Marsh Lamore

What are Marsh Lamore's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marsh Lamore's films?

As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service, most on Disney+ (4).

• Disney+4 titles, browse their movies on this service
  • Mickey's Once Upon a Christmas (1999) · animation director
  • Kim Possible: So the Drama (2005) · other
  • Aladdin and the King of Thieves (1996) · animation director
  • The Return of Jafar (1994) · animation director
• Prime Video2 titles, browse their movies on this service
  • He-Man and the Masters of the Universe (1983) · director
  • She-Ra: Princess of Power (1985) · director
• The Roku Channel2 titles, browse their movies on this service
  • He-Man and the Masters of the Universe (1983) · director · free
  • She-Ra: Princess of Power (1985) · director · free
• Tubi1 title, browse their movies on this service
  • He-Man and the Masters of the Universe (1983) · director · free

Subscription and free streaming for Marsh Lamore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 11 with a MovieCove page.

• 

  Kim Possible: So the Drama(2005)

  Other

  Midcredits score: 83rd percentile of all films83^rd
• 

  Mickey's Once Upon a Christmas(1999)

  Animation Director

  Midcredits score: 83rd percentile of all films83^rd
• 

  Aladdin and the King of Thieves(1996)

  Animation Director

  Midcredits score: 53rd percentile of all films53^rd
• 

  The Return of Jafar(1994)

  Animation Director

  Midcredits score: 32nd percentile of all films32^nd
• 

  Cartoon All-Stars to the Rescue(1990)

  Director

  Midcredits score: 41st percentile of all films41^st
• 

  Ghostbusters(1986)

  Show Director

  Midcredits score: 22nd percentile of all shows22^nd
• 

  He-Man and She-Ra: The Secret of the Sword(1985)

  Director

  Midcredits score: 75th percentile of all films75^th
• 

  She-Ra: Princess of Power(1985)

  Show Director

  Midcredits score: 46th percentile of all shows46^th
• 

  He-Man and the Masters of the Universe(1983)

  Show 5 episodes · Director

  Midcredits score: 74th percentile of all shows74^th
• 

  Mighty Mouse in the Great Space Chase(1982)

  Director

  Midcredits score: 38th percentile of all films38^th
• 

  Flash Gordon: The Greatest Adventure of All(1982)

  Director

  Midcredits score: 83rd percentile of all films83^rd
• 

  The Fat Albert Easter Special (not in the MovieCove catalog yet)(1982)

  Animation Director

Career shape

A full career of 10 titles from 1982 to 2005.

Biggest box office

He-Man and She-Ra: The Secret of the Sword (1985)

$7.7M worldwide

Highest rated

He-Man and She-Ra: The Secret of the Sword (1985)

Midcredits 75^th

Most popular right now

He-Man and the Masters of the Universe (1983)

How do Marsh Lamore's films land?

Their typical MovieCove film has a Midcredits score in the 64^th percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 51^st percentile for acclaim.

Shape of the crowd

7 of their 11 titles are Crowd Pleasers.

27

• Cult Classic2
• Crowd Pleaser7
• Broadly Agreed1
• Mixed1

Most divisive · director

Mighty Mouse in the Great Space Chase (1982)

84^th percentile spread · 27% rated it 4 or lower

Most loved · director

Flash Gordon: The Greatest Adventure of All (1982)

Midcredits 83^rd · 77% liked

Reviewers score the atmosphere 62/100 and the pacing 58/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Marsh Lamore work with?

People who share at least 2 of Marsh Lamore's MovieCove titles, grouped by what they did on them; Ed Friedman shares the most, 5.