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Georg Krause

Cinematographer · Died January 3, 1986, aged 84 · Berlin, Germany

Born
April 15, 1901
Died
January 3, 1986 (aged 84)
From
Berlin, Germany
Works as
Cinematographer
Titles
5 on MovieCove · 50 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 63% in 30 days

What are Georg Krause's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Themes

share of theme weight
Morality
45%
Power
31%
Self
10%
Bonds
8%
Survival
6%
Sacrifice2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeCorruption2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 0 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 3 · Heightened 0

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 2 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 3 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 1 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
5
Dread
2
Cold
1
Thrilling
1
Other
1

How their films linger

Hopeful2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet2
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Georg Krause's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Georg Krause's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

50 credits, 5 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Der Mann, der sich Abel nannte (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • Encounters in Salzburg (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Escape from East Berlin (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Melody of Hate (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Treibjagd auf ein Leben (not in the MovieCove catalog yet)(1961)

    Cinematographer

  • Island of the Amazons (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Isle of Sin (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • The Fair (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Horrors of Spider Island (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Satan Tempts with Love (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Endstation Rote Laterne (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • She Walks by Night (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • The Black Chapel (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • The Head(1959)

    Cinematographer

    Midcredits score: 22nd percentile of all films

  • Dorothea Angermann (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • Taiga (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • Der Arzt von Stalingrad(1958)

    Cinematographer

    Midcredits score: 49th percentile of all films

  • Paths of Glory(1957)

    Cinematographer

    Midcredits score: 99th percentile of all films

  • The Devil Strikes at Night(1957)

    Cinematographer

    Midcredits score: 86th percentile of all films

  • 08/15 at Home (not in the MovieCove catalog yet)(1955)

    Cinematographer

  • 08/15 Part 2 (not in the MovieCove catalog yet)(1955)

    Cinematographer

  • Phantom of the Big Tent (not in the MovieCove catalog yet)(1954)

    Cinematographer

  • Lachkabinett (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • Die Nacht ohne Moral (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • Man on a Tightrope(1953)

    Cinematographer

    Midcredits score: 81st percentile of all films

  • Monks, Girls and Pandours (not in the MovieCove catalog yet)(1952)

    Cinematographer

  • When the Evening Bells Ring (not in the MovieCove catalog yet)(1951)

    Cinematographer

  • Primanerinnen (not in the MovieCove catalog yet)(1951)

    Cinematographer

  • The Berliner (not in the MovieCove catalog yet)(1948)

    Cinematographer

  • Unser Mittwochabend (not in the MovieCove catalog yet)(1948)

    Director · Cinematographer

  • The Enchanted Day (not in the MovieCove catalog yet)(1944)

    Cinematographer

  • Diesel (not in the MovieCove catalog yet)(1943)

    Cinematographer

  • Krach im Vorderhaus (not in the MovieCove catalog yet)(1941)

    Cinematographer

  • The Last Round (not in the MovieCove catalog yet)(1940)

    Cinematographer

  • Verliebtes Abenteuer (not in the MovieCove catalog yet)(1938)

    Cinematographer

  • The Stars Shine (not in the MovieCove catalog yet)(1938)

    Cinematographer

  • Port Arthur (not in the MovieCove catalog yet)(1936)

    Cinematographer

  • Heiteres und Ernstes um den großen König (not in the MovieCove catalog yet)(1936)

    Cinematographer

  • Ich tanke, Herr Franke (not in the MovieCove catalog yet)(1934)

    Cinematographer

  • Tempo, Carlo, Tempo (not in the MovieCove catalog yet)(1934)

    Cinematographer

  • The Song of Happiness (not in the MovieCove catalog yet)(1933)

    Cinematographer

  • Die Goldgrube (not in the MovieCove catalog yet)(1933)

    Cinematographer

  • Love in speed (not in the MovieCove catalog yet)(1932)

    Cinematographer

  • Das Kind und die Welt (not in the MovieCove catalog yet)(1931)

    Cinematographer

  • Im Kampf mit der Unterwelt (not in the MovieCove catalog yet)(1930)

    Cinematographer

  • Hanba (not in the MovieCove catalog yet)(1929)

    Cinematographer

  • Osudné noci (not in the MovieCove catalog yet)(1929)

    Cinematographer

  • Kameradschaftsehe (not in the MovieCove catalog yet)(1929)

    Cinematographer

  • Dva pekelné dny (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • Downfall (not in the MovieCove catalog yet)(1923)

    Cinematographer

Career shape

A full career of 50 titles from 1923 to 1966.

Biggest box office

Paths of Glory (1957)

$9.3K worldwide

Highest rated

Paths of Glory (1957)

Midcredits 99th

By role

only this rolewith another role
Directing1 of 50: 0 only directing, 1 with another roleCinematography50 of 50: 49 only cinematography, 1 with another role · typical Midcredits score81st

By decade

1920s5 · crew1930s11 · crew1940s6 · crew1950s17 · crew1960s11 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Georg Krause's films land?

Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 5

Approval · how many liked their films

84thpercentile
Typical film, the median of 5

Reach · how many have seen their films

61stpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 5 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed1

Most loved · cinematographer

Paths of Glory (1957)

Midcredits 99th · 91% liked

Reviewers score the cinematography 77/100 in their films, across 5 reviewed titles; fans 81, detractors 62. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Georg Krause work with?

People who share at least 2 of Georg Krause's MovieCove titles, grouped by what they did on them; Hannes Messemer shares the most, 2.

Actors

Composers

Producers