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MovieCove

Robin Laing

Producer

Works as
Producer
Titles
3 on MovieCove · 13 credits in all
TMDB popularity, last 37 days to Oct 26Up 6% in 30 days

What are Robin Laing's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
61%
Morality
14%
Bonds
12%
Society
12%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 1 · Heightened 1

Gentle 1 · Charged 2 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 0 · Affecting 1 · Heavy 2

Resolved 1 · Open-ended 0 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Romantic
1
Tense
1
Hopeful
1
Bittersweet
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robin Laing's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Robin Laing's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 3 with a MovieCove page.

  • Poppy(2021)

    Producer

    Midcredits score: 81st percentile of all films
  • A Heavenly Vintage(2009)

    Producer

    Midcredits score: 31st percentile of all films
  • Perfect Strangers(2003)

    Producer

    Midcredits score: 20th percentile of all films
  • Dark Stories: Tales from Beyond the Grave (not in the MovieCove catalog yet)(2001)

    Producer

  • Stickmen (not in the MovieCove catalog yet)(2001)

    Executive Producer

  • Thinking About Sleep (not in the MovieCove catalog yet)(1999)

    Producer

  • The Imploding Self: A Journey Through the Life of Fergus McLafferty (not in the MovieCove catalog yet)(1995)

    Producer

  • Stroke (not in the MovieCove catalog yet)(1994)

    Producer

  • Bread & Roses (not in the MovieCove catalog yet)(1993)

    Producer

  • Absent Without Leave (not in the MovieCove catalog yet)(1993)

    Producer

  • Ruby and Rata (not in the MovieCove catalog yet)(1990)

    Producer

  • Mr. Wrong (not in the MovieCove catalog yet)(1986)

    Producer

  • Dangerous Orphans (not in the MovieCove catalog yet)(1985)

    Producer

Career shape

A full career of 12 titles from 1985 to 2009.

By role

only this rolewith another role
Producing12 of 12: 12 only producing, 0 with another role

By decade

1980s2 · crew1990s6 · crew2000s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Robin Laing's films land?

Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 3

Approval · how many liked their films

33rdpercentile
Typical film, the median of 3

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 25th to 49th1
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robin Laing work with?

People who share at least 2 of Robin Laing's MovieCove titles, grouped by what they did on them; David Donaldson shares the most, 2.

Composers