Georges Lacombe
- Director
- 4 on MovieCove
What are Georges Lacombe's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 2
Light 1 · Serious 3 · Dark 0
A split, not a type: Grounded 3 · Stylized 0 · Heightened 1
Gentle 1 · Charged 2 · Intense 1
A split, not a type: Steady 2 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 2 · Full focus 1
Easy watch 1 · Affecting 3 · Heavy 0
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Georges Lacombe's films?
As of October 27, 2026, none of Georges Lacombe's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Georges Lacombe's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 39th percentile of all films
The Seven Deadly Sins(1952)
Midcredits score: 50th percentile of all films
Le Dernier des six(1941)
Midcredits score: 64th percentile of all films
Midcredits score: 26th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 4 MovieCove titles from 1940 to 1955.
How do Georges Lacombe's films land?
Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Broadly Agreed1
- Mixed1
Reviewers score the pacing 57/100 in their films, across 3 reviewed titles; fans 70, detractors 55. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Georges Lacombe work with?
People who share at least 2 of Georges Lacombe's MovieCove titles, grouped by what they did on them; Jean Debucourt shares the most, 2.
Actors
- Jean DebucourtShared titles: The Light Across the Street (1955), The Seven Deadly Sins (1952)See all 2 shared titles with Jean Debucourt
- Françoise RosayShared titles: The Seven Deadly Sins (1952), Elles étaient douze femmes (1940)See all 2 shared titles with Françoise Rosay
Cinematographers
- Robert LefebvreShared titles: The Seven Deadly Sins (1952), Le Dernier des six (1941)See all 2 shared titles with Robert Lefebvre