Otto Kanturek

What are Otto Kanturek's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Otto Kanturek's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Night Train to Munich (1940) · cinematographer · free
  • Woman in the Moon (1929) · cinematographer · free

Subscription and free streaming for Otto Kanturek's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Night Train to Munich(1940)

  Cinematographer

  Midcredits score: 88th percentile of all films88^th
• 

  The Girl in the News(1940)

  Cinematographer

  Midcredits score: 66th percentile of all films66^th
• 

  Woman in the Moon(1929)

  Cinematographer

  Midcredits score: 88th percentile of all films88^th

Career shape

Across a limited sample of 3 MovieCove titles from 1929 to 1940.

Highest rated

Night Train to Munich (1940)

Midcredits 88^th

How do Otto Kanturek's films land?

Their typical MovieCove film has a Midcredits score in the 88^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 85^th percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 3 are Crowd Pleasers.

3

• Crowd Pleaser3

Most loved · cinematographer

Night Train to Munich (1940)

Midcredits 88^th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Otto Kanturek work with?

People who share at least 2 of Otto Kanturek's MovieCove titles, grouped by what they did on them; Carol Reed shares the most, 2.