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François Kraus

François Kraus

Producer · Born June 30, 1969 (57) · Marseille, Bouches-du-Rhône, France

Born
June 30, 1969 (57)
From
Marseille, Bouches-du-Rhône, France
Works as
Producer
Titles
27 on MovieCove · 52 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 31% in 30 days

What are François Kraus' films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy12 titlesTypical Midcredits score: 62nd percentile, at or above their average across these genres
: browse their Comedy movies
Drama7 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Drama movies
Action2 titlesTypical Midcredits score: 16th percentile
: browse their Action movies
Biography2 titlesTypical Midcredits score: 52nd percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Self
21%
Morality
16%
Survival
15%
Power
7%
Society
6%
Ideas
5%
Romantic love8 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themePurpose5 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeGrief3 titles, browse their movies with this theme

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 11 · Serious 7 · Dark 6

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 17 · Stylized 5 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 12 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 15 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 11 · Some laughs 9 · Funny 4

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 13 · Even-paced 11 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 14 · Engaged 7 · Full focus 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 18 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
14
Tense
9
Warm
9
Romantic
7
Hopeful
6
Other
25

How their films linger

Hopeful10 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteFeel-good8 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy10
  • Bittersweet9
  • Tragic1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch François Kraus' films?

As of October 24, 2026, 12 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for François Kraus' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

52 credits, 27 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Demain je tombe amoureux(2026)

    Producer

    Midcredits score: 58th percentile of all films (provisional, few ratings)

  • Microstar (not in the MovieCove catalog yet)(2026)

    Co-Producer

  • Crescendo(2026)

    Producer

    Midcredits score: 51st percentile of all films

  • Mi Amor (not in the MovieCove catalog yet)(2026)

    Producer

  • Forsaken(2026)

    Producer

    Midcredits score: 91st percentile of all films

  • The Divine Sarah Bernhardt(2024)

    Producer

    Midcredits score: 46th percentile of all films

  • Les Boules de Noël (not in the MovieCove catalog yet)(2024)

    Producer

  • Nice Girls(2024)

    Producer

    Midcredits score: 5th percentile of all films

  • Being Blanche Houellebecq (not in the MovieCove catalog yet)(2024)

    Producer

  • Bonnard: Pierre & Marthe(2023)

    Producer

    Midcredits score: 57th percentile of all films

  • The Baby (not in the MovieCove catalog yet)(2023)

    Executive Producer

  • Summer Frost(2022)

    Producer

    Midcredits score: 8th percentile of all films

  • Big Kids (not in the MovieCove catalog yet)(2023)

    Producer

  • Les femmes du square(2022)

    Producer

    Midcredits score: 65th percentile of all films

  • Mascarade(2022)

    Producer

    Midcredits score: 67th percentile of all films

  • Kung Fu Zohra(2021)

    Producer

    Midcredits score: 26th percentile of all films

  • Peaceful(2021)

    Producer

    Midcredits score: 74th percentile of all films

  • Crac Crac Club, Fête l'amour (not in the MovieCove catalog yet)(2021)

    Actor

  • How to Be a Good Wife(2020)

    Producer

    Midcredits score: 35th percentile of all films

  • La belle époque(2019)

    Producer

    Midcredits score: 92nd percentile of all films

  • Family Business(2019)

    Show 6 episodes · Producer

    Midcredits score: 72nd percentile of all shows

  • Little Tickles(2018)

    Producer

    Midcredits score: 87th percentile of all films

  • My Guy (not in the MovieCove catalog yet)(2018)

    Producer

  • Paris etc. (not in the MovieCove catalog yet)(2017)

    Show 12 episodes · Producer

  • All That Divides Us(2017)

    Producer

    Midcredits score: 20th percentile of all films

  • Mr & Mme Adelman(2017)

    Producer

    Midcredits score: 92nd percentile of all films

  • Five(2016)

    Producer

    Midcredits score: 67th percentile of all films

  • Half Sister, Full Love(2015)

    Producer

    Midcredits score: 20th percentile of all films

  • Boomerang (not in the MovieCove catalog yet)(2015)

    Producer

  • Standing Tall(2015)

    Producer

    Midcredits score: 79th percentile of all films

  • May Allah Bless France!(2014)

    Producer

    Midcredits score: 35th percentile of all films

  • Bright Days Ahead(2013)

    Producer

    Midcredits score: 49th percentile of all films

  • Désolée pour hier soir (not in the MovieCove catalog yet)(2013)

    Executive Producer

  • Polisse(2011)

    as Man at Dinner #1

    Midcredits score: 91st percentile of all films

  • Low Cost (not in the MovieCove catalog yet)(2011)

    Producer

  • A Burning Desire (not in the MovieCove catalog yet)(2011)

    Producer

  • You Don't Choose Your Family(2011)

    Producer

    Midcredits score: 30th percentile of all films

  • Mon pote (not in the MovieCove catalog yet)(2010)

    Producer

  • What War May Bring (not in the MovieCove catalog yet)(2010)

    Producer

  • It Begins with the End (not in the MovieCove catalog yet)(2010)

    Producer

  • Student Services(2010)

    Producer

    Midcredits score: 39th percentile of all films

  • Bitter Victory (not in the MovieCove catalog yet)(2009)

    Producer

  • All About Actresses(2009)

    Producer

    Midcredits score: 59th percentile of all films

  • Intimate Enemies(2007)

    Producer

    Midcredits score: 75th percentile of all films

  • Teen Spirit (not in the MovieCove catalog yet)(2007)

    Producer

  • The Role of Her Life (not in the MovieCove catalog yet)(2004)

    Producer

  • I've Been Waiting So Long (not in the MovieCove catalog yet)(2004)

    Producer

  • I'm an actrice (not in the MovieCove catalog yet)(2004)

    Executive Producer

  • Yes, But... (not in the MovieCove catalog yet)(2001)

    Producer

  • Émilie est partie (not in the MovieCove catalog yet)(2001)

    Producer

  • Même pas mal (not in the MovieCove catalog yet)(2000)

    Producer

  • Article 353 (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 50 titles, 48 of them dated from 2000 to 2026.

Biggest box office

La belle époque (2019)

$14M worldwide

Highest rated

La belle époque (2019)

Midcredits 92nd

Most popular right now

Family Business (2019)

By role

only this rolewith another role
Acting2 of 50: 2 only acting, 0 with another roleProducing48 of 50: 48 only producing, 0 with another role · typical Midcredits score58th

By decade

2000s10 · crew2010s21 · 1 acting · 20 crew2020s17 · 1 acting · 16 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do François Kraus' films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 26; across their 24 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 24

Approval · how many liked their films

56thpercentile
Typical film, the median of 24

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 24

Midcredits score across 27 titles, by percentile

  • 75th and up7
  • 50th to 74th9
  • 25th to 49th7
  • Below 25th4

Shape of the crowd

12 of their 27 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser12
  • Broadly Agreed5
  • Mixed7

Most divisive · producer

Demain je tombe amoureux (2026)

80th percentile spread · 25% rated it 4 or lower

Most loved · producer

La belle époque (2019)

Midcredits 92nd · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is François Kraus' work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity7 titles36–68 · median 54 · moderateheavier than most filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does François Kraus work with?

People who share at least 2 of François Kraus' MovieCove titles, grouped by what they did on them; Denis Pineau-Valencienne shares the most, 25.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers