in all
What are Mary Joy's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 3
Light 1 · Serious 2 · Dark 2
Grounded 3 · Stylized 2 · Heightened 0
Gentle 1 · Charged 3 · Intense 1
Steady 0 · Shifting 4 · Whiplash 1
Straight-faced 1 · Some laughs 3 · Funny 1
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 2
Resolved 4 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mary Joy's films?
As of October 24, 2026, 21 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Mary Joy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
36 credits, 27 with a MovieCove page.

The Life List(2025)
Midcredits score: 74th percentile of all films
FBI(2018)
Midcredits score: 58th percentile of all shows
The Book of Henry(2017)
Midcredits score: 61st percentile of all films
Divorce(2016)
Midcredits score: 40th percentile of all shows
Freeheld(2015)
Midcredits score: 69th percentile of all films
Gotham(2014)
Midcredits score: 83rd percentile of all shows
Dark Horse(2011)
Midcredits score: 44th percentile of all films
Veep(2012)
Midcredits score: 95th percentile of all shows
Smash(2012)
Midcredits score: 76th percentile of all shows
Detachment(2011)
Midcredits score: 96th percentile of all films
The Other Woman(2009)
Midcredits score: 48th percentile of all films
Grey's Anatomy(2005)
Midcredits score: 77th percentile of all shows
The Ring Two(2005)
Midcredits score: 21st percentile of all films
Century City (not in the MovieCove catalog yet)(2004)

The Rundown(2003)
Midcredits score: 70th percentile of all films
Secretary(2002)
Midcredits score: 77th percentile of all filmsFor the People (not in the MovieCove catalog yet)(2002)

Boston Public (not in the MovieCove catalog yet)(2000)

Gilmore Girls(2000)
Midcredits score: 92nd percentile of all shows
Mojave Moon(1996)
Midcredits score: 18th percentile of all films
Girls Town(1996)
Midcredits score: 68th percentile of all films
Sweet Temptation (not in the MovieCove catalog yet)(1996)
Courthouse (not in the MovieCove catalog yet)(1995)

ER(1994)
Midcredits score: 88th percentile of all shows
Joey Breaker (not in the MovieCove catalog yet)(1993)
Midcredits score: 96th percentile of all shows
Tune in Tomorrow...(1990)
Midcredits score: 46th percentile of all films
Judgment(1990)
Midcredits score: 60th percentile of all films
Law & Order(1990)
Midcredits score: 79th percentile of all shows
Women and Wallace (not in the MovieCove catalog yet)(1990)

Candy Mountain(1987)
Midcredits score: 58th percentile of all films
Fatal Attraction(1987)
Midcredits score: 79th percentile of all films
The Days and Nights of Molly Dodd (not in the MovieCove catalog yet)(1987)

The Whoopee Boys(1986)
Midcredits score: 47th percentile of all films
Midcredits score: 55th percentile of all films
American Playhouse (not in the MovieCove catalog yet)(1982)
Career shape
Star power in the 92nd percentile of 239,109 people with a billed film role, over a full career of 36 titles from 1982 to 2025; peak year 2011.
Film career
Peak 2011 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1985Screen debut· Desperately Seeking Susan
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Mary Joy's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 17; across their 5 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up11
- 50th to 74th9
- 25th to 49th5
- Below 25th2
Shape of the crowd
16 of their 27 titles are Crowd Pleasers.
- Universally Loved4
- Cult Classic1
- Crowd Pleaser16
- Mixed6
Reviewers score the acting 76/100 in their films, across 5 reviewed titles; fans 82, detractors 58. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.




