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A. Kitman Ho

A. Kitman Ho

Producer · Born January 1, 1950 (76) · Hong Kong

Alexander Kitman Ho (Chinese: 何傑民; pinyin: Hé Jiémín; born 1950), known as A. Kitman Ho, is an American film producer. He was born in Hong Kong, and emigrated with his family to the United States when he was 5 years old. He grew up in New York City's Chinatown neighborhood. After graduating from Goddard College in Vermont with a master's degree in Cinema. He continued his studies at New York University's Tisch School of the Arts. Ho has produced many of Oliver Stone's films, such as Platoon, Wall Street, Talk Radio, Born on the Fourth of July, The Doors, JFK, and Heaven & Earth. Description above from the Wikipedia article A. Kitman Ho, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 1, 1950 (76)
From
Hong Kong
Works as
Producer
Titles
20 on MovieCove
TMDB popularity, last 38 days to Oct 27Down 17% in 30 days

What are A. Kitman Ho's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 13

A split, not a type: Grounded 8 · Stylized 4 · Heightened 2

Gentle 0 · Charged 2 · Intense 12

Steady 2 · Shifting 8 · Whiplash 4

Straight-faced 13 · Some laughs 1 · Funny 0

A split, not a type: Slow burn 7 · Even-paced 6 · Relentless 1

Casual 1 · Engaged 10 · Full focus 3

Easy watch 0 · Affecting 4 · Heavy 10

A split, not a type: Resolved 8 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Melancholic
11
Dread
7
Hopeful
3
Contemplative
2
Other
3

How their films end · 2 with a twist

  • Happy1
  • Bittersweet8
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch A. Kitman Ho's films?

As of October 24, 2026, 12 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for A. Kitman Ho's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 20 with a MovieCove page.

  • Reservation Road(2007)

    Producer · Second Unit Director

    Midcredits score: 64th percentile of all films
  • Hotel Rwanda(2004)

    Producer · Second Unit Director · Unit Production Manager

    Midcredits score: 98th percentile of all films
  • Ali(2001)

    Producer

    Midcredits score: 72nd percentile of all films
  • The Weight of Water(2000)

    Producer · Unit Production Manager

    Midcredits score: 28th percentile of all films
  • Brokedown Palace(1999)

    Executive Producer · Production Manager

    Midcredits score: 57th percentile of all films
  • Midcredits score: 72nd percentile of all films
  • On Deadly Ground(1994)

    Producer

    Midcredits score: 11th percentile of all films
  • Heaven & Earth(1993)

    Producer

    Midcredits score: 74th percentile of all films
  • JFK(1991)

    Producer

    Midcredits score: 98th percentile of all films
  • The Doors(1991)

    Producer

    Midcredits score: 85th percentile of all films
  • Midcredits score: 88th percentile of all films
  • Talk Radio(1988)

    Producer

    Midcredits score: 87th percentile of all films
  • Wall Street(1987)

    Co-Producer

    Midcredits score: 90th percentile of all films
  • Platoon(1986)

    Co-Producer

    Midcredits score: 99th percentile of all films
  • Out of the Darkness(1985)

    Production Manager

    Midcredits score: 45th percentile of all films
  • The Loveless(1981)

    Producer

    Midcredits score: 41st percentile of all films
  • Too Scared to Scream(1984)

    Producer

    Midcredits score: 17th percentile of all films
  • The Hunger(1983)

    Production Manager

    Midcredits score: 69th percentile of all films
  • Reds(1981)

    Production Manager

    Midcredits score: 89th percentile of all films
  • One-Trick Pony(1980)

    Unit Manager

    Midcredits score: 44th percentile of all films

Career shape

A full career of 19 titles from 1980 to 2007.

By role

only this rolewith another role
Producing15 of 19: 11 only producing, 4 with another role · typical Midcredits score74thOther crew8 of 19: 4 only other crew, 4 with another role · typical Midcredits score61st

19 titles, 4 with more than one role — producing and other crew overlap on 4 of them.

By decade

1980s9 · crew1990s6 · crew2000s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do A. Kitman Ho's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 20; across their 14 films with reception data, the typical film sits in the 73rd percentile for acclaim.

Acclaim · how much people like their films

73rdpercentile
Typical film, the median of 14

Approval · how many liked their films

74thpercentile
Typical film, the median of 14

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 14

Midcredits score across 20 titles, by percentile

  • 75th and up8
  • 50th to 74th6
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

11 of their 20 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser11
  • Broadly Agreed2
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is A. Kitman Ho's work okay for kids?

Across up to 13 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles63–92 · median 77 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity13 titles18–74 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity7 titles39–94 · median 79 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles32–82 · median 45 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense7 titles59–91 · median 67 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does A. Kitman Ho work with?

People who share at least 2 of A. Kitman Ho's MovieCove titles, grouped by what they did on them; Oliver Stone shares the most, 6.

Directors

Actors

Cinematographers and editors

Producers