Milton Krims
Writer · Died July 11, 1988, aged 84 · New York City, New York, USA
- February 7, 1904
- July 11, 1988 (aged 84)
- New York City, New York, USA
- Writer
- 14 on MovieCove · 34 credits in all
What are Milton Krims' films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
Light 4 · Serious 5 · Dark 3
A split, not a type: Grounded 7 · Stylized 4 · Heightened 1
Gentle 0 · Charged 9 · Intense 3
Steady 6 · Shifting 6 · Whiplash 0
Straight-faced 7 · Some laughs 5 · Funny 0
Slow burn 3 · Even-paced 9 · Relentless 0
A split, not a type: Casual 7 · Engaged 5 · Full focus 0
Easy watch 5 · Affecting 6 · Heavy 1
Resolved 12 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Milton Krims' films?
As of October 24, 2026, 5 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Milton Krims' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
34 credits, 14 with a MovieCove page.
The Outer Limits(1963)
Midcredits score: 92nd percentile of all shows
Commando (not in the MovieCove catalog yet)(1962)
The Secret Mark of D'Artagnan (not in the MovieCove catalog yet)(1962)
Black Gravel (not in the MovieCove catalog yet)(1961)
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Mohawk(1956)
Midcredits score: 16th percentile of all films
Tennessee's Partner(1955)
Midcredits score: 62nd percentile of all films
Crossed Swords (not in the MovieCove catalog yet)(1954)
One Minute to Zero(1952)
Midcredits score: 38th percentile of all films
Prince of Foxes(1949)
Midcredits score: 78th percentile of all films
The Iron Curtain (not in the MovieCove catalog yet)(1948)
Lady with Red Hair(1940)
Midcredits score: 51st percentile of all films
A Dispatch from Reuters(1940)
Midcredits score: 76th percentile of all films
We Are Not Alone(1939)
Midcredits score: 80th percentile of all films
Midcredits score: 67th percentile of all films
The Sisters (not in the MovieCove catalog yet)(1938)
Secrets of an Actress (not in the MovieCove catalog yet)(1938)
Green Light (not in the MovieCove catalog yet)(1937)
The Great O'Malley(1937)
Midcredits score: 70th percentile of all films
Speed(1936)
Midcredits score: 29th percentile of all films
Harmony Lane (not in the MovieCove catalog yet)(1935)
Strangers All (not in the MovieCove catalog yet)(1935)
Grand Old Girl (not in the MovieCove catalog yet)(1935)
West of the Pecos (not in the MovieCove catalog yet)(1934)
Crimson Romance(1934)
Midcredits score: 34th percentile of all films
Young and Beautiful (not in the MovieCove catalog yet)(1934)
I Give My Love (not in the MovieCove catalog yet)(1934)
Affairs of a Gentleman (not in the MovieCove catalog yet)(1934)
Forbidden Trail (not in the MovieCove catalog yet)(1932)
The Western Code (not in the MovieCove catalog yet)(1932)
South of the Rio Grande(1932)
Midcredits score: 32nd percentile of all films (provisional, few ratings)
The Range Feud (not in the MovieCove catalog yet)(1931)
Dude Ranch (not in the MovieCove catalog yet)(1931)
Unmasked (not in the MovieCove catalog yet)(1929)
Career shape
A full career of 34 titles from 1929 to 1963.
Biggest box office
One Minute to Zero (1952)
Highest rated
Prince of Foxes (1949)
Most popular right now
A Dispatch from Reuters (1940)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Milton Krims' films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th4
- Below 25th1
Shape of the crowd
7 of their 14 titles are Crowd Pleasers.
- Universally Loved2
- Cult Classic1
- Crowd Pleaser7
- Broadly Agreed3
- Mixed1
Reviewers score the dialogue 47/100 and the plot and story 50/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Milton Krims work with?
People who share at least 2 of Milton Krims' MovieCove titles, grouped by what they did on them; Hal B. Wallis shares the most, 4.
Directors
- William DieterleShared titles: A Dispatch from Reuters (1940), The Great O'Malley (1937)See all 2 shared titles with William Dieterle
Actors
- James StephensonShared titles: A Dispatch from Reuters (1940), Confessions of a Nazi Spy (1939), We Are Not Alone (1939)See all 3 shared titles with James Stephenson
- Cecil KellawayShared titles: Lady with Red Hair (1940), We Are Not Alone (1939)See all 2 shared titles with Cecil Kellaway
- Edward G. RobinsonShared titles: A Dispatch from Reuters (1940), Confessions of a Nazi Spy (1939)See all 2 shared titles with Edward G. Robinson
- Montagu LoveShared titles: A Dispatch from Reuters (1940), We Are Not Alone (1939)See all 2 shared titles with Montagu Love
Composers, cinematographers and editors
- Max SteinerShared titles: A Dispatch from Reuters (1940), Confessions of a Nazi Spy (1939), We Are Not Alone (1939)See all 3 shared titles with Max Steiner
- Warren LowShared titles: A Dispatch from Reuters (1940), We Are Not Alone (1939), The Great O'Malley (1937)See all 3 shared titles with Warren Low
- Heinz RoemheldShared titles: Lady with Red Hair (1940), The Great O'Malley (1937)See all 2 shared titles with Heinz Roemheld
- Ernest HallerShared titles: Confessions of a Nazi Spy (1939), The Great O'Malley (1937)See all 2 shared titles with Ernest Haller
Producers
- Hal B. WallisShared titles: A Dispatch from Reuters (1940), Confessions of a Nazi Spy (1939), We Are Not Alone (1939), The Great O'Malley (1937)See all 4 shared titles with Hal B. Wallis
- Jack L. WarnerShared titles: Lady with Red Hair (1940), Confessions of a Nazi Spy (1939), The Great O'Malley (1937)See all 3 shared titles with Jack L. Warner
- Edmund GraingerShared titles: One Minute to Zero (1952), Lady with Red Hair (1940)See all 2 shared titles with Edmund Grainger
- Henry BlankeShared titles: A Dispatch from Reuters (1940), We Are Not Alone (1939)See all 2 shared titles with Henry Blanke