Skip to content
MovieCove

Albert Jurgenson

Editor, also writer · Died June 12, 2002, aged 73 · Paris, France

Born
June 4, 1929
Died
June 12, 2002 (aged 73)
From
Paris, France
Works as
Editor, also writer
Titles
47 on MovieCove · 72 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 10% in 30 days

What are Albert Jurgenson's films like?

Across their 45 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Adventure12 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Adventure movies
Comedy10 titlesTypical Midcredits score: 61st percentile
: browse their Comedy movies
Drama10 titlesTypical Midcredits score: 67th percentile, at or above their average across these genres
: browse their Drama movies
Crime8 titlesTypical Midcredits score: 79th percentile, at or above their average across these genres
: browse their Crime movies
Action3 titlesTypical Midcredits score: 37th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
25%
Bonds
21%
Self
16%
Power
16%
Survival
9%
Society
7%
Ideas
5%
Justice8 titles, browse their movies with this themeFamily bonds9 titles, browse their movies with this themeCorruption7 titles, browse their movies with this themeDeception9 titles, browse their movies with this themeRomantic love6 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeFriendship4 titles, browse their movies with this theme

What they feel like to watch

their average across 45 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 22 · Serious 8 · Dark 15

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 16 · Stylized 18 · Heightened 11

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 11 · Charged 21 · Intense 13

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 21 · Shifting 18 · Whiplash 6

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 20 · Some laughs 6 · Funny 19

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 14 · Even-paced 24 · Relentless 7

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 22 · Engaged 12 · Full focus 11

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 28 · Open-ended 6 · Ambiguous 11

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
19
Joyful
17
Melancholic
15
Absurd
14
Warm
12
Other
34

How their films linger

Fun18 titles, browse their movies with this aftertasteFeel-good16 titles, browse their movies with this aftertasteThought-provoking12 titles, browse their movies with this aftertasteHaunting10 titles, browse their movies with this aftertasteUnsettling8 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy19
  • Bittersweet7
  • Tragic9
  • Ambiguous10

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Albert Jurgenson's films?

As of October 24, 2026, 12 of their 47 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Albert Jurgenson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

72 credits, 47 with a MovieCove page.

  • Smoking / No Smoking (not in the MovieCove catalog yet)(1993)

    Editor

  • The Accompanist (not in the MovieCove catalog yet)(1992)

    Editor

  • La nuit de l'océan (not in the MovieCove catalog yet)(1992)

    Editor

  • Robert's Movie (not in the MovieCove catalog yet)(1992)

    Editor

  • The Tribe (not in the MovieCove catalog yet)(1991)

    Editor

  • November Days (not in the MovieCove catalog yet)(1991)

    Editor

  • Le grand paysage d'Alexis Droeven (not in the MovieCove catalog yet)(1990)

    Additional Writing

  • Vanille fraise(1989)

    Editor

    Midcredits score: 11th percentile of all films

  • I Want to Go Home(1989)

    Editor

    Midcredits score: 26th percentile of all films

  • The Little Thief(1988)

    Editor

    Midcredits score: 74th percentile of all films

  • Hôtel Terminus(1988)

    Editor

    Midcredits score: 92nd percentile of all films

  • L'oeuvre au noir(1988)

    Editor

    Midcredits score: 64th percentile of all films

  • Hôtel de France(1987)

    Editor

    Midcredits score: 8th percentile of all films

  • Mélo(1986)

    Editor

    Midcredits score: 82nd percentile of all films

  • L'effrontée(1985)

    Editor

    Midcredits score: 75th percentile of all films

  • Babel opéra, ou la répétition de Don Juan de Wolfgang Amadeus Mozart (not in the MovieCove catalog yet)(1985)

    Editor

  • Beethoven's Nephew (not in the MovieCove catalog yet)(1985)

    Editor

  • La vengeance du serpent à plumes(1984)

    Editor

    Midcredits score: 12th percentile of all films

  • Love Unto Death(1984)

    Editor

    Midcredits score: 70th percentile of all films

  • Dog Day(1984)

    Editor

    Midcredits score: 37th percentile of all films

  • The Outsider(1983)

    Editor

    Midcredits score: 58th percentile of all films

  • Benvenuta (not in the MovieCove catalog yet)(1983)

    Editor

  • Life Is a Bed of Roses(1983)

    Editor

    Midcredits score: 49th percentile of all films

  • Deadly Circuit(1983)

    Editor

    Midcredits score: 72nd percentile of all films

  • Ace of Aces(1982)

    Editor

    Midcredits score: 74th percentile of all films

  • Espion, lève-toi(1982)

    Editor

    Midcredits score: 67th percentile of all films

  • La Chèvre(1981)

    Editor

    Midcredits score: 89th percentile of all films

  • The Grilling(1981)

    Editor

    Midcredits score: 96th percentile of all films

  • The Boy Soldier (not in the MovieCove catalog yet)(1981)

    Editor

  • The Umbrella Coup(1980)

    Editor

    Midcredits score: 69th percentile of all films

  • My American Uncle(1980)

    Editor

    Midcredits score: 93rd percentile of all films

  • La Femme flic (not in the MovieCove catalog yet)(1980)

    Editor

  • The Adolescent(1979)

    Editor

    Midcredits score: 44th percentile of all films

  • The Escape(1978)

    Editor

    Midcredits score: 56th percentile of all films

  • Faces of Love (not in the MovieCove catalog yet)(1977)

    Editor

  • The Purple Taxi(1977)

    Editor

    Midcredits score: 59th percentile of all films

  • Providence(1977)

    Editor

    Midcredits score: 88th percentile of all films

  • Le juge Fayard dit Le Shériff(1977)

    Editor

    Midcredits score: 86th percentile of all films

  • The Seventh Company Outdoors(1977)

    Editor

    Midcredits score: 62nd percentile of all films

  • Lumière (not in the MovieCove catalog yet)(1976)

    Editor

  • Mad Enough to Kill (not in the MovieCove catalog yet)(1975)

    Editor

  • The Common Man (not in the MovieCove catalog yet)(1975)

    Editor

  • Stavisky(1974)

    Editor

    Midcredits score: 58th percentile of all films

  • The Mad Adventures of Rabbi Jacob(1973)

    Editor

    Midcredits score: 92nd percentile of all films

  • Impossible Object (not in the MovieCove catalog yet)(1973)

    Editor

  • The French Conspiracy(1972)

    Editor

    Midcredits score: 74th percentile of all films

  • Delusions of Grandeur(1971)

    Editor

    Midcredits score: 90th percentile of all films

  • Angel's Leap(1971)

    Editor

    Midcredits score: 48th percentile of all films

  • The Cop(1970)

    Editor

    Midcredits score: 67th percentile of all films

  • King Lear(1971)

    Editor

    Midcredits score: 80th percentile of all films

  • The Brain(1969)

    Editor

    Midcredits score: 78th percentile of all films

  • I Love You, I Love You(1968)

    Editor

    Midcredits score: 83rd percentile of all films

  • The Little Bather(1968)

    Editor · Screenplay

    Midcredits score: 66th percentile of all films

  • Far from Vietnam(1967)

    Editor

    Midcredits score: 89th percentile of all films

  • Don't Look Now... We're Being Shot At!(1966)

    Editor

    Midcredits score: 97th percentile of all films

  • The Defector(1966)

    Editor

    Midcredits score: 29th percentile of all films

  • Four Queens for an Ace (not in the MovieCove catalog yet)(1966)

    Editor

  • The Gendarme in New York(1965)

    Editor

    Midcredits score: 60th percentile of all films

  • La tête du client(1965)

    Editor

    Midcredits score: 12th percentile of all films

  • The Sucker(1965)

    Editor

    Midcredits score: 92nd percentile of all films

  • Marco the Magnificent(1965)

    Editor

    Midcredits score: 20th percentile of all films

  • The Counterfeit Constable(1964)

    Editor

    Midcredits score: 42nd percentile of all films

  • Chicken Feed for Little Birds (not in the MovieCove catalog yet)(1963)

    Editor

  • The American Beauty (not in the MovieCove catalog yet)(1961)

    Editor

  • Please, Not Now!(1961)

    Editor

    Midcredits score: 29th percentile of all films

  • The Truth(1960)

    Editor

    Midcredits score: 96th percentile of all films

  • America as Seen by a Frenchman (not in the MovieCove catalog yet)(1960)

    Editor

  • Seven Days… Seven Nights (not in the MovieCove catalog yet)(1960)

    Editor

  • The Big Risk(1960)

    Editor

    Midcredits score: 93rd percentile of all films

  • The Cheaters (not in the MovieCove catalog yet)(1958)

    Editor

  • The Overworked (not in the MovieCove catalog yet)(1958)

    Editor

  • Le grand sud (not in the MovieCove catalog yet)(1956)

    Editor

Career shape

A full career of 69 titles from 1956 to 1993.

Biggest box office

The Little Thief (1988)

$1.1M worldwide

Highest rated

Don't Look Now... We're Being Shot At! (1966)

Midcredits 97th

Most popular right now

The Adolescent (1979)

By role

only this rolewith another role
Writing1 of 69: 0 only writing, 1 with another roleEditing68 of 69: 67 only editing, 1 with another role · typical Midcredits score71stOther crew1 of 69: 1 only other crew, 0 with another role

By decade

1950s3 · crew1960s17 · crew1970s17 · crew1980s25 · crew1990s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Albert Jurgenson's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 47; across their 45 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 45

Approval · how many liked their films

66thpercentile
Typical film, the median of 45

Reach · how many have seen their films

69thpercentile
Typical film, the median of 45

Midcredits score across 47 titles, by percentile

  • 75th and up18
  • 50th to 74th16
  • 25th to 49th8
  • Below 25th5

Shape of the crowd

27 of their 47 titles are Crowd Pleasers.

  • Universally Loved7
  • Crowd Pleaser27
  • Broadly Agreed1
  • Mixed12

Most divisive · editor

The Adolescent (1979)

67th percentile spread · 21% rated it 4 or lower

Most loved · editor

Don't Look Now... We're Being Shot At! (1966)

Midcredits 97th · 87% liked

Reviewers score the pacing 50/100 in their films, across 39 reviewed titles; fans 59, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Albert Jurgenson's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 38 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Albert Jurgenson work with?

People who share at least 2 of Albert Jurgenson's MovieCove titles, grouped by what they did on them; Gérard Oury shares the most, 10.

Directors

Writers

Actors

Composers and cinematographers

Producers