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Tony Kosinec

Composer

Works as
Composer
Titles
4 on MovieCove · 6 credits in all
TMDB popularity, last 38 days to Oct 27Up 14% in 30 days

What are Tony Kosinec's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
41%
Morality
20%
Survival
19%
Self
14%
Society
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 2

Grounded 2 · Stylized 2 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Hopeful
2
Warm
1
Joyful
1
Tense
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tony Kosinec's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Tony Kosinec's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 4 with a MovieCove page.

  • Brave New Girl(2004)

    Composer

    Midcredits score: 43rd percentile of all films
  • Crossed Over(2002)

    Composer

    Midcredits score: 26th percentile of all films
  • Joan of Arc (not in the MovieCove catalog yet)(1999)

    Show 2 episodes · Composer

  • Midcredits score: 26th percentile of all films
  • Pippi Longstocking(1997)

    Composer

    Midcredits score: 32nd percentile of all films
  • Raoul Wallenberg: Buried Alive (not in the MovieCove catalog yet)(1983)

    Composer

Career shape

A full career of 6 titles from 1983 to 2004.

By role

only this rolewith another role
Music6 of 6: 6 only music, 0 with another role

By decade

1980s1 · crew1990s3 · crew2000s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Tony Kosinec's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 33rd percentile for acclaim.

Acclaim · how much people like their films

33rdpercentile
Typical film, the median of 4

Approval · how many liked their films

27thpercentile
Typical film, the median of 4

Reach · how many have seen their films

45thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tony Kosinec work with?

People who share at least 2 of Tony Kosinec's MovieCove titles, grouped by what they did on them; Asher Ettinger shares the most, 4.

Directors

Actors

Composers and cinematographers

Producers