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Tomoko Kida

Editor

Works as
Editor
Titles
4 on MovieCove · 7 credits in all

What are Tomoko Kida's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.

Themes

share of theme weight
Self
50%
Society
14%
Ideas
14%
Bonds
8%
Power
8%
Morality
6%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

Grounded 0 · Stylized 2 · Heightened 2

Gentle 1 · Charged 3 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Hopeful
3
Melancholic
2
Bittersweet
2
Contemplative
2
Thrilling
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tomoko Kida's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on HBO Max (2).

Subscription and free streaming for Tomoko Kida's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 4 with a MovieCove page.

  • Only Yesterday(1991)

    Editor

    Midcredits score: 95th percentile of all films
  • Manga Nihon Keizai Nyuumon (not in the MovieCove catalog yet)(1987)

    Show 25 episodes · Editor

  • Dream Star Button Nose (not in the MovieCove catalog yet)(1985)

    Show 26 episodes · Editor

  • Nausicaä of the Valley of the Wind(1984)

    Editor · Lead Editor

    Midcredits score: 99th percentile of all films
  • The Last Unicorn(1982)

    Editor

    Midcredits score: 90th percentile of all films
  • Midcredits score: 90th percentile of all films
  • Homerun Kanta (not in the MovieCove catalog yet)(1977)

    Show 53 episodes · Editor

Career shape

A full career of 6 titles from 1977 to 1987.

By role

only this rolewith another role
Editing5 of 6: 5 only editing, 0 with another roleOther crew1 of 6: 1 only other crew, 0 with another role

By decade

1970s1 · crew1980s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Tomoko Kida's films land?

Their typical MovieCove film has a Midcredits score in the 93rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 92nd percentile for acclaim.

Acclaim · how much people like their films

92ndpercentile
Typical film, the median of 4

Approval · how many liked their films

92ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

96thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up4

Shape of the crowd

None of their 4 titles divides audiences: 4 are Universally Loved.

  • Universally Loved4

Reviewers score the pacing 51/100 in their films, across 4 reviewed titles; fans 61, detractors 23. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Tomoko Kida's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 48 · moderateMedian of all films: 44
Sex & Nudity3 titlesmedian 23 · mildMedian of all films: 32
Profanity3 titlesmedian 4 · minimalMedian of all films: 36
Alcohol & Drugs3 titlesmedian 28 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 56 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Tomoko Kida work with?

People who share at least 2 of Tomoko Kida's MovieCove titles, grouped by what they did on them; Arthur Rankin Jr. shares the most, 2.

Directors

Actors

Editors

Producers

Mixed roles