Katia Khazak

What are Katia Khazak's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Katia Khazak's films?

As of October 24, 2026, none of Katia Khazak's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Katia Khazak's titles on MovieCove; rent and buy are not counted.

Filmography

12 credits, 4 with a MovieCove page.

• 

  A Russian Winter(2026)

  Producer

  Midcredits score: 6th percentile of all films6^th
• 

  Swapper (not in the MovieCove catalog yet)(2026)

  Producer
• 

  A South Facing Window (not in the MovieCove catalog yet)(2025)

  Producer
• 

  City of Wind (not in the MovieCove catalog yet)(2024)

  Producer
• 

  If the Sun Drowned Into an Ocean of Clouds (not in the MovieCove catalog yet)(2023)

  Producer
• 

  The Beast in the Jungle(2023)

  Producer

  Midcredits score: 26th percentile of all films26^th
• 

  Return to Seoul(2022)

  Producer

  Midcredits score: 79th percentile of all films79^th
• 

  Einstein Telescope (not in the MovieCove catalog yet)(2022)

  Producer
• 

  Petite Solange(2021)

  Executive Producer · Head of Production · Post Production Supervisor

  Midcredits score: 45th percentile of all films45^th
• 

  If It Were Love (not in the MovieCove catalog yet)(2020)

  Executive Producer
• 

  Superlove (not in the MovieCove catalog yet)(1999)

  as Carolina
• Holiday (not in the MovieCove catalog yet)

  Producer

Career shape

A full career of 12 titles, 11 of them dated from 1999 to 2026.

Biggest box office

Return to Seoul (2022)

$2.2M worldwide

Highest rated

Return to Seoul (2022)

Midcredits 79^th

How do Katia Khazak's films land?

Their typical MovieCove film has a Midcredits score in the 36^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 40^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Mixed.

112

• Universally Panned1
• Crowd Pleaser1
• Mixed2

Most divisive · producer

A Russian Winter (2026)

53^rd percentile spread · 75% rated it 4 or lower

Most loved · producer

Return to Seoul (2022)

Midcredits 79^th · 67% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Katia Khazak work with?

People who share at least 2 of Katia Khazak's MovieCove titles, grouped by what they did on them; Charlotte Vincent shares the most, 4.