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Gina Kaus

Writer

Works as
Writer
Titles
12 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 7% in 30 days

What are Gina Kaus' films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Comedy5 titlesTypical Midcredits score: 51st percentile
: browse their Comedy movies
Drama4 titlesTypical Midcredits score: 54th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
43%
Bonds
32%
Self
9%
Society
6%
Survival
6%
Power
4%
Justice4 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeMarriage2 titles, browse their movies with this theme

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 7 · Serious 1 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 3 · Heightened 1

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 7 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 4 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 3 · Some laughs 3 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 5 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
4
Tense
4
Absurd
4
Warm
4
Romantic
3
Other
8

How their films linger

Feel-good7 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy7
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gina Kaus' films?

As of October 24, 2026, 4 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Gina Kaus' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 12 with a MovieCove page.

  • Three Secrets (not in the MovieCove catalog yet)(1999)

    Original Film Writer

  • Der Tag danach (not in the MovieCove catalog yet)(1965)

    Writer

  • It's Not Her Sin (not in the MovieCove catalog yet)(1959)

    Author

  • Castle in Tyrol (not in the MovieCove catalog yet)(1957)

    Writer

  • The Night of the Storm (not in the MovieCove catalog yet)(1957)

    Writer

  • Devil in Silk (not in the MovieCove catalog yet)(1956)

    Novel

  • Alfred Hitchcock Presents(1955)

    Show 1 episode · Story · Teleplay

    Midcredits score: 96th percentile of all shows

  • The Robe(1953)

    Adaptation

    Midcredits score: 71st percentile of all films

  • All I Desire(1953)

    Adaptation

    Midcredits score: 82nd percentile of all films

  • We're Not Married!(1952)

    Story

    Midcredits score: 49th percentile of all films

  • Three Secrets (not in the MovieCove catalog yet)(1950)

    Writer

  • The Red Danube(1949)

    Screenplay

    Midcredits score: 60th percentile of all films

  • Julia Misbehaves(1948)

    Writer

    Midcredits score: 74th percentile of all films

  • Whispering City(1947)

    Additional Dialogue · Writer

    Midcredits score: 35th percentile of all films

  • Her Sister's Secret (not in the MovieCove catalog yet)(1946)

    Novel

  • Camino del infierno (not in the MovieCove catalog yet)(1945)

    Story

  • Blazing Guns(1943)

    Screenplay

    Midcredits score: 48th percentile of all films

  • Isle of Missing Men (not in the MovieCove catalog yet)(1942)

    Theatre Play

  • El gran secreto (not in the MovieCove catalog yet)(1942)

    Original Concept

  • The Wife Takes a Flyer(1942)

    Screenplay · Story

    Midcredits score: 51st percentile of all films

  • The Night Before the Divorce(1942)

    Theatre Play

    Midcredits score: 24th percentile of all films

  • They All Kissed the Bride(1942)

    Writer

    Midcredits score: 55th percentile of all films

  • Western Mail(1942)

    Writer

    Midcredits score: 18th percentile of all films

  • City in Darkness (not in the MovieCove catalog yet)(1939)

    Theatre Play

  • Conflit (not in the MovieCove catalog yet)(1938)

    Novel

  • Prison Without Bars (not in the MovieCove catalog yet)(1938)

    Writer

  • Luxury Liner (not in the MovieCove catalog yet)(1933)

    Novel

Career shape

A full career of 24 titles from 1933 to 1999.

Highest rated

All I Desire (1953)

Midcredits 82nd

Most popular right now

We're Not Married! (1952)

By role

only this rolewith another role
Writing23 of 24: 23 only writing, 0 with another role · typical Midcredits score56thOther crew1 of 24: 1 only other crew, 0 with another role

By decade

1930s4 · crew1940s9 · crew1950s9 · crew1960s1 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gina Kaus' films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 10

Approval · how many liked their films

49thpercentile
Typical film, the median of 10

Reach · how many have seen their films

30thpercentile
Typical film, the median of 10

Midcredits score across 12 titles, by percentile

  • 75th and up2
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th2

Shape of the crowd

5 of their 12 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed3

Most divisive · writer

They All Kissed the Bride (1942)

77th percentile spread · 24% rated it 4 or lower

Most loved · writer

Alfred Hitchcock Presents (1955)

Midcredits 96th · 92% liked

Reviewers score the dialogue 55/100 and the plot and story 48/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gina Kaus work with?

People who share at least 2 of Gina Kaus' MovieCove titles, grouped by what they did on them; Robert Emmett Tansey shares the most, 2.

Directors

Writers

Actors

Composers, cinematographers and editors