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Andrew G. La Marca

Producer · Died December 30, 2011, aged 57 · USA

Andrew G. La Marca was born on 20 May 1954 in the USA. He was a production manager and producer, known for RoboCop 3 (1993), Superman Returns (2006) and Grindhouse (2007). He died on 30 December 2011 in Los Angeles, California, USA.

Biography from IMDb.

Born
May 20, 1954
Died
December 30, 2011 (aged 57)
From
USA
Works as
Producer
Titles
23 on MovieCove · 25 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 45% in 30 days

What are Andrew G. La Marca's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Genres

Action4 titlesTypical Midcredits score: 27th percentile, at or above their average across these genres
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 37th percentile, at or above their average across these genres
: browse their Adventure movies
Comedy2 titlesTypical Midcredits score: 14th percentile
: browse their Comedy movies
Horror2 titlesTypical Midcredits score: 29th percentile, at or above their average across these genres
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
28%
Self
23%
Morality
22%
Bonds
16%
Society
8%
Power
3%
Family bonds4 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeViolence2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 4 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 5 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 7 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 7 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 7 · Some laughs 1 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 5 · Relentless 5

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 7 · Engaged 5 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 10 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Absurd
4
Dread
3
Melancholic
4
Thrilling
3
Other
11

How their films linger

Fun5 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy6
  • Bittersweet4
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew G. La Marca's films?

As of October 24, 2026, 18 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (14).

Also on these channels

Subscription and free streaming for Andrew G. La Marca's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 23 with a MovieCove page.

  • Flight 7500(2014)

    Unit Production Manager

    Midcredits score: 10th percentile of all films

  • Halloween II(2009)

    Executive Producer · Unit Production Manager

    Midcredits score: 13th percentile of all films

  • The Longshots(2008)

    Executive Producer

    Midcredits score: 39th percentile of all films

  • Halloween(2007)

    Line Producer · Unit Production Manager

    Midcredits score: 45th percentile of all films

  • Grindhouse (not in the MovieCove catalog yet)(2007)

    Other

  • Superman Returns(2006)

    Production Manager

    Midcredits score: 43rd percentile of all films

  • Envy(2004)

    Unit Production Manager

    Midcredits score: 11th percentile of all films

  • The Scorpion King(2002)

    Unit Production Manager

    Midcredits score: 21st percentile of all films

  • The Out-of-Towners(1999)

    Producer

    Midcredits score: 24th percentile of all films

  • 8 Heads in a Duffel Bag(1997)

    Producer

    Midcredits score: 17th percentile of all films

  • Keys to Tulsa(1997)

    Producer

    Midcredits score: 16th percentile of all films

  • Ace Ventura: When Nature Calls(1995)

    Producer · Unit Production Manager

    Midcredits score: 56th percentile of all films

  • The Puppet Masters(1994)

    Unit Production Manager

    Midcredits score: 36th percentile of all films

  • Attack of the 50 Ft. Woman(1993)

    Co-Producer · Unit Production Manager

    Midcredits score: 4th percentile of all films

  • RoboCop 3(1993)

    Associate Producer

    Midcredits score: 4th percentile of all films

  • Trouble Bound(1993)

    Co-Producer

    Midcredits score: 33rd percentile of all films

  • Timebomb(1991)

    Line Producer

    Midcredits score: 21st percentile of all films

  • Death Warrant(1990)

    Associate Producer

    Midcredits score: 34th percentile of all films

  • Prancer(1989)

    Production Supervisor

    Midcredits score: 62nd percentile of all films

  • Lady in White(1988)

    Producer

    Midcredits score: 66th percentile of all films

  • Hunter's Blood(1986)

    Production Manager

    Midcredits score: 39th percentile of all films

  • Coward of the County(1981)

    Production Supervisor

    Midcredits score: 49th percentile of all films

  • The Day Time Ended(1979)

    First Assistant Camera

    Midcredits score: 1st percentile of all films

  • Piranha(1978)

    Assistant Camera · as Scuba Diver #1 (uncredited)

    Midcredits score: 38th percentile of all films

  • Malibu Beach (not in the MovieCove catalog yet)(1978)

    Second Assistant Camera

Career shape

A full career of 22 titles from 1978 to 2014.

Biggest box office

Ace Ventura: When Nature Calls (1995)

$212M worldwide

Highest rated

Lady in White (1988)

Midcredits 66th

Most popular right now

Halloween (2007)

By role

only this rolewith another role
Acting1 of 22: 0 only acting, 1 with another roleProducing10 of 22: 6 only producing, 4 with another role · typical Midcredits score34thOther crew16 of 22: 11 only other crew, 5 with another role · typical Midcredits score37th

22 titles, 5 with more than one role — other crew and producing overlap on 4 of them.

By decade

1970s2 · 1 acting · 2 crew1980s5 · crew1990s7 · crew2000s7 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andrew G. La Marca's films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 23; across their 13 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 13

Approval · how many liked their films

20thpercentile
Typical film, the median of 13

Reach · how many have seen their films

86thpercentile
Typical film, the median of 13

Midcredits score across 23 titles, by percentile

  • 50th to 74th3
  • 25th to 49th9
  • Below 25th11

Shape of the crowd

12 of their 23 titles are Mixed.

  • Universally Panned3
  • Cult Classic1
  • Crowd Pleaser3
  • Broadly Agreed4
  • Mixed12

Most divisive · producer

The Longshots (2008)

81st percentile spread · 30% rated it 4 or lower

Most loved · producer

Lady in White (1988)

Midcredits 66th · 62% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Andrew G. La Marca's work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles45–98 · median 91 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles19–85 · median 45 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles35–96 · median 58 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles25–65 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles35–94 · median 56 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Andrew G. La Marca work with?

People who share at least 2 of Andrew G. La Marca's MovieCove titles, grouped by what they did on them; Russell Carpenter shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers

Mixed roles