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Susan Kirr

Producer

Works as
Producer
Titles
27 on MovieCove · 31 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 35% in 30 days

What are Susan Kirr's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama7 titlesTypical Midcredits score: 50th percentile, at or above their average across these genres
: browse their Drama movies
Crime5 titlesTypical Midcredits score: 48th percentile
: browse their Crime movies
Comedy4 titlesTypical Midcredits score: 32nd percentile
: browse their Comedy movies
Biography3 titlesTypical Midcredits score: 67th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
27%
Bonds
25%
Survival
17%
Morality
11%
Society
10%
Power
8%
Ideas
2%
Family bonds8 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeGrief5 titles, browse their movies with this themePurpose5 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeFreedom3 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 7 · Serious 4 · Dark 11

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 13 · Stylized 6 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 9 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 9 · Shifting 8 · Whiplash 5

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 13 · Some laughs 7 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 12 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 13 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 5 · Affecting 4 · Heavy 13

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 13 · Open-ended 5 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
12
Hopeful
8
Warm
6
Dread
5
Other
22

How their films linger

Hopeful12 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet10
  • Tragic2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Susan Kirr's films?

As of October 24, 2026, 18 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Also on these channels

Subscription and free streaming for Susan Kirr's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 27 with a MovieCove page.

  • Eye for an Eye(2025)

    Executive Producer

    Midcredits score: 9th percentile of all films

  • The Absence of Eden(2023)

    Executive Producer

    Midcredits score: 19th percentile of all films

  • Love Lies Bleeding(2024)

    Executive Producer · Unit Production Manager

    Midcredits score: 69th percentile of all films

  • Emperor(2020)

    Executive Producer

    Midcredits score: 54th percentile of all films

  • Support the Girls(2018)

    Executive Producer · Line Producer

    Midcredits score: 62nd percentile of all films

  • Woman Walks Ahead(2017)

    Executive Producer

    Midcredits score: 67th percentile of all films

  • Amanda & Jack Go Glamping(2017)

    Producer · Unit Production Manager

    Midcredits score: 10th percentile of all films

  • An Evergreen Christmas(2014)

    Co-Producer · Line Producer

    Midcredits score: 39th percentile of all films

  • Men, Women & Children(2014)

    Unit Production Manager

    Midcredits score: 58th percentile of all films

  • Winter in the Blood(2013)

    Producer

    Midcredits score: 50th percentile of all films

  • Spring Breakers(2012)

    Co-Producer · Unit Production Manager

    Midcredits score: 27th percentile of all films

  • Deep in the Heart(2012)

    Producer

    Midcredits score: 35th percentile of all films

  • The Girl(2012)

    Producer

    Midcredits score: 48th percentile of all films

  • Seven Days in Utopia(2011)

    Co-Producer · Line Producer

    Midcredits score: 46th percentile of all films

  • The Tree of Life(2011)

    Line Producer

    Midcredits score: 76th percentile of all films

  • The Killer Inside Me(2010)

    Co-Producer

    Midcredits score: 42nd percentile of all films

  • Husband for Hire(2008)

    Producer

    Midcredits score: 25th percentile of all films

  • Honeydripper(2007)

    Associate Producer

    Midcredits score: 68th percentile of all films

  • Homo Erectus(2007)

    Line Producer · Unit Production Manager

    Midcredits score: 5th percentile of all films

  • A Mighty Heart(2007)

    Producer

    Midcredits score: 67th percentile of all films

  • Elvis and Anabelle(2007)

    Producer

    Midcredits score: 77th percentile of all films

  • Infamous(2006)

    Unit Production Manager

    Midcredits score: 78th percentile of all films

  • A Scanner Darkly(2006)

    Unit Production Manager

    Midcredits score: 83rd percentile of all films

  • The King(2005)

    Producer

    Midcredits score: 58th percentile of all films

  • Killer Diller (not in the MovieCove catalog yet)(2004)

    Line Producer

  • When Zachary Beaver Came to Town(2003)

    Line Producer · Unit Production Manager

    Midcredits score: 38th percentile of all films

  • Rolling Kansas(2003)

    Unit Production Manager

    Midcredits score: 50th percentile of all films

  • The Keyman (not in the MovieCove catalog yet)(2002)

    Producer

  • Only In America (not in the MovieCove catalog yet)(1996)

    Producer

  • Sgt. Kabukiman N.Y.P.D.(1990)

    Assistant Editor

    Midcredits score: 38th percentile of all films

  • Ashes to Dust (not in the MovieCove catalog yet)

    Second Assistant Director

Career shape

A full career of 26 titles, 25 of them dated from 1991 to 2025.

Biggest box office

The Tree of Life (2011)

$59M worldwide

Highest rated

Elvis and Anabelle (2007)

Midcredits 77th

Most popular right now

Love Lies Bleeding (2024)

By role

only this rolewith another role
Producing20 of 26: 15 only producing, 5 with another role · typical Midcredits score42ndOther crew11 of 26: 6 only other crew, 5 with another role · typical Midcredits score44th

26 titles, 5 with more than one role — producing and other crew overlap on 5 of them.

By decade

1990s2 · crew2000s9 · crew2010s10 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Susan Kirr's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 27; across their 22 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 22

Approval · how many liked their films

46thpercentile
Typical film, the median of 22

Reach · how many have seen their films

68thpercentile
Typical film, the median of 22

Midcredits score across 27 titles, by percentile

  • 75th and up4
  • 50th to 74th10
  • 25th to 49th9
  • Below 25th4

Shape of the crowd

14 of their 27 titles are Mixed.

  • Cult Classic3
  • Crowd Pleaser9
  • Broadly Agreed1
  • Mixed14

Most divisive · producer

Deep in the Heart (2012)

88th percentile spread · 30% rated it 4 or lower

Most loved · producer

Elvis and Anabelle (2007)

Midcredits 77th · 73% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Susan Kirr's work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles36–86 · median 78 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity7 titles13–72 · median 50 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles21–87 · median 71 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles24–83 · median 55 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense5 titles34–85 · median 73 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Susan Kirr work with?

People who share at least 2 of Susan Kirr's MovieCove titles, grouped by what they did on them; Michael Winterbottom shares the most, 2.

Directors

Actors

Cinematographers

Producers