John D. Klorer
- Writer
- 9 on MovieCove · 14 credits in all
What are John D. Klorer's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 8
Light 4 · Serious 3 · Dark 2
Grounded 5 · Stylized 4 · Heightened 0
Gentle 3 · Charged 5 · Intense 1
Steady 5 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 2
A split, not a type: Slow burn 5 · Even-paced 4 · Relentless 0
Casual 7 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 1 · Heavy 2
Resolved 9 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch John D. Klorer's films?
As of October 24, 2026, 1 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for John D. Klorer's titles on MovieCove; rent and buy are not counted.
Filmography
14 credits, 9 with a MovieCove page.
Lost Angels: Skid Row Is My Home (not in the MovieCove catalog yet)(2012)
Never Say Goodbye(1956)
Midcredits score: 51st percentile of all films
Top of the World(1955)
Midcredits score: 32nd percentile of all films
Starlift (not in the MovieCove catalog yet)(1951)
Robinson Crusoeland (not in the MovieCove catalog yet)(1951)
Pretty Baby(1950)
Midcredits score: 65th percentile of all films
Tension (not in the MovieCove catalog yet)(1949)
Good Sam(1948)
Midcredits score: 58th percentile of all films
This Love of Ours(1945)
Midcredits score: 29th percentile of all films
Guest Wife(1945)
Midcredits score: 56th percentile of all films
Can't Help Singing(1944)
Midcredits score: 50th percentile of all films
Hers to Hold (not in the MovieCove catalog yet)(1943)
Midcredits score: 18th percentile of all films
On Such a Night(1937)
Midcredits score: 48th percentile of all films (provisional, few ratings)
Career shape
A full career of 13 titles from 1937 to 2012.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do John D. Klorer's films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 50th to 74th5
- 25th to 49th3
- Below 25th1
Shape of the crowd
5 of their 9 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser5
- Broadly Agreed2
- Mixed1
Reviewers score the dialogue 46/100 and the plot and story 39/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does John D. Klorer work with?
People who share at least 2 of John D. Klorer's MovieCove titles, grouped by what they did on them; Bruce Manning shares the most, 3.
Writers
- Bruce ManningShared titles: Never Say Goodbye (1956), Guest Wife (1945), This Love of Ours (1945)See all 3 shared titles with Bruce Manning
- Leonard LeeShared titles: Never Say Goodbye (1956), This Love of Ours (1945)See all 2 shared titles with Leonard Lee
- Luigi PirandelloShared titles: Never Say Goodbye (1956), This Love of Ours (1945)See all 2 shared titles with Luigi Pirandello
Actors
- Ray CollinsShared titles: Never Say Goodbye (1956), Good Sam (1948), Can't Help Singing (1944)See all 3 shared titles with Ray Collins
- John BannerShared titles: Never Say Goodbye (1956), Seven Miles from Alcatraz (1942)See all 2 shared titles with John Banner
- William FrawleyShared titles: Pretty Baby (1950), Good Sam (1948)See all 2 shared titles with William Frawley
Composers
- Hans J. SalterShared titles: This Love of Ours (1945), Can't Help Singing (1944)See all 2 shared titles with Hans J. Salter
Mixed roles
- Lewis R. FosterShared titles: Top of the World (1955), Can't Help Singing (1944)See all 2 shared titles with Lewis R. Foster
