Mark Kohl
- Cinematographer and director
- 6 on MovieCove
What are Mark Kohl's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 1
A split, not a type: Light 2 · Serious 0 · Dark 1
A split, not a type: Grounded 1 · Stylized 0 · Heightened 2
Gentle 1 · Charged 1 · Intense 1
A split, not a type: Steady 0 · Shifting 1 · Whiplash 2
A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 2
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 0 · Full focus 1
Easy watch 2 · Affecting 0 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mark Kohl's films?
As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.
- discovery+
Subscription and free streaming for Mark Kohl's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.
The Wonderland Murders(2018)
Midcredits score: 57th percentile of all shows
The Quest(2014)
Midcredits score: 51st percentile of all shows
Take the Money & Run(2011)
Midcredits score: 9th percentile of all shows
Case 219(2010)
Midcredits score: 28th percentile of all films (provisional, few ratings)
Palmer's Pick-Up(1999)
Midcredits score: 4th percentile of all films
Midcredits score: 10th percentile of all films
Career shape
Across their 6 MovieCove titles from 1997 to 2018.
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Mark Kohl's films land?
Their typical MovieCove film has a Midcredits score in the 10th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 14th percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
- Below 25th3
Shape of the crowd
5 of their 6 titles are Mixed.
- Divisive1
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mark Kohl work with?
People who share at least 2 of Mark Kohl's MovieCove titles, grouped by what they did on them; Mark Dziak shares the most, 3.
Directors
- Bertram van MunsterShared titles: The Quest (2014), Take the Money & Run (2011)See all 2 shared titles with Bertram van Munster
Writers
- Elise DoganieriShared titles: The Quest (2014), Take the Money & Run (2011)See all 2 shared titles with Elise Doganieri
Producers
- Mark DziakShared titles: The Quest (2014), Take the Money & Run (2011), Palmer's Pick-Up (1999)See all 3 shared titles with Mark Dziak