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Gerald Kerkletz

Gerald Kerkletz

Cinematographer, also producer · Born August 24, 1975 (51) · Graz, Austria

Gerald Kerkletz was born in 1975 in Graz, Austria. He is a cinematographer and producer, known for Soldier Jane (2013), Michael (2011) and Angelo (2018).

Biography from IMDb.

Born
August 24, 1975 (51)
From
Graz, Austria
Works as
Cinematographer, also producer
Titles
5 on MovieCove · 14 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 38% in 30 days

What are Gerald Kerkletz's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Society.

Themes

share of theme weight
Power
36%
Society
25%
Self
22%
Ideas
9%
Morality
6%
Bonds
3%
Identity2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 0 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 4 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 5 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 0 · Heavy 2

Ambiguous: How much is left for you to interpret. Browse their ambiguous movies.
Demand · Resolution
resolvedambiguous

Resolved 0 · Open-ended 2 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
3
Tense
2
Cold
2
Contemplative
2
Dread
1
Other
3

How their films linger

Unsettling3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet1
  • Tragic1
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gerald Kerkletz's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Gerald Kerkletz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 5 with a MovieCove page.

  • Rose(2026)

    Cinematographer

    Midcredits score: 94th percentile of all films

  • Realm of Satan(2024)

    Cinematographer · Co-Producer

    Midcredits score: 11th percentile of all films

  • Veni Vidi Vici (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • The Death of My Mother (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • Angelo (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • Walden (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Ma Folie - Deine Liebe. Deine Lügen. (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • Tomcat (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • WiNWiN(2016)

    Cinematographer · Producer

    Midcredits score: 45th percentile of all films (provisional, few ratings)

  • Soldier Jane(2013)

    Cinematographer · Producer

    Midcredits score: 18th percentile of all films

  • Tomorrow You Will Leave (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • Still Life (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • Michael(2011)

    Cinematographer

    Midcredits score: 76th percentile of all films

  • Revanche (not in the MovieCove catalog yet)(2008)

    Lighting Technician

Career shape

A full career of 14 titles from 2008 to 2026.

Biggest box office

Rose (2026)

$682K worldwide

Highest rated

Rose (2026)

Midcredits 94th

By role

only this rolewith another role
Producing1 of 14: 0 only producing, 1 with another roleCinematography13 of 14: 12 only cinematography, 1 with another role · typical Midcredits score45thOther crew1 of 14: 1 only other crew, 0 with another role

By decade

2000s1 · crew2010s9 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gerald Kerkletz's films land?

Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 5

Approval · how many liked their films

41stpercentile
Typical film, the median of 5

Reach · how many have seen their films

44thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

2 of their 5 titles are Crowd Pleasers.

  • Cult Classic1
  • Crowd Pleaser2
  • Mixed2

Most divisive · producer, cinematographer

WiNWiN (2016)

78th percentile spread · 30% rated it 4 or lower

Most loved · cinematographer

Rose (2026)

Midcredits 94th · 82% liked

Reviewers score the cinematography 73/100 in their films, across 3 reviewed titles; fans 82, detractors 53. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gerald Kerkletz work with?

People who share at least 2 of Gerald Kerkletz's MovieCove titles, grouped by what they did on them; Markus Schleinzer shares the most, 2.

Directors

Actors

Editors

Producers