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Jean Kawahara

Editor and writer

Works as
Editor and writer
Titles
5 on MovieCove · 10 credits in all
TMDB popularity, last 38 days to Oct 27Down 22% in 30 days

What are Jean Kawahara's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 0 · Heightened 0

Gentle 0 · Charged 3 · Intense 1

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 0

A split, not a type: Casual 2 · Engaged 1 · Full focus 1

Easy watch 0 · Affecting 2 · Heavy 2

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Hopeful
2
Triumphant
2
Contemplative
1
Dread
1
Other
3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jean Kawahara's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jean Kawahara's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 5 with a MovieCove page.

  • Home Court(2024)

    Editor · Writer

    Midcredits score: 93rd percentile of all films (provisional, few ratings)
  • Belly of the Beast(2020)

    Editor

    Midcredits score: 78th percentile of all films
  • Blessed Child(2019)

    Editor · Writer

    Midcredits score: 69th percentile of all films (provisional, few ratings)
  • Point of No Return (not in the MovieCove catalog yet)(2017)

    Editor

  • T-Rex(2015)

    Editor

    Midcredits score: 84th percentile of all films
  • Semper Fi: Always Faithful(2011)

    Additional Editing

    Midcredits score: 92nd percentile of all films
  • City of Borders (not in the MovieCove catalog yet)(2009)

    Editor

  • Nail Polish (not in the MovieCove catalog yet)(2006)

    Editor

  • Yank Tanks (not in the MovieCove catalog yet)(2002)

    Editor

  • Of Civil Wrongs and Rights (not in the MovieCove catalog yet)(2000)

    Editor

Career shape

A full career of 10 titles from 2000 to 2024.

By role

only this rolewith another role
Writing2 of 10: 0 only writing, 2 with another roleEditing9 of 10: 7 only editing, 2 with another roleOther crew1 of 10: 1 only other crew, 0 with another role

By decade

2000s4 · crew2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jean Kawahara's films land?

Their typical MovieCove film has a Midcredits score in the 84th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 4

Approval · how many liked their films

78thpercentile
Typical film, the median of 4

Reach · how many have seen their films

21stpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up4
  • 50th to 74th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jean Kawahara work with?

People who share at least 2 of Jean Kawahara's MovieCove titles; Carrie Lozano shares the most, 2.