Irene Kamp

What are Irene Kamp's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Irene Kamp's films?

As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service.

• Pluto TV1 title, browse their movies on this service
  • Paris Blues (1961) · writer · free
• Tubi1 title, browse their movies on this service
  • Paris Blues (1961) · writer · free

Subscription and free streaming for Irene Kamp's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 7 with a MovieCove page.

• 

  The Beguiled(2017)

  Original Film Writer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Mr. Quilp(1975)

  Writer

  Midcredits score: 42nd percentile of all films42^nd
• 

  Lincoln (not in the MovieCove catalog yet)(1974)

  Show 1 episode · Writer
• 

  The Possession of Joel Delaney(1972)

  Screenplay

  Midcredits score: 32nd percentile of all films32^nd
• 

  The Beguiled(1971)

  Screenplay

  Midcredits score: 86th percentile of all films86^th
• 

  The Sandpiper(1965)

  Adaptation

  Midcredits score: 53rd percentile of all films53^rd
• 

  The Lion(1962)

  Screenplay

  Midcredits score: 46th percentile of all films46^th
• 

  Paris Blues(1961)

  Screenplay

  Midcredits score: 73rd percentile of all films73^rd
• 

  Love in a Goldfish Bowl (not in the MovieCove catalog yet)(1961)

  Story

Career shape

A full career of 9 titles from 1961 to 2017.

Biggest box office

The Beguiled (2017)

$28M worldwide

Highest rated

The Beguiled (1971)

Midcredits 86^th

Most popular right now

The Beguiled (2017)

How do Irene Kamp's films land?

Their typical MovieCove film has a Midcredits score in the 53^rd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 57^th percentile for acclaim.

Shape of the crowd

4 of their 7 titles are Crowd Pleasers.

412

• Crowd Pleaser4
• Broadly Agreed1
• Mixed2

Most divisive · writer

Mr. Quilp (1975)

65^th percentile spread · 23% rated it 4 or lower

Most loved · writer

The Beguiled (1971)

Midcredits 86^th · 75% liked

Reviewers score the dialogue 47/100 and the plot and story 45/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Irene Kamp's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Irene Kamp work with?

People who share at least 2 of Irene Kamp's MovieCove titles, grouped by what they did on them; Louis Kamp shares the most, 3.