Skip to content
MovieCove

Mary Kane

Producer

Works as
Producer
Titles
26 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 7% in 30 days

What are Mary Kane's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama6 titlesTypical Midcredits score: 52nd percentile
: browse their Drama movies
Crime4 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Crime movies
Comedy3 titlesTypical Midcredits score: 33rd percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
25%
Self
22%
Morality
21%
Society
21%
Survival
7%
Power
4%
Romantic love4 titles, browse their movies with this themeCommunity4 titles, browse their movies with this themePrejudice3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeRevenge2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeViolence2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 7 · Serious 1 · Dark 6

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 9 · Stylized 4 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 6 · Charged 4 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 8 · Shifting 5 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 8 · Some laughs 2 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 8 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 8 · Engaged 5 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 7 · Affecting 2 · Heavy 5

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 9 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
5
Joyful
4
Dread
4
Romantic
4
Other
15

How their films linger

Feel-good5 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteDevastating3 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy5
  • Bittersweet5
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mary Kane's films?

As of October 24, 2026, 20 of their 26 MovieCove titles stream on a subscription or free service, most on Tubi (14).

Also on these channels

Subscription and free streaming for Mary Kane's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 26 with a MovieCove page.

  • Scarpetta(2026)

    Show 8 episodes · Producer · Unit Production Manager

    Midcredits score: 15th percentile of all shows

  • Inventing Anna(2022)

    Show 2 episodes · Unit Production Manager

    Midcredits score: 43rd percentile of all shows

  • WandaVision(2021)

    Show 9 episodes · Line Producer · Unit Production Manager

    Midcredits score: 89th percentile of all shows

  • The Congressman(2016)

    Producer

    Midcredits score: 55th percentile of all films

  • Blue Lagoon: The Awakening(2012)

    Unit Production Manager

    Midcredits score: 33rd percentile of all films

  • Game Change(2012)

    Unit Production Manager

    Midcredits score: 88th percentile of all films

  • Fun with Dick and Jane(2005)

    Unit Production Manager

    Midcredits score: 46th percentile of all films

  • If These Walls Could Talk 2(2000)

    Producer

    Midcredits score: 78th percentile of all films

  • Dudley Do-Right(1999)

    Co-Producer

    Midcredits score: 4th percentile of all films

  • Blast from the Past(1999)

    Co-Producer · Unit Production Manager

    Midcredits score: 73rd percentile of all films

  • Almost Heroes(1998)

    Co-Producer

    Midcredits score: 37th percentile of all films

  • The Funeral(1996)

    Producer

    Midcredits score: 70th percentile of all films

  • Sunset Park(1996)

    Producer

    Midcredits score: 49th percentile of all films

  • Speechless(1994)

    Line Producer · Unit Production Manager

    Midcredits score: 33rd percentile of all films

  • Dangerous Game(1993)

    Producer

    Midcredits score: 42nd percentile of all films

  • Bad Lieutenant(1992)

    Producer

    Midcredits score: 81st percentile of all films

  • Mr. & Mrs. Bridge(1990)

    Associate Producer

    Midcredits score: 65th percentile of all films

  • King of New York(1990)

    Producer · Production Manager

    Midcredits score: 79th percentile of all films

  • Slaves of New York(1989)

    Production Manager

    Midcredits score: 34th percentile of all films

  • Call Me(1988)

    Line Producer

    Midcredits score: 20th percentile of all films

  • China Girl(1987)

    Producer

    Midcredits score: 55th percentile of all films

  • The Purple Rose of Cairo(1985)

    Location Scout

    Midcredits score: 95th percentile of all films

  • Fear City(1984)

    Unit Manager

    Midcredits score: 31st percentile of all films

  • Vigilante(1982)

    Unit Manager

    Midcredits score: 60th percentile of all films

  • Ms .45(1981)

    Associate Producer · Production Manager

    Midcredits score: 77th percentile of all films

  • The Driller Killer(1979)

    Production Manager

    Midcredits score: 27th percentile of all films

Career shape

A full career of 24 titles from 1979 to 2026.

Biggest box office

Blast from the Past (1999)

$40M worldwide

Highest rated

Bad Lieutenant (1992)

Midcredits 81st

Most popular right now

Blast from the Past (1999)

By role

only this rolewith another role
Producing15 of 24: 9 only producing, 6 with another role · typical Midcredits score65thOther crew15 of 24: 9 only other crew, 6 with another role · typical Midcredits score46th

24 titles, 6 with more than one role — other crew and producing overlap on 6 of them.

By decade

1970s1 · crew1980s7 · crew1990s9 · crew2000s2 · crew2010s2 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mary Kane's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 23; across their 14 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 14

Approval · how many liked their films

52ndpercentile
Typical film, the median of 14

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 14

Midcredits score across 26 titles, by percentile

  • 75th and up7
  • 50th to 74th6
  • 25th to 49th10
  • Below 25th3

Shape of the crowd

11 of their 26 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser11
  • Broadly Agreed4
  • Mixed9

Most divisive · producer

Dangerous Game (1993)

63rd percentile spread · 27% rated it 4 or lower

Most loved · producer

WandaVision (2021)

Midcredits 89th · 86% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mary Kane's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 78 · intenseMedian of all films: 44
Sex & Nudity7 titles36–78 · median 69 · intenseheavier than most filmsMedian of all films: 32
Profanity5 titles48–94 · median 64 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs3 titlesmedian 94 · severeMedian of all films: 33
Frightening / Intense4 titlesmedian 68 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mary Kane work with?

People who share at least 2 of Mary Kane's MovieCove titles, grouped by what they did on them; Abel Ferrara shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers