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Michele Lacerenza

Composer

Works as
Composer
Titles
6 on MovieCove · 10 credits in all
TMDB popularity, last 39 days to Oct 28Down 31% in 30 days

What are Michele Lacerenza's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
80%
Survival
11%
Bonds
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

Grounded 1 · Stylized 1 · Heightened 1

Gentle 0 · Charged 0 · Intense 3

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 2 · Relentless 1

Casual 0 · Engaged 3 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Dread
2
Melancholic
1
Thrilling
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michele Lacerenza's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on MGM+ (3).

Subscription and free streaming for Michele Lacerenza's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 6 with a MovieCove page.

  • Onyanko Torimonochou: Nazo no Murasamejou (not in the MovieCove catalog yet)(1986)

    Sound

  • I Am... Woman (not in the MovieCove catalog yet)(1971)

    Composer

  • Midcredits score: 20th percentile of all films (provisional, few ratings)
  • The Legion of No Return (not in the MovieCove catalog yet)(1969)

    Composer

  • Midcredits score: 5th percentile of all films
  • Midcredits score: 99th percentile of all films
  • $1,000 on the Black(1966)

    Composer

    Midcredits score: 42nd percentile of all films
  • Degueyo (not in the MovieCove catalog yet)(1966)

    Musician

  • Midcredits score: 99th percentile of all films
  • A Fistful of Dollars(1964)

    Musician

    Midcredits score: 98th percentile of all films

Career shape

A full career of 9 titles from 1964 to 1986.

By role

only this rolewith another role
Music4 of 9: 4 only music, 0 with another roleOther crew5 of 9: 5 only other crew, 0 with another role

By decade

1960s7 · crew1970s1 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Michele Lacerenza's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 6; across a limited sample of 3 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 3

Approval · how many liked their films

17thpercentile
Typical film, the median of 3

Reach · how many have seen their films

12thpercentile
Typical film, the median of 3

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

None of their 6 titles divides audiences: 3 are Universally Loved.

  • Universally Loved3
  • Universally Panned1
  • Broadly Agreed1
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michele Lacerenza work with?

People who share at least 2 of Michele Lacerenza's MovieCove titles, grouped by what they did on them; Alberto Cardone shares the most, 3.

Directors

Writers

Actors