Sherman Kell
- Editor
- 3 on MovieCove
What are Sherman Kell's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
A split, not a type: Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 0 · Whiplash 1
Straight-faced 0 · Some laughs 0 · Funny 3
Slow burn 1 · Even-paced 1 · Relentless 1
Casual 2 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sherman Kell's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Sherman Kell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Steamboat Bill, Jr.(1928)
Midcredits score: 97th percentile of all films
College(1927)
Midcredits score: 76th percentile of all films
The General(1926)
Midcredits score: 98th percentile of all films
Career shape
A full career of 3 titles from 1926 to 1928.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Sherman Kell's films land?
Their typical MovieCove film has a Midcredits score in the 97th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 94th percentile for acclaim.
- 75th and up3
Shape of the crowd
None of their 3 titles divides audiences: 2 are Universally Loved.
- Universally Loved2
- Crowd Pleaser1
Reviewers score the pacing 48/100 in their films, across 3 reviewed titles; fans 55, detractors 28. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Sherman Kell work with?
People who share at least 2 of Sherman Kell's MovieCove titles, grouped by what they did on them; Buster Keaton shares the most, 3.
Directors
- Buster KeatonShared titles: Steamboat Bill, Jr. (1928), College (1927), The General (1926)See all 3 shared titles with Buster Keaton
Writers
- Carl HarbaughShared titles: Steamboat Bill, Jr. (1928), College (1927)See all 2 shared titles with Carl Harbaugh
Cinematographers
- Bert HainesShared titles: Steamboat Bill, Jr. (1928), College (1927), The General (1926)See all 3 shared titles with Bert Haines
- Devereaux JenningsShared titles: Steamboat Bill, Jr. (1928), College (1927), The General (1926)See all 3 shared titles with Devereaux Jennings
Producers
- Joseph M. SchenckShared titles: Steamboat Bill, Jr. (1928), College (1927), The General (1926)See all 3 shared titles with Joseph M. Schenck
