Gustav Kampendonk
- Writer
- 6 on MovieCove
What are Gustav Kampendonk's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 5 · Serious 1 · Dark 0
A split, not a type: Grounded 3 · Stylized 2 · Heightened 1
Gentle 4 · Charged 2 · Intense 0
Steady 4 · Shifting 2 · Whiplash 0
Straight-faced 0 · Some laughs 5 · Funny 1
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 6 · Engaged 0 · Full focus 0
Easy watch 5 · Affecting 1 · Heavy 0
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gustav Kampendonk's films?
As of October 29, 2026, none of Gustav Kampendonk's 6 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Gustav Kampendonk's titles on MovieCove; rent and buy are not counted.
Filmography
6 credits, 6 with a MovieCove page.
Grün ist die Heide(1972)
Midcredits score: 17th percentile of all films
In the Wild West(1964)
Midcredits score: 2nd percentile of all films
Midcredits score: 17th percentile of all films (provisional, few ratings)
Midcredits score: 61st percentile of all films
Schön muß man sein(1951)
Midcredits score: 21st percentile of all films (provisional, few ratings)
Drei Väter um Anna(1939)
Career shape
Across their 6 MovieCove titles from 1939 to 1972.
How do Gustav Kampendonk's films land?
Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of the 5 of 6 with a score; across their 6 films with reception data, the typical film sits in the 25th percentile for acclaim.
- 50th to 74th1
- Below 25th4
Shape of the crowd
2 of their 5 titles are Mixed.
- Universally Panned1
- Cult Classic1
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gustav Kampendonk work with?
People who share at least 2 of Gustav Kampendonk's MovieCove titles, grouped by what they did on them; Ralf Wolter shares the most, 2.
Actors
- Ralf WolterShared titles: Grün ist die Heide (1972), Freddy und das Lied der Südsee (1962)See all 2 shared titles with Ralf Wolter
- Freddy QuinnShared titles: In the Wild West (1964), Freddy und das Lied der Südsee (1962)See all 2 shared titles with Freddy Quinn
Composers
- Lotar OliasShared titles: In the Wild West (1964), Freddy und das Lied der Südsee (1962)See all 2 shared titles with Lotar Olias