Henry Kane
- Writer
- 4 on MovieCove · 6 credits in all
Known for
What are Henry Kane's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 2 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
A split, not a type: Gentle 0 · Charged 1 · Intense 2
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 2 · Full focus 1
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 0 · Open-ended 3 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Henry Kane's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Henry Kane's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 4 with a MovieCove page.
To Kill the King(1974)
Midcredits score: 12th percentile of all films (provisional, few ratings)
Midcredits score: 97th percentile of all shows
The Mugger(1958)
Midcredits score: 31st percentile of all films
Cop Hater(1958)
Midcredits score: 50th percentile of all films
The Dark, Dark Hours (not in the MovieCove catalog yet)(1954)
Gunman in the Streets (not in the MovieCove catalog yet)(1950)
Career shape
A full career of 6 titles from 1950 to 1974.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Henry Kane's films land?
Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 38th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 4 titles divides audiences: 1 is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Henry Kane work with?
People who share at least 2 of Henry Kane's MovieCove titles, grouped by what they did on them; William Berke shares the most, 2.
Directors
- William BerkeShared titles: Cop Hater (1958), The Mugger (1958)See all 2 shared titles with William Berke
Writers
- Evan HunterShared titles: Cop Hater (1958), The Mugger (1958)See all 2 shared titles with Evan Hunter
Composers and cinematographers
- Albert GlasserShared titles: Cop Hater (1958), The Mugger (1958)See all 2 shared titles with Albert Glasser
- J. Burgi ContnerShared titles: Cop Hater (1958), The Mugger (1958)See all 2 shared titles with J. Burgi Contner
Producers
- Lee GordonShared titles: Cop Hater (1958), The Mugger (1958)See all 2 shared titles with Lee Gordon