Stéphane Kazandjian

What are Stéphane Kazandjian's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stéphane Kazandjian's films?

As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service, most on Netflix (2).

• Netflix2 titles, browse their movies on this service
  • Sahara (2017) · writer
  • The Takedown (2022) · writer
• Prime Video1 title, browse their movies on this service
  • A Monster in Paris (2011) · writer
• The Roku Channel1 title, browse their movies on this service
  • A Monster in Paris (2011) · writer · free
• Tubi1 title, browse their movies on this service
  • A Monster in Paris (2011) · writer · free

Subscription and free streaming for Stéphane Kazandjian's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 10 with a MovieCove page.

• 

  Les cadeaux(2024)

  Writer

  Midcredits score: 23rd percentile of all films23^rd
• 

  Sirènes (not in the MovieCove catalog yet)(2024)

  Co-Writer
• 

  The Takedown(2022)

  Screenplay

  Midcredits score: 29th percentile of all films29^th
• 

  The Fantastic Journey of Margot & Marguerite (not in the MovieCove catalog yet)(2020)

  Dialogue
• 

  Family Swap(2020)

  Writer

  Midcredits score: 41st percentile of all films41^st
• 

  The Wedding Unplanner(2020)

  Writer

  Midcredits score: 35th percentile of all films35^th
• 

  Taxi 5(2018)

  Writer

  Midcredits score: 9th percentile of all films9^th
• 

  Family Business (not in the MovieCove catalog yet)(2018)

  Writer
• 

  Bad Buzz (not in the MovieCove catalog yet)(2017)

  Director
• 

  Wedding Unplanned(2017)

  Writer

  Midcredits score: 46th percentile of all films46^th
• 

  Bienvenue au Gondwana (not in the MovieCove catalog yet)(2017)

  Writer
• 

  Sahara(2017)

  Screenplay

  Midcredits score: 31st percentile of all films31^st
• 

  Pattaya(2016)

  Writer

  Midcredits score: 12th percentile of all films12^th
• 

  Détectives (not in the MovieCove catalog yet)(2013)

  Show 16 episodes · Creator · Writer
• 

  A Monster in Paris(2011)

  Screenplay

  Midcredits score: 79th percentile of all films79^th
• 

  Moi, Michel G., milliardaire, maître du monde (not in the MovieCove catalog yet)(2011)

  Director · Screenstory · Writer
• 

  Modern Love (not in the MovieCove catalog yet)(2008)

  Director · Writer
• 

  Bloody Mallory(2002)

  Writer

  Midcredits score: 15th percentile of all films15^th
• 

  Sexy Boys (not in the MovieCove catalog yet)(2001)

  Director · Screenplay
• En Solitaire (not in the MovieCove catalog yet)(2000)

  Director

Career shape

A full career of 18 titles from 2000 to 2024.

Biggest box office

Taxi 5 (2018)

$39M worldwide

Highest rated

A Monster in Paris (2011)

Midcredits 79^th

How do Stéphane Kazandjian's films land?

Their typical MovieCove film has a Midcredits score in the 30^th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 36^th percentile for acclaim.

Shape of the crowd

5 of their 10 titles are Mixed.

45

• Crowd Pleaser1
• Broadly Agreed4
• Mixed5

Most divisive · writer

Bloody Mallory (2002)

71^st percentile spread · 47% rated it 4 or lower

Most loved · writer

A Monster in Paris (2011)

Midcredits 79^th · 64% liked

Reviewers score the dialogue 44/100 and the plot and story 38/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Stéphane Kazandjian's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Stéphane Kazandjian work with?

People who share at least 2 of Stéphane Kazandjian's MovieCove titles, grouped by what they did on them; Franck Gastambide shares the most, 4.