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Aldo Lado

Aldo Lado

Writer, director and producer · Died November 25, 2023, aged 88 · Fiume, Istria, Italy [now Rijeka, Croatia]

Aldo Lado was born in Fiume, Italy (today Rijeka, Croatia) on 5 December 1934. Lado came up through the film industry as an assistant director, notably to Bernardo Bertolucci on The Conformist (1970). After writing the story for the 1971 giallo The Designated Victim, he made his directorial debut later that year with Short Night of Glass Dolls. Lado took the job after two previous directors, Maurizio Lucidi and Antonio Margheriti, fell through. The film was a success, and he followed it with another giallo, Who Saw Her Die?. Lado's subsequent films were in a variety of genres, including drama (Woman Buried Alive, The Cousin), romance (La cosa buffa), and horror (Last Stop on the Night Train). In 1979, he directed the Star Wars cash-in The Humanoid, for which he was credited under the George Lucas-esque pseudonym "George B. Lewis". In 1981, he directed the Alberto Moravia adaptation La disubbidienza. In 2013, after a 20-year hiatus, he directed the film Il Notturno di Chopin. Lado published his first short story in 2016, in the anthology Nuovi delitti di lago. In 2017 he published I film che non vedrete mai ('The films you will never see'), a compilation based on Lado's own unproduced screenplays. Lado died at his home in Rome on the morning of 25 November 2023, at the age of 88.

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Biography from TMDB.

Born
December 5, 1934
Died
November 25, 2023 (aged 88)
From
Fiume, Istria, Italy [now Rijeka, Croatia]
Works as
Writer, director and producer
Titles
11 on MovieCove · 30 credits in all
TMDB popularity, last 39 days to Oct 28Down 14% in 30 days

What are Aldo Lado's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 6 · Heightened 2

Gentle 1 · Charged 6 · Intense 3

Steady 4 · Shifting 6 · Whiplash 0

Straight-faced 6 · Some laughs 4 · Funny 0

Slow burn 5 · Even-paced 5 · Relentless 0

Casual 6 · Engaged 3 · Full focus 1

A split, not a type: Easy watch 4 · Affecting 2 · Heavy 4

Resolved 9 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
4
Melancholic
5
Romantic
3
Thrilling
2
Other
5

How their films end · 1 with a twist

  • Happy1
  • Bittersweet5
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aldo Lado's films?

As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Aldo Lado's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 11 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Il notturno di Chopin (not in the MovieCove catalog yet)(2012)

    Director · Editor · Producer · Writer

  • Hollywood Flies(2005)

    Story · Writer

    Midcredits score: 8th percentile of all films
  • Marquise(1997)

    Line Producer

    Midcredits score: 37th percentile of all films
  • Farinelli(1994)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • Power and Lovers (not in the MovieCove catalog yet)(1994)

    Director · Story · Writer

  • Dark Friday (not in the MovieCove catalog yet)(1993)

    Director · Writer

  • Circle of Fear (not in the MovieCove catalog yet)(1992)

    Director · Screenplay · as Bearded Cop Talking to Photo Anyalist (uncredited)

  • Ritual of Love (not in the MovieCove catalog yet)(1990)

    Director · Screenplay · Story

  • Sahara Heat(1987)

    Director · Writer

    Midcredits score: 27th percentile of all films
  • La città di Miriam (not in the MovieCove catalog yet)(1983)

    Director

  • Mora (not in the MovieCove catalog yet)(1982)

    as Père d'Aline

  • La pietra di Marco Polo (not in the MovieCove catalog yet)(1982)

    Show 26 episodes · Director · Creator

  • Disobedience (not in the MovieCove catalog yet)(1981)

    Director · Screenplay

  • The Day of the Cobra(1980)

    Screenplay · Story

    Midcredits score: 41st percentile of all films
  • Crime in Via Teulada (not in the MovieCove catalog yet)(1980)

    Director · Writer

  • The Humanoid(1979)

    Director · Writer

    Midcredits score: 3rd percentile of all films
  • Il prigioniero (not in the MovieCove catalog yet)(1978)

    Director

  • Born Winner (not in the MovieCove catalog yet)(1976)

    Director · Screenplay

  • Last Stop on the Night Train(1975)

    Director · Writer

    Midcredits score: 45th percentile of all films
  • The Cousin(1974)

    Director

    Midcredits score: 16th percentile of all films
  • Woman Buried Alive (not in the MovieCove catalog yet)(1973)

    Director · Screenplay

  • La cosa buffa (not in the MovieCove catalog yet)(1972)

    Director · Screenplay

  • Blessed Are the Rich (not in the MovieCove catalog yet)(1972)

    Screenplay · Story

  • Who Saw Her Die?(1972)

    Director · Writer

    Midcredits score: 56th percentile of all films
  • Short Night of Glass Dolls(1971)

    Director · Screenplay · Story

    Midcredits score: 68th percentile of all films
  • Million Dollar Eel (not in the MovieCove catalog yet)(1971)

    First Assistant Director · Story · Writer

  • The Designated Victim (not in the MovieCove catalog yet)(1971)

    Assistant Director · Story

  • The Conformist(1970)

    First Assistant Director

    Midcredits score: 97th percentile of all films
  • Cry of Death (not in the MovieCove catalog yet)(1968)

    Screenplay · Story

  • Colt in the Hand of the Devil (not in the MovieCove catalog yet)(1967)

    Assistant Director

Career shape

A full career of 30 titles from 1967 to 2012.

By role

only this rolewith another role
Acting2 of 30: 1 only acting, 1 with another roleDirecting19 of 30: 3 only directing, 16 with another role · typical Midcredits score36thWriting21 of 30: 4 only writing, 17 with another role · typical Midcredits score41stProducing3 of 30: 2 only producing, 1 with another roleEditing1 of 30: 0 only editing, 1 with another roleOther crew5 of 30: 2 only other crew, 3 with another role

30 titles, 18 with more than one role — writing and directing overlap on 15 of them.

By decade

1960s2 · crew1970s13 · crew1980s7 · 1 acting · 6 crew1990s6 · 1 acting · 6 crew2000s1 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Aldo Lado's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 10

Approval · how many liked their films

38thpercentile
Typical film, the median of 10

Reach · how many have seen their films

55thpercentile
Typical film, the median of 10

Midcredits score across 11 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

3 of their 11 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser3
  • Broadly Agreed2
  • Mixed3

Reviewers score the dialogue 44/100 and the plot and story 37/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Aldo Lado's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 53 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Aldo Lado work with?

People who share at least 2 of Aldo Lado's MovieCove titles, grouped by what they did on them; Ennio Morricone shares the most, 5.

Writers

Actors

Composers, cinematographers and editors

Producers