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Fred Kohlmar

Producer, also writer · Died October 13, 1969, aged 64

Born
August 10, 1905
Died
October 13, 1969 (aged 64)
Works as
Producer, also writer
Titles
36 on MovieCove · 48 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 8% in 30 days

What are Fred Kohlmar's films like?

Across their 36 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy24 titlesTypical Midcredits score: 63rd percentile
: browse their Comedy movies
Drama6 titlesTypical Midcredits score: 68th percentile
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 82nd percentile, at or above their average across these genres
: browse their Crime movies
Adventure2 titlesTypical Midcredits score: 62nd percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
37%
Morality
26%
Self
19%
Society
8%
Power
4%
Ideas
3%
Survival
3%
Romantic love16 titles, browse their movies with this themeSelf-worth6 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themeDeception6 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeMarriage4 titles, browse their movies with this themeJustice5 titles, browse their movies with this theme

What they feel like to watch

their average across 36 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 26 · Serious 5 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 18 · Stylized 16 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 19 · Charged 15 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 25 · Shifting 9 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 8 · Some laughs 11 · Funny 17

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 11 · Even-paced 23 · Relentless 2

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 29 · Engaged 7 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 35 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
24
Warm
14
Romantic
15
Tense
10
Thrilling
5
Other
16

How their films linger

Feel-good25 titles, browse their movies with this aftertasteFun22 titles, browse their movies with this aftertasteBittersweet8 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy28
  • Bittersweet8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fred Kohlmar's films?

As of October 24, 2026, 5 of their 36 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Fred Kohlmar's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

48 credits, 36 with a MovieCove page.

  • The Only Game in Town (not in the MovieCove catalog yet)(1970)

    Producer

  • A Flea in Her Ear(1968)

    Producer

    Midcredits score: 27th percentile of all films

  • How to Steal a Million(1966)

    Producer

    Midcredits score: 95th percentile of all films

  • Dear Brigitte(1965)

    Producer

    Midcredits score: 51st percentile of all films

  • Bye Bye Birdie(1963)

    Producer

    Midcredits score: 62nd percentile of all films

  • The Notorious Landlady(1962)

    Producer

    Midcredits score: 72nd percentile of all films

  • The Devil at 4 O'Clock(1961)

    Producer

    Midcredits score: 59th percentile of all films

  • The Wackiest Ship in the Army(1960)

    Producer

    Midcredits score: 56th percentile of all films

  • The Last Angry Man(1959)

    Producer

    Midcredits score: 75th percentile of all films

  • Gunman's Walk(1958)

    Producer

    Midcredits score: 84th percentile of all films

  • Pal Joey(1957)

    Producer

    Midcredits score: 65th percentile of all films

  • Full of Life (not in the MovieCove catalog yet)(1956)

    Producer

  • The Solid Gold Cadillac(1956)

    Producer

    Midcredits score: 88th percentile of all films

  • Three Stripes in the Sun(1955)

    Producer

    Midcredits score: 60th percentile of all films

  • Picnic(1955)

    Producer

    Midcredits score: 76th percentile of all films

  • My Sister Eileen(1955)

    Producer

    Midcredits score: 72nd percentile of all films

  • Phffft(1954)

    Producer

    Midcredits score: 64th percentile of all films

  • It Should Happen to You(1954)

    Producer

    Midcredits score: 87th percentile of all films

  • Down Among the Sheltering Palms(1952)

    Producer

    Midcredits score: 16th percentile of all films

  • Les Miserables(1952)

    Producer

    Midcredits score: 65th percentile of all films

  • Elopement (not in the MovieCove catalog yet)(1951)

    Producer

  • You're in the Navy Now(1951)

    Producer

    Midcredits score: 53rd percentile of all films

  • Love That Brute (not in the MovieCove catalog yet)(1950)

    Producer

  • Mother Didn't Tell Me (not in the MovieCove catalog yet)(1950)

    Producer

  • When Willie Comes Marching Home(1950)

    Producer

    Midcredits score: 59th percentile of all films

  • Father Was a Fullback(1949)

    Producer

    Midcredits score: 53rd percentile of all films

  • That Wonderful Urge(1948)

    Producer · Writer

    Midcredits score: 66th percentile of all films

  • The Luck of the Irish(1948)

    Producer

    Midcredits score: 67th percentile of all films

  • Fury at Furnace Creek(1948)

    Producer

    Midcredits score: 70th percentile of all films

  • You Were Meant for Me (not in the MovieCove catalog yet)(1948)

    Producer

  • Kiss of Death(1947)

    Producer

    Midcredits score: 91st percentile of all films

  • The Ghost and Mrs. Muir(1947)

    Producer

    Midcredits score: 97th percentile of all films

  • The Late George Apley (not in the MovieCove catalog yet)(1947)

    Producer

  • The Well Groomed Bride (not in the MovieCove catalog yet)(1946)

    Producer

  • The Dark Corner(1946)

    Additional Writing · Producer · Writer

    Midcredits score: 82nd percentile of all films

  • Bring on the Girls(1945)

    Associate Producer

    Midcredits score: 39th percentile of all films

  • Let's Face It(1943)

    Associate Producer

    Midcredits score: 40th percentile of all films

  • No Time for Love(1943)

    Associate Producer

    Midcredits score: 72nd percentile of all films

  • Lucky Jordan (not in the MovieCove catalog yet)(1942)

    Associate Producer

  • The Glass Key(1942)

    Associate Producer

    Midcredits score: 80th percentile of all films

  • Are Husbands Necessary? (not in the MovieCove catalog yet)(1942)

    Producer

  • The Lady Has Plans(1942)

    Associate Producer

    Midcredits score: 56th percentile of all films

  • Take a Letter, Darling(1942)

    Producer

    Midcredits score: 71st percentile of all films

  • Tall, Dark and Handsome(1941)

    Associate Producer

    Midcredits score: 60th percentile of all films

  • That Night in Rio(1941)

    Producer

    Midcredits score: 70th percentile of all films

  • The Lone Wolf Strikes(1940)

    Producer

    Midcredits score: 56th percentile of all films

  • Blind Alley (not in the MovieCove catalog yet)(1939)

    Associate Producer

  • The Lady and the Mob (not in the MovieCove catalog yet)(1939)

    Associate Producer

Career shape

A full career of 45 titles from 1939 to 1970.

Biggest box office

Les Miserables (1952)

$305K worldwide

Highest rated

The Ghost and Mrs. Muir (1947)

Midcredits 97th

Most popular right now

How to Steal a Million (1966)

By role

only this rolewith another role
Producing45 of 45: 44 only producing, 1 with another role · typical Midcredits score65thOther crew1 of 45: 0 only other crew, 1 with another role

By decade

1930s2 · crew1940s19 · crew1950s17 · crew1960s6 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Fred Kohlmar's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 36; across their 36 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 36

Approval · how many liked their films

69thpercentile
Typical film, the median of 36

Reach · how many have seen their films

54thpercentile
Typical film, the median of 36

Midcredits score across 36 titles, by percentile

  • 75th and up10
  • 50th to 74th22
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

29 of their 36 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser29
  • Mixed4

Most divisive · producer

Down Among the Sheltering Palms (1952)

51st percentile spread · 33% rated it 4 or lower

Most loved · producer

The Ghost and Mrs. Muir (1947)

Midcredits 97th · 87% liked

Reviewers score the dialogue 58/100 and the plot and story 49/100 in their films, across 36 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Fred Kohlmar's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 22 · mildMedian of all films: 32
Alcohol & Drugs3 titlesmedian 24 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 7 · minimalMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Fred Kohlmar work with?

People who share at least 2 of Fred Kohlmar's MovieCove titles, grouped by what they did on them; George Duning shares the most, 10.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers