Skip to content
MovieCove

Uwe Klimmeck

Editor

Works as
Editor
Titles
6 on MovieCove · 23 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 6% in 30 days

What are Uwe Klimmeck's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Power.

Themes

share of theme weight
Society
39%
Power
20%
Self
19%
Ideas
13%
Bonds
9%
Prejudice2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 3 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Contemplative
4
Melancholic
2
Absurd
1
Romantic
1
Other
1

How their films linger

Thought-provoking4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet1
  • Ambiguous4
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Uwe Klimmeck's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Also on these channels

Subscription and free streaming for Uwe Klimmeck's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 6 with a MovieCove page.

  • Sisi: Austrian Empress(2021)

    Show Editor

    Midcredits score: 60th percentile of all shows

  • Aus Liebe zum Überleben (not in the MovieCove catalog yet)(2019)

    Editor

  • War of Art(2019)

    Editor

    Midcredits score: 64th percentile of all films

  • City of Lost Slaves (not in the MovieCove catalog yet)(2017)

    Editor

  • The Farmer and His Prince (not in the MovieCove catalog yet)(2014)

    Editor

  • Home from Home: Chronicle of a Vision(2013)

    Editor

    Midcredits score: 96th percentile of all films

  • FantomWorks(2013)

    Show Editor

    Midcredits score: 41st percentile of all shows

  • Rise of the Jellyfish (not in the MovieCove catalog yet)(2011)

    Editor

  • The Real Wolfman(2009)

    Editor

    Midcredits score: 35th percentile of all films (provisional, few ratings)

  • Hamburg Lectures (not in the MovieCove catalog yet)(2006)

    Editor

  • Between the Devil and the Wide Blue Sea (not in the MovieCove catalog yet)(2005)

    Editor

  • Land der Vernichtung (not in the MovieCove catalog yet)(2004)

    Editor

  • Inside me (not in the MovieCove catalog yet)(2004)

    Editor

  • Die Nacht von Yokohama (not in the MovieCove catalog yet)(2003)

    Editor

  • 196 bpm (not in the MovieCove catalog yet)(2002)

    Editor

  • Die grüne Wolke (not in the MovieCove catalog yet)(2001)

    Editor

  • Cascadeur (not in the MovieCove catalog yet)(1998)

    Editor

  • The Deep End (not in the MovieCove catalog yet)(1997)

    Editor

  • Blue Eyed(1996)

    Editor

    Midcredits score: 96th percentile of all films

  • Weihnachten mit Willy Wuff II - Eine Mama für Lieschen (not in the MovieCove catalog yet)(1995)

    Editor

  • Gesetz der Straße (not in the MovieCove catalog yet)(1994)

    Editor

  • Gianna Nannini: Giannissima (not in the MovieCove catalog yet)(1991)

    Assistant Editor

  • Das Beste an der ARD sind ihre Anfänge (not in the MovieCove catalog yet)(1990)

    Editor

Career shape

A full career of 21 titles from 1990 to 2019.

Biggest box office

Home from Home: Chronicle of a Vision (2013)

$1.6M worldwide

Highest rated

Home from Home: Chronicle of a Vision (2013)

Midcredits 96th

Most popular right now

Sisi: Austrian Empress (2021)

By role

only this rolewith another role
Editing20 of 21: 20 only editing, 0 with another roleOther crew1 of 21: 1 only other crew, 0 with another role

By decade

1990s7 · crew2000s8 · crew2010s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Uwe Klimmeck's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 4

Approval · how many liked their films

88thpercentile
Typical film, the median of 4

Reach · how many have seen their films

31stpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th2

Shape of the crowd

3 of their 6 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser3
  • Mixed1

Most divisive · editor

The Real Wolfman (2009)

81st percentile spread · 39% rated it 4 or lower

Most loved · editor

Home from Home: Chronicle of a Vision (2013)

Midcredits 96th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Uwe Klimmeck work with?

People who share at least 2 of Uwe Klimmeck's MovieCove titles; Andreas Gutzeit shares the most, 3.