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George Justin

George Justin

Producer · Died March 9, 2008, aged 91 · New York City, New York

George Justin was born on July 7, 1916 in New York, New York, USA. He was a production manager and producer who worked on influential films including 12 Angry Men (1957), Marathon Man (1976) and On the Waterfront (1954). He was married to Valerie Sharaf. He died on March 9, 2008 in Santa Monica, California, USA.

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Biography from TMDB.

Born
July 7, 1916
Died
March 9, 2008 (aged 91)
From
New York City, New York
Works as
Producer
Titles
24 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 31% in 30 days

What are George Justin's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy6 titlesTypical Midcredits score: 38th percentile
: browse their Comedy movies
Drama3 titlesTypical Midcredits score: 82nd percentile, at or above their average across these genres
: browse their Drama movies
Crime2 titlesTypical Midcredits score: 96th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
27%
Self
20%
Society
16%
Survival
14%
Power
13%
Morality
9%
Ideas
2%
Romantic love4 titles, browse their movies with this themeIsolation4 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeClass2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 2 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 8 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 4 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 11 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 4 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 8 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 5 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 3 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
4
Warm
4
Thrilling
3
Dread
2
Other
13

How their films linger

Bittersweet6 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet7
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George Justin's films?

As of October 24, 2026, 17 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Also on these channels

Subscription and free streaming for George Justin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 24 with a MovieCove page.

  • Murphy's Romance(1985)

    Associate Producer · Unit Production Manager

    Midcredits score: 77th percentile of all films

  • No Small Affair(1984)

    Executive Producer

    Midcredits score: 26th percentile of all films

  • Rollover(1981)

    Production Manager

    Midcredits score: 21st percentile of all films

  • Eyes of Laura Mars(1978)

    Production Executive

    Midcredits score: 45th percentile of all films

  • The Deep(1977)

    Associate Producer · Production Manager

    Midcredits score: 49th percentile of all films

  • Marathon Man(1976)

    Associate Producer

    Midcredits score: 92nd percentile of all films

  • Shampoo(1975)

    as Producer

    Midcredits score: 57th percentile of all films

  • Chinatown(1974)

    as Barber

    Midcredits score: 99th percentile of all films

  • The Possession of Joel Delaney(1972)

    Executive In Charge Of Production

    Midcredits score: 32nd percentile of all films

  • The Anderson Tapes(1971)

    Associate Producer

    Midcredits score: 54th percentile of all films

  • The Owl and the Pussycat(1970)

    Associate Producer

    Midcredits score: 60th percentile of all films

  • The Night They Raided Minsky's(1968)

    Associate Producer

    Midcredits score: 45th percentile of all films

  • The Graduate(1967)

    Production Supervisor

    Midcredits score: 97th percentile of all films

  • The Tiger Makes Out(1967)

    Producer

    Midcredits score: 31st percentile of all films

  • Up the Down Staircase(1967)

    Production Supervisor

    Midcredits score: 90th percentile of all films

  • Inside Daisy Clover(1965)

    Production Manager

    Midcredits score: 48th percentile of all films

  • Espionage (not in the MovieCove catalog yet)(1963)

    Show 24 episodes · Producer

  • Something Wild(1961)

    Producer

    Midcredits score: 68th percentile of all films

  • The Young Doctors(1961)

    Production Manager

    Midcredits score: 59th percentile of all films

  • The Fugitive Kind(1960)

    Associate Producer

    Midcredits score: 82nd percentile of all films

  • Middle of the Night(1959)

    Producer

    Midcredits score: 86th percentile of all films

  • Happy Anniversary(1959)

    Associate Producer

    Midcredits score: 26th percentile of all films

  • Stage Struck (not in the MovieCove catalog yet)(1958)

    Production Manager

  • A Face in the Crowd(1957)

    Production Manager

    Midcredits score: 98th percentile of all films

  • 12 Angry Men(1957)

    Associate Producer

    Midcredits score: 99th percentile of all films

  • On the Waterfront(1954)

    Production Manager

    Midcredits score: 98th percentile of all films

Career shape

A full career of 26 titles from 1954 to 1985.

Biggest box office

The Deep (1977)

$47M worldwide

Highest rated

12 Angry Men (1957)

Midcredits 99th

Film career

By role

only this rolewith another role
Acting2 of 26: 2 only acting, 0 with another roleProducing14 of 26: 12 only producing, 2 with another role · typical Midcredits score60thOther crew12 of 26: 10 only other crew, 2 with another role · typical Midcredits score59th

By decade

1950s6 · crew1960s9 · crew1970s8 · 2 acting · 6 crew1980s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do George Justin's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 24; across their 13 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 13

Approval · how many liked their films

61stpercentile
Typical film, the median of 13

Reach · how many have seen their films

75thpercentile
Typical film, the median of 13

Midcredits score across 24 titles, by percentile

  • 75th and up10
  • 50th to 74th5
  • 25th to 49th8
  • Below 25th1

Shape of the crowd

11 of their 24 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser11
  • Broadly Agreed1
  • Mixed7

Most divisive · producer

The Tiger Makes Out (1967)

50th percentile spread · 24% rated it 4 or lower

Most loved · producer

12 Angry Men (1957)

Midcredits 99th · 95% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is George Justin's work okay for kids?

Across up to 8 MovieCove titles with content scores, 1 of the 4 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 59 · moderateMedian of all films: 44
Sex & Nudity8 titles8–48 · median 35 · mildnear the median of all filmsMedian of all films: 32
Alcohol & Drugs3 titlesmedian 36 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 52 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does George Justin work with?

People who share at least 2 of George Justin's MovieCove titles, grouped by what they did on them; Carl Lerner shares the most, 4.

Directors

Actors

Cinematographers and editors