
Robert Keith
Actor · Died December 22, 1966, aged 68 · Fowler, Indiana, USA
Robert Keith (February 10, 1898 – December 22, 1966) was an American stage and film actor who appeared in several dozen films, mostly in the 1950s as a character actor. He is noted for his performance as the weak-willed father in Fourteen Hours (1951), as a tough cop in Guys and Dolls (1955), and his performance in the 1953 film The Wild One, starring Marlon Brando, in which he played the ineffectual sheriff and father of Brando's love interest. Keith also had a starring role in Douglas Sirk's Written on the Wind. He had roles on television, including a role as Richard Kimble's father in The Fugitive and lead roles on episodes of Alfred Hitchcock Presents ("Ten O'Clock Tiger") and The Twilight Zone ("The Masks"). Description above from the Wikipedia article Robert Keith (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- February 9, 1898
- December 22, 1966 (aged 68)
- Fowler, Indiana, USA
- Actor
- 28 on MovieCove · 41 credits in all
What are Robert Keith's films like?
Across their 24 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 24
A split, not a type: Light 7 · Serious 8 · Dark 9
A split, not a type: Grounded 13 · Stylized 9 · Heightened 2
Gentle 6 · Charged 11 · Intense 7
Steady 13 · Shifting 11 · Whiplash 0
Straight-faced 16 · Some laughs 6 · Funny 2
Slow burn 11 · Even-paced 13 · Relentless 0
Casual 15 · Engaged 9 · Full focus 0
Easy watch 7 · Affecting 12 · Heavy 5
Resolved 21 · Open-ended 3 · Ambiguous 0
Roles they play
Usually the Mentor: 5 of 11 analyzed roles.
Show the 11 rolesHide the roles
- Shadowas T. Jefferson Leffingwell in Branded (1950)
- Heraldas Detect. Lieutenant Mandel in Edge of Doom (1950)
- Allyas Inspector Ferris in Woman on the Run (1950)
- Mentoras Warden Steve Morgan in Devil's Canyon (1953)
- Threshold guardianas Judge Gordon Kimbell in Small Town Girl (1953)
- Threshold guardianas Sheriff Harry Bleeker in The Wild One (1953)
- Mentoras Gregory Tuttle in Young at Heart (1954)
- Mentoras Bernard V. Loomis in Love Me or Leave Me (1955)
- Mentoras Jasper Hadley in Written on the Wind (1956)
- Mentoras Sam Pegler in Cimarron (1960)
- Threshold guardianas Captain Jeremiah Brown in Posse from Hell (1961)
Moods and endings
- Happy10
- Bittersweet13
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Keith's films?
As of October 24, 2026, 10 of their 28 MovieCove titles stream on a subscription or free service, most on Prime Video (7).
Subscription and free streaming for Robert Keith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
41 credits, 28 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

The Fugitive (not in the MovieCove catalog yet)(1963)
Midcredits score: 97th percentile of all shows
Duel of Champions (not in the MovieCove catalog yet)(1961)

Posse from Hell(1961)
Midcredits score: 68th percentile of all films
Cimarron(1960)
Midcredits score: 54th percentile of all films
The Twilight Zone(1959)
Midcredits score: 97th percentile of all shows
They Came to Cordura(1959)
Midcredits score: 60th percentile of all films
Tempest(1958)
Midcredits score: 49th percentile of all films
The Lineup (not in the MovieCove catalog yet)(1958)

My Man Godfrey(1957)
Midcredits score: 61st percentile of all films
Men in War(1957)
Midcredits score: 84th percentile of all films
Between Heaven and Hell(1956)
Midcredits score: 65th percentile of all films
Written on the Wind(1956)
Midcredits score: 91st percentile of all films
Ransom! (not in the MovieCove catalog yet)(1956)

Guys and Dolls(1955)
Midcredits score: 83rd percentile of all films
Midcredits score: 96th percentile of all shows
Love Me or Leave Me(1955)
Midcredits score: 83rd percentile of all films
Underwater! (not in the MovieCove catalog yet)(1955)

Young at Heart(1954)
Midcredits score: 70th percentile of all films
Drum Beat(1954)
Midcredits score: 55th percentile of all films
Atomic Attack (not in the MovieCove catalog yet)(1954)

The Wild One(1953)
Midcredits score: 71st percentile of all films
Devil's Canyon(1953)
Midcredits score: 13th percentile of all films
Small Town Girl(1953)
Midcredits score: 49th percentile of all films
Battle Circus(1953)
Midcredits score: 43rd percentile of all films
Somebody Loves Me (not in the MovieCove catalog yet)(1952)

Just Across the Street (not in the MovieCove catalog yet)(1952)

I Want You (not in the MovieCove catalog yet)(1951)

Here Comes the Groom(1951)
Midcredits score: 51st percentile of all films
Fourteen Hours(1951)
Midcredits score: 83rd percentile of all films
Woman on the Run(1950)
Midcredits score: 88th percentile of all films
Branded(1950)
Midcredits score: 70th percentile of all films
Edge of Doom(1950)
Midcredits score: 55th percentile of all films
Midcredits score: 43rd percentile of all films
My Foolish Heart(1949)
Midcredits score: 73rd percentile of all films
Studio One (not in the MovieCove catalog yet)(1948)

The Philco Television Playhouse (not in the MovieCove catalog yet)(1948)

Boomerang!(1947)
Midcredits score: 86th percentile of all films
The Shadow Laughs (not in the MovieCove catalog yet)(1933)

The Unexpected Father (not in the MovieCove catalog yet)(1932)

Abraham Lincoln(1930)
Midcredits score: 33rd percentile of all films
Career shape
Star power in the 96th percentile of 239,109 people with a billed film role, over a full career of 41 titles from 1930 to 1963.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Robert Keith's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 25; across their 24 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up10
- 50th to 74th12
- 25th to 49th5
- Below 25th1
Shape of the crowd
None of their 28 titles divides audiences: 22 are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser22
- Broadly Agreed2
- Mixed2
Reviewers score the acting 71/100 in their films, across 24 reviewed titles; fans 79, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Robert Keith's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Robert Keith work with?
People who share at least 2 of Robert Keith's MovieCove titles, grouped by what they did on them; Vic Morrow shares the most, 3.
Directors
- Anthony MannShared titles: Cimarron (1960), Men in War (1957)See all 2 shared titles with Anthony Mann

- Mark RobsonShared titles: Edge of Doom (1950), My Foolish Heart (1949)See all 2 shared titles with Mark Robson

Writers
- Ben MaddowShared titles: Men in War (1957), The Wild One (1953)See all 2 shared titles with Ben Maddow

- Philip YordanShared titles: Men in War (1957), Edge of Doom (1950)See all 2 shared titles with Philip Yordan

- Julius J. EpsteinShared titles: Young at Heart (1954), My Foolish Heart (1949)See all 2 shared titles with Julius J. Epstein

- Liam O'BrienShared titles: Young at Heart (1954), Here Comes the Groom (1951)See all 2 shared titles with Liam O'Brien
Actors
- Vic MorrowShared titles: Posse from Hell (1961), Cimarron (1960), Men in War (1957)See all 3 shared titles with Vic Morrow

- June AllysonShared titles: My Man Godfrey (1957), Battle Circus (1953), The Reformer and the Redhead (1950)See all 3 shared titles with June Allyson

- Dana AndrewsShared titles: Edge of Doom (1950), My Foolish Heart (1949), Boomerang! (1947)See all 3 shared titles with Dana Andrews

- James BellShared titles: Posse from Hell (1961), Devil's Canyon (1953)See all 2 shared titles with James Bell

Composers, cinematographers and editors
- Daniel MandellShared titles: Guys and Dolls (1955), Edge of Doom (1950), My Foolish Heart (1949)See all 3 shared titles with Daniel Mandell

- Frank SkinnerShared titles: My Man Godfrey (1957), Written on the Wind (1956)See all 2 shared titles with Frank Skinner

- Hugo FriedhoferShared titles: Between Heaven and Hell (1956), Edge of Doom (1950)See all 2 shared titles with Hugo Friedhofer

- Harry Stradling Sr.Shared titles: Guys and Dolls (1955), Edge of Doom (1950)See all 2 shared titles with Harry Stradling Sr.

Producers
- Samuel GoldwynShared titles: Guys and Dolls (1955), Edge of Doom (1950), My Foolish Heart (1949)See all 3 shared titles with Samuel Goldwyn

- Edmund GraingerShared titles: Cimarron (1960), Devil's Canyon (1953)See all 2 shared titles with Edmund Grainger

- Joe PasternakShared titles: Love Me or Leave Me (1955), Small Town Girl (1953)See all 2 shared titles with Joe Pasternak





