David Karr
- Producer
- 3 on MovieCove
What are David Karr's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
A split, not a type: Grounded 2 · Stylized 1 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch David Karr's films?
As of October 24, 2026, none of David Karr's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for David Karr's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Welcome to Hard Times(1967)
Midcredits score: 37th percentile of all films
Midcredits score: 41st percentile of all films
The Money Trap(1965)
Midcredits score: 48th percentile of all films
Career shape
A full career of 3 titles from 1965 to 1967.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do David Karr's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 41st percentile for acclaim.
- 25th to 49th3
Shape of the crowd
None of their 3 titles divides audiences: 2 are Mixed.
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does David Karr work with?
People who share at least 2 of David Karr's MovieCove titles, grouped by what they did on them; Max E. Youngstein shares the most, 3.
Directors
- Burt KennedyShared titles: Welcome to Hard Times (1967), The Money Trap (1965)See all 2 shared titles with Burt Kennedy
Editors
- John McSweeney Jr.Shared titles: The Dangerous Days of Kiowa Jones (1966), The Money Trap (1965)See all 2 shared titles with John McSweeney Jr.
Producers
- Max E. YoungsteinShared titles: Welcome to Hard Times (1967), The Dangerous Days of Kiowa Jones (1966), The Money Trap (1965)See all 3 shared titles with Max E. Youngstein
- Hank MoonjeanShared titles: Welcome to Hard Times (1967), The Dangerous Days of Kiowa Jones (1966)See all 2 shared titles with Hank Moonjean