
- Editor
- 22 on MovieCove
What are Robert Komatsu's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 9
A split, not a type: Light 7 · Serious 0 · Dark 4
Grounded 8 · Stylized 2 · Heightened 1
A split, not a type: Gentle 5 · Charged 4 · Intense 2
Steady 5 · Shifting 6 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 3 · Funny 2
A split, not a type: Slow burn 7 · Even-paced 2 · Relentless 2
Casual 7 · Engaged 4 · Full focus 0
Easy watch 7 · Affecting 2 · Heavy 2
Resolved 9 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet7
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Komatsu's films?
As of October 24, 2026, 16 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Robert Komatsu's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 22 with a MovieCove page.

The Five Star Weekend(2026)
Midcredits score: 55th percentile of all shows
Freaky Tales(2024)
Midcredits score: 56th percentile of all films
Paper Girls(2022)
Midcredits score: 67th percentile of all shows
Mrs. America(2020)
Midcredits score: 83rd percentile of all shows
A Dog's Journey(2019)
Midcredits score: 95th percentile of all films
Halt and Catch Fire(2014)
Midcredits score: 96th percentile of all shows
The After(2014)
Midcredits score: 86th percentile of all films
Wer(2013)
Midcredits score: 40th percentile of all films
Jobs(2013)
Midcredits score: 38th percentile of all films
Midcredits score: 52nd percentile of all films
TalhotBlond(2012)
Midcredits score: 58th percentile of all films
The Giant Mechanical Man(2012)
Midcredits score: 65th percentile of all films
American Horror Story(2011)
Midcredits score: 87th percentile of all shows
Seven Days in Utopia(2011)
Midcredits score: 46th percentile of all films
Diary of a Wimpy Kid(2010)
Midcredits score: 59th percentile of all films
I Kissed a Vampire(2010)
Midcredits score: 26th percentile of all films
Angels & Demons(2009)
Midcredits score: 69th percentile of all films
Midcredits score: 18th percentile of all films
Species: The Awakening(2007)
Midcredits score: 3rd percentile of all films
The Da Vinci Code(2006)
Midcredits score: 66th percentile of all films
The Long Kiss Goodnight(1996)
Midcredits score: 71st percentile of all films
Picture Bride(1994)
Midcredits score: 68th percentile of all films
Career shape
A full career of 16 titles from 1995 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Nominated for a Primetime Emmy in 2020, Outstanding Single-Camera Picture Editing for a Limited Series or Movie.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Robert Komatsu's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 17; across their 11 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up5
- 50th to 74th11
- 25th to 49th4
- Below 25th2
Shape of the crowd
12 of their 22 titles are Crowd Pleasers.
- Universally Loved2
- Divisive1
- Cult Classic1
- Crowd Pleaser12
- Mixed6
Reviewers score the pacing 45/100 in their films, across 10 reviewed titles; fans 57, detractors 30. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Robert Komatsu's work okay for kids?
Across up to 8 MovieCove titles with content scores, violence & gore and profanity run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Robert Komatsu work with?
People who share at least 2 of Robert Komatsu's MovieCove titles, grouped by what they did on them; Drew Seeley shares the most, 2.
Actors
- Drew SeeleyShared titles: TalhotBlond (2012), I Kissed a Vampire (2010)See all 2 shared titles with Drew Seeley

Cinematographers
- Doug EmmettShared titles: TalhotBlond (2012), The Giant Mechanical Man (2012)See all 2 shared titles with Doug Emmett

Producers
- Kyle A. ClarkShared titles: A Country Christmas Story (2013), TalhotBlond (2012)See all 2 shared titles with Kyle A. Clark
- Laurence P. DukeShared titles: A Country Christmas Story (2013), TalhotBlond (2012)See all 2 shared titles with Laurence P. Duke

- Lina WongShared titles: A Country Christmas Story (2013), TalhotBlond (2012)See all 2 shared titles with Lina Wong


