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Eberhard Junkersdorf

Producer · Born September 27, 1938 (88) · Berlin, Germany

Hans-Eberhard Junkersdorf (born 27 September 1938) is a German film producer. A member of the jury at the 38th Berlin International Film Festival, he has produced more than 50 films since 1975.

Biography from TMDB.

Born
September 27, 1938 (88)
From
Berlin, Germany
Works as
Producer
Titles
18 on MovieCove · 51 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 31% in 30 days

What are Eberhard Junkersdorf's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Genres

Drama9 titlesTypical Midcredits score: 65th percentile, at or above their average across these genres
: browse their Drama movies
Biography2 titlesTypical Midcredits score: 63rd percentile
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
24%
Morality
19%
Bonds
18%
Power
13%
Survival
10%
Ideas
9%
Society
7%
Oppression3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeMemory2 titles, browse their movies with this themeTruth2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 2 · Serious 3 · Dark 10

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 9 · Stylized 4 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 0 · Charged 7 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 7 · Shifting 6 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 10 · Some laughs 4 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 10 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 9 · Full focus 4

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 2 · Affecting 3 · Heavy 10

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 6 · Open-ended 3 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
13
Melancholic
9
Contemplative
4
Joyful
2
Romantic
2
Other
8

How their films linger

Thought-provoking9 titles, browse their movies with this aftertasteUnsettling6 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteInfuriating2 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy2
  • Bittersweet3
  • Tragic4
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Eberhard Junkersdorf's films?

As of October 24, 2026, 9 of their 18 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (5).

Also on these channels

Subscription and free streaming for Eberhard Junkersdorf's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

51 credits, 18 with a MovieCove page; 4 appearances as themselves are hidden until asked for.

  • Mahler on the Couch(2010)

    Producer

    Midcredits score: 49th percentile of all films

  • Eight Miles High (not in the MovieCove catalog yet)(2007)

    Producer

  • Billy Wilder Speaks (not in the MovieCove catalog yet)(2006)

    Producer

  • Wo ist Fred?(2006)

    Producer

    Midcredits score: 56th percentile of all films

  • Jester Till (not in the MovieCove catalog yet)(2003)

    Director · Producer · Writer

  • Angst (not in the MovieCove catalog yet)(2003)

    Producer

  • A Fish Tale(2000)

    Producer

    Midcredits score: 59th percentile of all films

  • Im Club der Millionäre (not in the MovieCove catalog yet)(2000)

    Producer

  • The Fearless Four (not in the MovieCove catalog yet)(1997)

    Director · Producer

  • Peanuts - Die Bank zahlt alles (not in the MovieCove catalog yet)(1996)

    Producer · Writer

  • The Promise (not in the MovieCove catalog yet)(1995)

    Producer

  • The Film Narrator (not in the MovieCove catalog yet)(1993)

    Co-Producer

  • The Michael Nyman Songbook (not in the MovieCove catalog yet)(1992)

    Producer

  • Voyager(1991)

    Producer

    Midcredits score: 65th percentile of all films

  • The African Woman (not in the MovieCove catalog yet)(1990)

    Producer

  • The Handmaid's Tale(1990)

    Co-Producer

    Midcredits score: 43rd percentile of all films

  • Blue-Eyed (not in the MovieCove catalog yet)(1989)

    Producer

  • Burning Secret(1988)

    Producer

    Midcredits score: 54th percentile of all films

  • Love and Fear (not in the MovieCove catalog yet)(1988)

    Producer

  • Linie 1 (not in the MovieCove catalog yet)(1988)

    Producer

  • A Gathering of Old Men(1987)

    Co-Producer

    Midcredits score: 59th percentile of all films

  • The Woman of My Life (not in the MovieCove catalog yet)(1986)

    Producer

  • Rosa Luxemburg(1986)

    Producer

    Midcredits score: 76th percentile of all films

  • The Baader-Meinhof Gang on Trial (not in the MovieCove catalog yet)(1986)

    Producer

  • Death of a Salesman(1985)

    Co-Producer

    Midcredits score: 85th percentile of all films

  • Sigi, der Straßenfeger (not in the MovieCove catalog yet)(1984)

    Co-Producer

  • Swann in Love(1984)

    Producer

    Midcredits score: 53rd percentile of all films

  • Sheer Madness (not in the MovieCove catalog yet)(1983)

    Producer

  • The Man on the Wall (not in the MovieCove catalog yet)(1982)

    Producer

  • War and Peace (not in the MovieCove catalog yet)(1982)

    Producer

  • Circle of Deceit(1981)

    Producer

    Midcredits score: 76th percentile of all films

  • Marianne and Juliane (not in the MovieCove catalog yet)(1981)

    Producer

  • Slow Attack (not in the MovieCove catalog yet)(1980)

    Producer

  • Gibbi West Germany (not in the MovieCove catalog yet)(1980)

    Producer

  • Sisters, or The Balance of Happiness (not in the MovieCove catalog yet)(1979)

    Producer

  • The Tin Drum(1979)

    Producer

    Midcredits score: 88th percentile of all films

  • Knife in the Head(1978)

    Producer

    Midcredits score: 79th percentile of all films

  • The Second Awakening of Christa Klages (not in the MovieCove catalog yet)(1978)

    Producer

  • Germany in Autumn(1978)

    Producer

    Midcredits score: 75th percentile of all films

  • The Leading Man (not in the MovieCove catalog yet)(1977)

    Producer

  • Portrait of Valeska Gert (not in the MovieCove catalog yet)(1977)

    Producer

  • Coup de Grâce(1976)

    Producer

    Midcredits score: 78th percentile of all films

  • Paule Pauländer (not in the MovieCove catalog yet)(1976)

    Producer

  • Das Andechser Gefühl (not in the MovieCove catalog yet)(1975)

    Producer

  • The Lost Honor of Katharina Blum(1975)

    Producer

    Midcredits score: 87th percentile of all films

  • A Free Woman (not in the MovieCove catalog yet)(1972)

    Production Manager

  • Hannibal Brooks(1969)

    Location Manager

    Midcredits score: 70th percentile of all films

  • Glorious Times in the Spessart (not in the MovieCove catalog yet)(1967)

    Unit Manager

  • Again the Ringer (not in the MovieCove catalog yet)(1965)

    Location Manager · Unit Manager

  • Amongst Vultures(1964)

    Production Manager

    Midcredits score: 40th percentile of all films

  • Room 13 (not in the MovieCove catalog yet)(1964)

    Actor

Career shape

A full career of 49 titles from 1964 to 2007.

Biggest box office

Wo ist Fred? (2006)

$6.9M worldwide

Highest rated

The Tin Drum (1979)

Midcredits 88th

By role

only this rolewith another role
Acting1 of 49: 1 only acting, 0 with another roleDirecting2 of 49: 0 only directing, 2 with another roleWriting2 of 49: 0 only writing, 2 with another roleProducing43 of 49: 40 only producing, 3 with another role · typical Midcredits score76thOther crew5 of 49: 5 only other crew, 0 with another role

49 titles, 3 with more than one role.

By decade

1960s5 · 1 acting · 4 crew1970s12 · crew1980s18 · crew1990s8 · crew2000s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Eberhard Junkersdorf's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 18; across their 15 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 15

Approval · how many liked their films

68thpercentile
Typical film, the median of 15

Reach · how many have seen their films

66thpercentile
Typical film, the median of 15

Midcredits score across 18 titles, by percentile

  • 75th and up8
  • 50th to 74th7
  • 25th to 49th3

Shape of the crowd

None of their 18 titles divides audiences: 15 are Crowd Pleasers.

  • Crowd Pleaser15
  • Broadly Agreed2
  • Mixed1

Most loved · producer

The Tin Drum (1979)

Midcredits 88th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Eberhard Junkersdorf's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Frightening / Intense3 titlesmedian 57 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Eberhard Junkersdorf work with?

People who share at least 2 of Eberhard Junkersdorf's MovieCove titles, grouped by what they did on them; Volker Schlöndorff shares the most, 9.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers