
Bradley King
Writer · Died August 24, 1977, aged 83 · New York City, New York, USA
American screenwriter. Her career in film lasted from 1920 till 1947.
Biography from TMDB.
- July 8, 1894
- August 24, 1977 (aged 83)
- New York City, New York, USA
- Writer
- 8 on Motif · 56 credits in all
What are Bradley King's films like?
Across their 7 Motif titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 2 · Serious 3 · Dark 2
Grounded 5 · Stylized 1 · Heightened 1
Gentle 1 · Charged 6 · Intense 0
Steady 2 · Shifting 3 · Whiplash 2
A split, not a type: Straight-faced 3 · Some laughs 4 · Funny 0
Slow burn 6 · Even-paced 1 · Relentless 0
Casual 5 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 4 · Heavy 1
Resolved 6 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet3
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Bradley King's films?
As of October 24, 2026, 1 of their 8 Motif titles stream on a subscription or free service, on Tubi (1).
Subscription and free streaming for Bradley King's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
56 credits, 8 with a Motif page.

Till(2022)
Midcredits score: 88th percentile of all films
That's My Man(1947)
Midcredits score: 47th percentile of all films
Maid of Salem (not in the Motif catalog yet)(1937)

Under the Pampas Moon (not in the Motif catalog yet)(1935)

Let's Live Tonight (not in the Motif catalog yet)(1935)

Mystery of Edwin Drood(1935)
Midcredits score: 52nd percentile of all films
Hoopla(1933)
Midcredits score: 66th percentile of all films
Humanity (not in the Motif catalog yet)(1933)

6 Hours to Live (not in the Motif catalog yet)(1932)

A Passport to Hell (not in the Motif catalog yet)(1932)

Westward Passage(1932)
Midcredits score: 22nd percentile of all films
Three Girls Lost (not in the Motif catalog yet)(1931)

East Lynne (not in the Motif catalog yet)(1931)
The Costume Falls (not in the Motif catalog yet)(1931)

The Lash (not in the Motif catalog yet)(1930)

The Way of All Men (not in the Motif catalog yet)(1930)

Wild Company(1930)
Midcredits score: 23rd percentile of all films
Son of the Gods(1930)
Midcredits score: 45th percentile of all films
Young Nowheres (not in the Motif catalog yet)(1929)

Dark Streets (not in the Motif catalog yet)(1929)

Drag (not in the Motif catalog yet)(1929)

The Squall (not in the Motif catalog yet)(1929)

Weary River (not in the Motif catalog yet)(1929)

Diamond Handcuffs (not in the Motif catalog yet)(1928)

Under the Black Eagle (not in the Motif catalog yet)(1928)

Scarlet Seas(1928)
Midcredits score: 33rd percentile of all films (provisional, few ratings)
The Gateway of the Moon (not in the Motif catalog yet)(1928)

The Lovelorn (not in the Motif catalog yet)(1927)

Mockery (not in the Motif catalog yet)(1927)

One Increasing Purpose (not in the Motif catalog yet)(1927)

The Return of Peter Grimm (not in the Motif catalog yet)(1926)

Marriage License? (not in the Motif catalog yet)(1926)
Hell's Four Hundred (not in the Motif catalog yet)(1926)

The Palace of Pleasure (not in the Motif catalog yet)(1926)

The Gilded Butterfly (not in the Motif catalog yet)(1926)

When the Door Opened (not in the Motif catalog yet)(1925)

Satan in Sables (not in the Motif catalog yet)(1925)

The Marriage Whirl (not in the Motif catalog yet)(1925)

Déclassé (not in the Motif catalog yet)(1925)

Enticement (not in the Motif catalog yet)(1925)

The Chorus Lady (not in the Motif catalog yet)(1924)

Broken Laws (not in the Motif catalog yet)(1924)

Christine of the Hungry Heart (not in the Motif catalog yet)(1924)

Anna Christie (not in the Motif catalog yet)(1923)

Her Reputation (not in the Motif catalog yet)(1923)

A Man of Action (not in the Motif catalog yet)(1923)

The Sunshine Trail (not in the Motif catalog yet)(1923)

The Love Letter (not in the Motif catalog yet)(1923)

What a Wife Learned (not in the Motif catalog yet)(1923)

Beyond the Crossroads (not in the Motif catalog yet)(1922)

The Girl from Nowhere (not in the Motif catalog yet)(1921)

I Am Guilty (not in the Motif catalog yet)(1921)

The Miracle of Manhattan (not in the Motif catalog yet)(1921)

Lying Lips (not in the Motif catalog yet)(1921)

Footlights and Shadows (not in the Motif catalog yet)(1920)
The Scapegrace (not in the Motif catalog yet)(1916)
Career shape
A full career of 56 titles from 1916 to 2022.
Film career
- 2022Screen debut· Till
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do Bradley King's films land?
Their typical Motif film has a Midcredits score in the 46th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th3
- Below 25th2
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 47/100 and the plot and story 45/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Bradley King work with?
People who share at least 2 of Bradley King's Motif titles, grouped by what they did on them; Frank Lloyd shares the most, 2.
Directors
- Frank LloydShared titles: Hoopla (1933), Son of the Gods (1930)See all 2 shared titles with Frank Lloyd

Actors
- Ethel GriffiesShared titles: Mystery of Edwin Drood (1935), Westward Passage (1932)See all 2 shared titles with Ethel Griffies

- Florence RobertsShared titles: Hoopla (1933), Westward Passage (1932)See all 2 shared titles with Florence Roberts

- Frank AlbertsonShared titles: Son of the Gods (1930), Wild Company (1930)See all 2 shared titles with Frank Albertson

- Mildred Van DornShared titles: Son of the Gods (1930), Wild Company (1930)See all 2 shared titles with Mildred Van Dorn