- January 1, 1968 (58)
- Producer and director
- 23 on MovieCove · 30 credits in all
What are Chiemi Karasawa's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
A split, not a type: Light 6 · Serious 5 · Dark 0
Grounded 10 · Stylized 1 · Heightened 0
Gentle 5 · Charged 5 · Intense 1
Steady 8 · Shifting 2 · Whiplash 1
Straight-faced 7 · Some laughs 4 · Funny 0
Slow burn 11 · Even-paced 0 · Relentless 0
Casual 4 · Engaged 7 · Full focus 0
Easy watch 2 · Affecting 8 · Heavy 1
Resolved 8 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet6
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Chiemi Karasawa's films?
As of October 24, 2026, 16 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (8).
- Tell Them Anything You Want: A Portrait of Maurice Sendak (2009) · producer · free
- Love, Gilda (2018) · producer · free
- Billy the Kid (2007) · producer · free
- Do You Dream in Color? (2015) · producer · free
- Coffee and Cigarettes (2003) · script supervisor · free
- The Spitfire Grill (1996) · script supervisor · free
- Party Girl (1995) · script supervisor · free
- Romance & Cigarettes (2005) · script supervisor · free
- Curiosity Stream
- Howdy, show their 2 titles on Howdy
- Sony Pictures Core, show their 2 titles on Sony Pictures Core
- Cinemax, show their title on Cinemax
- Cineverse, show their title on Cineverse
- Docurama, show their title on Docurama
- Dox, show their title on Dox
- Magnolia Selects, show their title on Magnolia Selects
- Midnight Pulp, show their title on Midnight Pulp
- ScreenPix, show their title on ScreenPix
- Sundance Now, show their title on Sundance Now
Subscription and free streaming for Chiemi Karasawa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
30 credits, 23 with a MovieCove page.

AKA Jane Roe(2020)
Midcredits score: 71st percentile of all films
Amazing Grace(2018)
Midcredits score: 93rd percentile of all films
Midcredits score: 89th percentile of all films
Love, Gilda(2018)
Midcredits score: 91st percentile of all films
95 and 6 to Go (not in the MovieCove catalog yet)(2016)

Do You Dream in Color?(2015)
Midcredits score: 85th percentile of all films (provisional, few ratings)
Seeds of Time(2013)
Midcredits score: 81st percentile of all films (provisional, few ratings)
Midcredits score: 91st percentile of all films
Elaine Stritch: Shoot Me(2013)
Midcredits score: 92nd percentile of all films
Elevate(2011)
Midcredits score: 74th percentile of all films
Love Etc. (not in the MovieCove catalog yet)(2011)

Public Speaking (not in the MovieCove catalog yet)(2011)

The Lazarus Effect (not in the MovieCove catalog yet)(2010)
Midcredits score: 97th percentile of all films
The Taking of Pelham 123(2009)
Midcredits score: 57th percentile of all films
Out Of Our Minds (not in the MovieCove catalog yet)(2009)

Billy the Kid(2007)
Midcredits score: 86th percentile of all films
Romance & Cigarettes(2005)
Midcredits score: 49th percentile of all films
Coffee and Cigarettes(2003)
Midcredits score: 84th percentile of all films
Adaptation.(2002)
Midcredits score: 96th percentile of all films
Chinese Coffee (not in the MovieCove catalog yet)(2000)

High Fidelity(2000)
Midcredits score: 91st percentile of all films
The Big Kahuna(1999)
Midcredits score: 66th percentile of all films
Midcredits score: 93rd percentile of all films
200 Cigarettes(1999)
Midcredits score: 42nd percentile of all films
The Spitfire Grill(1996)
Midcredits score: 76th percentile of all films
Kids(1995)
Midcredits score: 77th percentile of all films
Party Girl(1995)
Midcredits score: 68th percentile of all films
The Last Good Time(1994)
Midcredits score: 54th percentile of all filmsArt 21: Christine Sun Kim (not in the MovieCove catalog yet)
Career shape
A full career of 26 titles, 25 of them dated from 1994 to 2018.

Biggest box office
Amazing Grace (2018)

Highest rated
Tell Them Anything You Want: A Portrait of Maurice Sendak (2009)

Most popular right now
Harry Dean Stanton: Partly Fiction (2012)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Chiemi Karasawa's films land?
Their typical MovieCove film has a Midcredits score in the 84th percentile, the median of all 23; across their 11 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up15
- 50th to 74th6
- 25th to 49th2
Shape of the crowd
13 of their 23 titles are Crowd Pleasers.
- Universally Loved4
- Divisive1
- Crowd Pleaser13
- Mixed5
Reviewers score the atmosphere 70/100 and the pacing 52/100 in their films, across 10 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Chiemi Karasawa work with?
People who share at least 2 of Chiemi Karasawa's MovieCove titles, grouped by what they did on them; Shane Sigler shares the most, 3.
Directors
- Sophie HuberShared titles: Blue Note Records: Beyond the Notes (2018), Harry Dean Stanton: Partly Fiction (2012)See all 2 shared titles with Sophie Huber

Cinematographers and editors
- Shane SiglerShared titles: Blue Note Records: Beyond the Notes (2018), Elaine Stritch: Shoot Me (2013), Elevate (2011)See all 3 shared titles with Shane Sigler
- Mary ManhardtShared titles: AKA Jane Roe (2020), Do You Dream in Color? (2015)See all 2 shared titles with Mary Manhardt
- Jeff BuchananShared titles: Amazing Grace (2018), Tell Them Anything You Want: A Portrait of Maurice Sendak (2009)See all 2 shared titles with Jeff Buchanan
- Russell GreeneShared titles: Blue Note Records: Beyond the Notes (2018), Harry Dean Stanton: Partly Fiction (2012)See all 2 shared titles with Russell Greene
Producers
- Sven WältiShared titles: Blue Note Records: Beyond the Notes (2018), Harry Dean Stanton: Partly Fiction (2012)See all 2 shared titles with Sven Wälti
- Urs AugstburgerShared titles: Blue Note Records: Beyond the Notes (2018), Harry Dean Stanton: Partly Fiction (2012)See all 2 shared titles with Urs Augstburger

