
Libertad Lamarque
Actor · Died December 12, 2000, aged 92 · Rosario, Santa Fé, Argentina
Libertad Lamarque (November 24, 1908 – December 12, 2000) was an Argentine actress and singer, one of the icons of the Golden Age of Argentine and Mexican cinema. She achieved fame throughout Latin America, and became known as “La Novia de América” (“The Sweetheart of the Americas”). By the time she died in 2000, she had appeared in 65 films (21 filmed in Argentina, 45 in Mexico and one in Spain) and six soap operas, had recorded over 800 songs and had made innumerable theatrical appearances.
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Biography from TMDB.
- November 24, 1908
- December 12, 2000 (aged 92)
- Rosario, Santa Fé, Argentina
- Actor
- 8 on MovieCove · 71 credits in all
What are Libertad Lamarque's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 2 · Serious 2 · Dark 1
Grounded 3 · Stylized 2 · Heightened 0
A split, not a type: Gentle 3 · Charged 1 · Intense 1
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Hero: 5 of 6 analyzed roles.
- Heroas María Grever in Cuando me vaya (1954)
- Heroas Laura Galván in Escuela de música (1955)
- Heroas Adriana in La mujer X (1955)
- Heroas Carmen in Bodas de oro (1956)
- Heroas Lina Alonso in Hoy he soñado con Dios (1972)
- Mentoras Madre Superiora Piedad de la Luz in Carita de ángel (2000)
Moods and endings
- Happy3
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Libertad Lamarque's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Libertad Lamarque's titles on MovieCove; rent and buy are not counted.
Filmography
71 credits, 8 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Carita de ángel(2000)
Midcredits score: 60th percentile of all shows
Beyond Deceptions (not in the MovieCove catalog yet)(1998)

La usurpadora(1998)
Midcredits score: 80th percentile of all shows
Al corazón (not in the MovieCove catalog yet)(1996)

Soledad (not in the MovieCove catalog yet)(1980)

México de mis amores (not in the MovieCove catalog yet)(1979)

La mamá de la novia (not in the MovieCove catalog yet)(1978)

La loca de los milagros (not in the MovieCove catalog yet)(1975)

Black Is Beautiful (not in the MovieCove catalog yet)(1974)

Hoy he soñado con Dios(1972)
Midcredits score: 59th percentile of all films (provisional, few ratings)
La sonrisa de mamá (not in the MovieCove catalog yet)(1972)

Rosas blancas para mi hermana negra (not in the MovieCove catalog yet)(1970)

The Prodigal Son (not in the MovieCove catalog yet)(1968)

Arrullo de Dios (not in the MovieCove catalog yet)(1967)

La vida de Pedro Infante (not in the MovieCove catalog yet)(1966)

Los hijos que yo soñé (not in the MovieCove catalog yet)(1965)

Canta mi corazón (not in the MovieCove catalog yet)(1965)

Canción del alma (not in the MovieCove catalog yet)(1964)

Heaven and Earth (not in the MovieCove catalog yet)(1962)

Bello recuerdo (not in the MovieCove catalog yet)(1961)

Amor en la sombra (not in the MovieCove catalog yet)(1960)

Creo en ti (not in the MovieCove catalog yet)(1960)
La cigüeña dijo sí (not in the MovieCove catalog yet)(1960)

The Sin of a Mother (not in the MovieCove catalog yet)(1960)

Yo pecador (not in the MovieCove catalog yet)(1959)
My Parents Are Divorced (not in the MovieCove catalog yet)(1959)

Sabrás que te quiero (not in the MovieCove catalog yet)(1958)

Music of Always (not in the MovieCove catalog yet)(1958)

Cuatro copas (not in the MovieCove catalog yet)(1958)
La mujer que no tuvo infancia (not in the MovieCove catalog yet)(1957)

Backstage (not in the MovieCove catalog yet)(1957)

Bodas de oro(1956)
Midcredits score: 67th percentile of all films (provisional, few ratings)
Historia de un amor (not in the MovieCove catalog yet)(1956)

Escuela de música(1955)
Midcredits score: 73rd percentile of all films
La mujer X(1955)
Midcredits score: 49th percentile of all films (provisional, few ratings)
Si volvieras a mi (not in the MovieCove catalog yet)(1954)

Cuando me vaya(1954)
Midcredits score: 67th percentile of all films (provisional, few ratings)
La infame (not in the MovieCove catalog yet)(1954)

Reportaje(1953)
Midcredits score: 80th percentile of all films
Anxiety (not in the MovieCove catalog yet)(1953)

Nunca es tarde para amar (not in the MovieCove catalog yet)(1953)

Remember to Live (not in the MovieCove catalog yet)(1953)

Forgotten Faces (not in the MovieCove catalog yet)(1952)

Mi campeón (not in the MovieCove catalog yet)(1952)

Te Sigo Esperando (not in the MovieCove catalog yet)(1952)

La loca (not in the MovieCove catalog yet)(1952)

La mujer sin lagrimas (not in the MovieCove catalog yet)(1951)

La marquesa del barrio (not in the MovieCove catalog yet)(1951)

Huellas del pasado (not in the MovieCove catalog yet)(1950)

Otra primavera (not in the MovieCove catalog yet)(1950)

La dama del velo (not in the MovieCove catalog yet)(1949)

Soledad (not in the MovieCove catalog yet)(1947)

Gran Casino (not in the MovieCove catalog yet)(1947)

Romance musical (not in the MovieCove catalog yet)(1947)

The Circus Cavalcade (not in the MovieCove catalog yet)(1945)

El fin de la noche (not in the MovieCove catalog yet)(1944)

Eclipse de sol (not in the MovieCove catalog yet)(1943)

En el viejo Buenos Aires (not in the MovieCove catalog yet)(1942)

I Knew That Woman (not in the MovieCove catalog yet)(1942)

Una vez en la vida (not in the MovieCove catalog yet)(1941)

Appointment at the Border (not in the MovieCove catalog yet)(1940)

La casa del recuerdo (not in the MovieCove catalog yet)(1940)

Caminito de Gloria (not in the MovieCove catalog yet)(1939)

Puerta cerrada (not in the MovieCove catalog yet)(1939)

La ley que olvidaron (not in the MovieCove catalog yet)(1938)

Honeysuckle (not in the MovieCove catalog yet)(1938)

Bewitching Kisses (not in the MovieCove catalog yet)(1937)

Help Me to Live (not in the MovieCove catalog yet)(1936)

El alma del bandoneón (not in the MovieCove catalog yet)(1935)

¡Tango! (not in the MovieCove catalog yet)(1933)
Adiós, Argentina (not in the MovieCove catalog yet)(1930)
Career shape
Star power in the 88th percentile of 239,109 people with a billed film role, over a full career of 71 titles from 1930 to 2000.
Film career
Top draw in 1 MovieCove title.
- 1947Screen debut· Gran Casino
- 1955First top-billed film· Music School
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Libertad Lamarque's films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th1
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Libertad Lamarque work with?
People who share at least 2 of Libertad Lamarque's MovieCove titles, grouped by what they did on them; Manuel Esperón shares the most, 4.
Directors
- Julián SolerShared titles: Hoy he soñado con Dios (1972), La mujer X (1955)See all 2 shared titles with Julián Soler

- Tito DavisonShared titles: Bodas de oro (1956), Cuando me vaya (1954)See all 2 shared titles with Tito Davison

Writers
- Edmundo BáezShared titles: Bodas de oro (1956), Escuela de música (1955), La mujer X (1955)See all 3 shared titles with Edmundo Báez
- Ernesto CortázarShared titles: Bodas de oro (1956), Cuando me vaya (1954)See all 2 shared titles with Ernesto Cortázar

- Fernando GalianaShared titles: Bodas de oro (1956), Cuando me vaya (1954)See all 2 shared titles with Fernando Galiana

Actors
- Juan Pablo GamboaShared titles: Carita de ángel (2000), La usurpadora (1998)See all 2 shared titles with Juan Pablo Gamboa

- José Elías MorenoShared titles: Bodas de oro (1956), La mujer X (1955)See all 2 shared titles with José Elías Moreno

- Andrés SolerShared titles: La mujer X (1955), Cuando me vaya (1954)See all 2 shared titles with Andrés Soler

- Hortensia SantoveñaShared titles: La mujer X (1955), Cuando me vaya (1954)See all 2 shared titles with Hortensia Santoveña

Composers, cinematographers and editors
- Manuel EsperónShared titles: Bodas de oro (1956), Escuela de música (1955), La mujer X (1955), Cuando me vaya (1954)See all 4 shared titles with Manuel Esperón

- Rafael CeballosShared titles: Bodas de oro (1956), La mujer X (1955)See all 2 shared titles with Rafael Ceballos
- José Ortiz RamosShared titles: Escuela de música (1955), Cuando me vaya (1954)See all 2 shared titles with José Ortiz Ramos
Producers
- Gregorio WalersteinShared titles: Hoy he soñado con Dios (1972), Bodas de oro (1956), La mujer X (1955)See all 3 shared titles with Gregorio Walerstein
