- Writer, also director and producer
- 11 on MovieCove · 15 credits in all
What are Millard Kaufman's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 10
Light 1 · Serious 3 · Dark 7
A split, not a type: Grounded 7 · Stylized 3 · Heightened 1
A split, not a type: Gentle 2 · Charged 4 · Intense 5
Steady 3 · Shifting 8 · Whiplash 0
Straight-faced 8 · Some laughs 2 · Funny 1
Slow burn 4 · Even-paced 6 · Relentless 1
Casual 4 · Engaged 6 · Full focus 1
Easy watch 2 · Affecting 5 · Heavy 4
Resolved 9 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet7
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Millard Kaufman's films?
As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Millard Kaufman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 11 with a MovieCove page.

Kung-Fu Magoo(2010)
Midcredits score: 31st percentile of all films
Midcredits score: 53rd percentile of all films
The Nativity (not in the MovieCove catalog yet)(1978)

The Klansman(1974)
Midcredits score: 24th percentile of all films
The War Lord(1965)
Midcredits score: 66th percentile of all films
Convicts 4(1962)
Midcredits score: 58th percentile of all films
Never So Few(1959)
Midcredits score: 32nd percentile of all films
Raintree County(1957)
Midcredits score: 54th percentile of all films
Bad Day at Black Rock(1955)
Midcredits score: 96th percentile of all films
Take the High Ground!(1953)
Midcredits score: 42nd percentile of all films
Aladdin and His Lamp (not in the MovieCove catalog yet)(1952)

Unknown World(1951)
Midcredits score: 4th percentile of all films
Gun Crazy(1950)
Midcredits score: 94th percentile of all films
Punchy De Leon (not in the MovieCove catalog yet)(1950)

Ragtime Bear (not in the MovieCove catalog yet)(1949)
Career shape
A full career of 14 titles from 1949 to 1980.

Biggest box office
Gun Crazy (1950)

Highest rated
Bad Day at Black Rock (1955)

Most popular right now
The War Lord (1965)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Millard Kaufman's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th3
- Below 25th2
Shape of the crowd
4 of their 11 titles are Crowd Pleasers.
- Universally Loved2
- Universally Panned1
- Divisive1
- Crowd Pleaser4
- Broadly Agreed2
- Mixed1
Reviewers score the dialogue 43/100 and the plot and story 43/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Millard Kaufman work with?
People who share at least 2 of Millard Kaufman's MovieCove titles, grouped by what they did on them; Lee Marvin shares the most, 3.
Directors
- John SturgesShared titles: Never So Few (1959), Bad Day at Black Rock (1955)See all 2 shared titles with John Sturges

Writers
- Dalton TrumboShared titles: Unknown World (1951), Gun Crazy (1950)See all 2 shared titles with Dalton Trumbo

Actors
- Lee MarvinShared titles: The Klansman (1974), Raintree County (1957), Bad Day at Black Rock (1955)See all 3 shared titles with Lee Marvin

- Russ TamblynShared titles: Take the High Ground! (1953), Gun Crazy (1950)See all 2 shared titles with Russ Tamblyn

Editors
- John D. DunningShared titles: Raintree County (1957), Take the High Ground! (1953)See all 2 shared titles with John D. Dunning
Producers
- Dore ScharyShared titles: Bad Day at Black Rock (1955), Take the High Ground! (1953)See all 2 shared titles with Dore Schary

- Herman HoffmanShared titles: Bad Day at Black Rock (1955), Take the High Ground! (1953)See all 2 shared titles with Herman Hoffman



