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Albert H. Kelley

Director

Works as
Director
Titles
3 on MovieCove · 20 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 23% in 30 days

What are Albert H. Kelley's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
42%
Bonds
32%
Self
19%
Power
8%
Justice2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 1 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Thrilling
2
Romantic
2
Melancholic
1
Joyful
1

How their films linger

Fun2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Albert H. Kelley's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on MGM+ (2).

Also on these channels

Subscription and free streaming for Albert H. Kelley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 3 with a MovieCove page.

  • America for Me (not in the MovieCove catalog yet)(1953)

    Director

  • Street Corner (not in the MovieCove catalog yet)(1948)

    Director · Story

  • Slippy McGee (not in the MovieCove catalog yet)(1948)

    Director

  • Double Cross(1941)

    Director

    Midcredits score: 11th percentile of all films

  • Jungle Bride(1933)

    Director

    Midcredits score: 18th percentile of all films

  • Football 40 Years Ago (not in the MovieCove catalog yet)(1931)

    Director

  • The Champion (not in the MovieCove catalog yet)(1931)

    Director

  • The Woman Racket(1930)

    Director

    Midcredits score: 26th percentile of all films

  • Campus Knights (not in the MovieCove catalog yet)(1929)

    Director · Writer

  • The Beautiful Spy (not in the MovieCove catalog yet)(1928)

    Director

  • His New York Wife (not in the MovieCove catalog yet)(1926)

    Director

  • Gigolo (not in the MovieCove catalog yet)(1926)

    Assistant Director

  • Shameful Behavior? (not in the MovieCove catalog yet)(1926)

    Director

  • Dancing Days (not in the MovieCove catalog yet)(1926)

    Director

  • The Sap (not in the MovieCove catalog yet)(1926)

    Assistant Director

  • Deserted at the Altar (not in the MovieCove catalog yet)(1922)

    Director

  • Home Stuff (not in the MovieCove catalog yet)(1921)

    Director

  • The Gold Cure (not in the MovieCove catalog yet)(1919)

    Assistant Director

  • To Hell with the Kaiser! (not in the MovieCove catalog yet)(1918)

    Assistant Director

  • The Winding Trail (not in the MovieCove catalog yet)(1918)

    Assistant Director

Career shape

A full career of 20 titles from 1918 to 1953.

Most popular right now

Jungle Bride (1933)

By role

only this rolewith another role
Directing15 of 20: 13 only directing, 2 with another roleWriting2 of 20: 0 only writing, 2 with another roleOther crew5 of 20: 5 only other crew, 0 with another role

By decade

1910s3 · crew1920s9 · crew1930s4 · crew1940s3 · crew1950s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Albert H. Kelley's films land?

Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 27th percentile for acclaim.

Acclaim · how much people like their films

27thpercentile
Typical film, the median of 3

Approval · how many liked their films

12thpercentile
Typical film, the median of 3

Reach · how many have seen their films

21stpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th1
  • Below 25th2

Shape of the crowd

None of their 3 titles divides audiences: 2 are Mixed.

  • Broadly Agreed1
  • Mixed2

Most loved · director

The Woman Racket (1930)

Midcredits 26th · 30% liked

Reviewers score the atmosphere 47/100 and the pacing 50/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Albert H. Kelley work with?

People who share at least 2 of Albert H. Kelley's MovieCove titles; John Miljan shares the most, 2.