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MovieCove
Works as
Cinematographer, composer and director
Titles
9 on MovieCove

What are Andres Karu's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Power.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 2

Grounded 3 · Stylized 1 · Heightened 0

Gentle 0 · Charged 3 · Intense 1

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 3 · Full focus 1

Easy watch 0 · Affecting 2 · Heavy 2

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Dread
5
Tense
5
Contemplative
5
Melancholic
3
Bittersweet
2
Other
4

How their films end

  • Bittersweet2
  • Tragic2
  • Ambiguous4
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andres Karu's films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Andres Karu's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • History's Crazy Rich Ancients(2022)

    Show Cinematographer

    Midcredits score: 30th percentile of all shows (provisional, few ratings)
  • Clementine(2019)

    Cinematographer

    Midcredits score: 14th percentile of all films
  • Deadly Power(2018)

    Show Director · Cinematographer

    Midcredits score: 26th percentile of all shows (provisional, few ratings)
  • Horror at the Cecil Hotel(2017)

    Show Cinematographer

    Midcredits score: 40th percentile of all shows
  • Midcredits score: 89th percentile of all films
  • Murder Castle(2017)

    Show Cinematographer

    Midcredits score: 23rd percentile of all shows
  • Her Composition(2015)

    Cinematographer

    Midcredits score: 24th percentile of all films
  • Evil, I(2012)

    Show Cinematographer

    Midcredits score: 64th percentile of all shows (provisional, few ratings)
  • A Better Place(1997)

    Composer

    Midcredits score: 75th percentile of all films

Career shape

Across their 9 MovieCove titles from 1997 to 2022.

By role

only this rolewith another role
Directing1 of 9: 0 only directing, 1 with another roleMusic1 of 9: 1 only music, 0 with another roleCinematography8 of 9: 7 only cinematography, 1 with another role · typical Midcredits score28th

By decade

1990s1 · crew2010s7 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Andres Karu's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 4

Approval · how many liked their films

52ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

37thpercentile
Typical film, the median of 4

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th3

Reviewers score the cinematography 59/100 in their films, across 4 reviewed titles; fans 72, detractors 45. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andres Karu work with?

People who share at least 2 of Andres Karu's MovieCove titles, grouped by what they did on them; Chris Schuessler shares the most, 3.

Writers

Editors

Producers