Eisei Koi

What are Eisei Koi's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Eisei Koi's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).

• The Criterion Channel2 titles, browse their movies on this service
  • The Life of Oharu (1952) · producer
  • The Munekata Sisters (1950) · producer
• HBO Max1 title, browse their movies on this service
  • The Munekata Sisters (1950) · producer
• Tubi1 title, browse their movies on this service
  • Gappa the Triphibian Monster (1967) · producer · free

Subscription and free streaming for Eisei Koi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Gappa the Triphibian Monster(1967)

  Producer

  Midcredits score: 9th percentile of all films9^th
• 

  The Life of Oharu(1952)

  Producer

  Midcredits score: 98th percentile of all films98^th
• 

  The Munekata Sisters(1950)

  Producer

  Midcredits score: 91st percentile of all films91^st

Career shape

Across a limited sample of 3 MovieCove titles from 1950 to 1967.

Biggest box office

The Life of Oharu (1952)

$6.9K worldwide

Highest rated

The Life of Oharu (1952)

Midcredits 98^th

Most popular right now

Gappa the Triphibian Monster (1967)

How do Eisei Koi's films land?

Their typical MovieCove film has a Midcredits score in the 91^st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 90^th percentile for acclaim.

Shape of the crowd

1 of their 3 titles is Universally Loved.

111

• Universally Loved1
• Universally Panned1
• Crowd Pleaser1

Most divisive · producer

Gappa the Triphibian Monster (1967)

56^th percentile spread · 54% rated it 4 or lower

Most loved · producer

The Life of Oharu (1952)

Midcredits 98^th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Eisei Koi work with?

People who share at least 2 of Eisei Koi's MovieCove titles, grouped by what they did on them; Kinuyo Tanaka shares the most, 2.