Michael Kraike
- Producer
- 13 on MovieCove · 27 credits in all
What are Michael Kraike's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 12
Light 9 · Serious 0 · Dark 4
Grounded 10 · Stylized 3 · Heightened 0
Gentle 5 · Charged 5 · Intense 3
Steady 9 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 8 · Funny 1
A split, not a type: Slow burn 7 · Even-paced 6 · Relentless 0
Casual 10 · Engaged 3 · Full focus 0
Easy watch 8 · Affecting 2 · Heavy 3
Resolved 12 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet3
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Michael Kraike's films?
As of October 24, 2026, 2 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Michael Kraike's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 13 with a MovieCove page.

The Amazing Dobermans (not in the MovieCove catalog yet)(1976)

Octaman(1971)
Midcredits score: 1st percentile of all films
The Wild Scene (not in the MovieCove catalog yet)(1970)

Day of the Nightmare(1965)
Midcredits score: 8th percentile of all films
The Deputy (not in the MovieCove catalog yet)(1959)

The Ford Television Theatre (not in the MovieCove catalog yet)(1952)

Thunder on the Hill(1951)
Midcredits score: 71st percentile of all films
Bedtime for Bonzo(1951)
Midcredits score: 27th percentile of all films
Frenchie(1950)
Midcredits score: 56th percentile of all films
Sierra(1950)
Midcredits score: 59th percentile of all films
Woman in Hiding (not in the MovieCove catalog yet)(1950)

The Lady Gambles(1949)
Midcredits score: 64th percentile of all films
Criss Cross(1949)
Midcredits score: 92nd percentile of all films
The Judge Steps Out(1948)
Midcredits score: 73rd percentile of all films
Desperate (not in the MovieCove catalog yet)(1947)

Beat the Band(1947)
Midcredits score: 37th percentile of all films (provisional, few ratings)
Talk About a Lady(1946)
Midcredits score: 35th percentile of all films (provisional, few ratings)
Ten Cents a Dance(1945)
Midcredits score: 32nd percentile of all films (provisional, few ratings)
Boston Blackie Booked on Suspicion (not in the MovieCove catalog yet)(1945)

The Fighting Guardsman (not in the MovieCove catalog yet)(1945)

Eadie Was a Lady (not in the MovieCove catalog yet)(1945)
Midcredits score: 82nd percentile of all films
Henry Aldrich Plays Cupid (not in the MovieCove catalog yet)(1944)

Henry Aldrich, Boy Scout (not in the MovieCove catalog yet)(1944)

Henry Aldrich Haunts a House (not in the MovieCove catalog yet)(1943)

Henry Aldrich Swings It (not in the MovieCove catalog yet)(1943)

Night Plane from Chungking (not in the MovieCove catalog yet)(1943)
Career shape
A full career of 26 titles from 1943 to 1976.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Michael Kraike's films land?
Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th4
- Below 25th2
Shape of the crowd
6 of their 13 titles are Crowd Pleasers.
- Universally Panned1
- Divisive1
- Cult Classic1
- Crowd Pleaser6
- Broadly Agreed1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Michael Kraike work with?
People who share at least 2 of Michael Kraike's MovieCove titles, grouped by what they did on them; Ted J. Kent shares the most, 5.
Writers
- Oscar SaulShared titles: Thunder on the Hill (1951), The Lady Gambles (1949)See all 2 shared titles with Oscar Saul
- Val BurtonShared titles: Bedtime for Bonzo (1951), Henry Aldrich's Little Secret (1944)See all 2 shared titles with Val Burton

Actors
- Griff BarnettShared titles: Sierra (1950), Criss Cross (1949)See all 2 shared titles with Griff Barnett

- Stephen McNallyShared titles: Criss Cross (1949), The Lady Gambles (1949)See all 2 shared titles with Stephen McNally

- Mira McKinneyShared titles: Beat the Band (1947), Talk About a Lady (1946)See all 2 shared titles with Mira McKinney

Composers and editors
- Ted J. KentShared titles: Bedtime for Bonzo (1951), Thunder on the Hill (1951), Frenchie (1950), Sierra (1950), Criss Cross (1949)See all 5 shared titles with Ted J. Kent
- Frank SkinnerShared titles: Bedtime for Bonzo (1951), The Lady Gambles (1949)See all 2 shared titles with Frank Skinner

- Hans J. SalterShared titles: Thunder on the Hill (1951), Frenchie (1950)See all 2 shared titles with Hans J. Salter
- Leigh HarlineShared titles: The Judge Steps Out (1948), Beat the Band (1947)See all 2 shared titles with Leigh Harline

Producers
- Sid RogellShared titles: The Judge Steps Out (1948), Beat the Band (1947)See all 2 shared titles with Sid Rogell

